Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient. 256 pp.

    Situated on the edge of the Little Snake sand hills, Juliet and its inhabitants are caught in limbo between a century — old promise of prosperity and whatever lies ahead.But the heart of the town beats in the rich and overlapping stories of its people: the foundling who now owns the farm his adoptive family left him; the pregnant teenager and her mother, planning a fairytale wedding; a shy couple, well beyond middle age, struggling with the recognition of their feelings for one another; a camel named Antoinette; and the ubiquitous wind and sand that forever shift the landscape. Their stories bring the prairie desert and the town of Juliet to vivid and enduring life.This wonderfully entertaining, witty and deeply felt novel brims with forgiveness as its flawed people stumble towards the future.

    And like the tumultuous meeting of the cataract's waters with the rocks below, a chance encounter between Tom and 17-year-old Bess Heath has an explosive effect. When they first meet on a trolley platform, Bess immediately recognizes the chemistry between them, and the feeling is mutual. But the hopes of young love are constrained by the 1915 conventions of Niagara Falls, Ontario. Tom's working-class pedigree doesn't suit Bess's family, despite their recent fall from grace. Sacked from his position at a hydroelectric power company, Bess's father has taken to drink, forcing her mother to take in sewing for the society women who were once her peers. Bess pitches in as she pines for Tom, but at her young age, she's unable to fully realize how drastically her world is about to change. Set against the resounding backdrop of the falls, Cathy Marie Buchanan's carefully researched, capaciously imagined debut novel entwines the romantic trials of a young couple with the historical drama of the exploitation of the river's natural resources. The current of the river, like that of the human heart, is under threat: "Sometimes it seems like the river is being made into this measly thing," says Tom, bemoaning the shortsighted schemes of the power companies. "The river's been bound up with cables and concrete and steel, like a turkey at Christmastime." Skillfully portraying individuals, families, a community, and an environment imperiled by progress and the devastations of the Great War, The Day the Falls Stood Still beautifully evokes the wild wonder of its setting, a wonder that always overcomes any attempt to tame it. But at the same time, Buchanan's tale never loses hold of the gripping emotions of Tom and Bess's intimate drama. The result is a transporting novel that captures both the majesty of nature and the mystery of love.Also, download the free study guide: http://bookclubs.barnesandnoble.com/t....

    Determined to find redemption in the midst of their derision and to find joy despite uncertainty, Moira faces impossible choices with consequences beyond anything she can imagine.Thrown into the purgatory of a bleak prairie landscape as unforgiving as her mother, twenty-year-old Newfoundlander Moira Burns is certain she will rise above the locals of Ibsen, Saskatchewan. Until the reasons for her flight west become clear. Until she is befriended by a prostitute and courted by a ‘half breed’. Until she becomes the “dolly-bird” of superstitious Irish Catholic homesteader, Dillan Flaherty.Scattered through with birth, death, and the violent potential of both man and the elements, Dollybird excavates the small mercies which come to mean more than they should on a prairie peopled with characters struggling under a huge sky that waits, not so quietly, for them to fail.

    It's a time when the growing threat of fascism in Europe is a constant worry, and people escape from reality through radio and the movies. Meanwhile, the two sisters -- vastly different in personality, yet inextricably linked by a shared past -- try to find their places within the complex web of social expectations for young women in the 1930s.While Nora embarks on a glamorous career as a radio-soap opera star, Clara, a strong and independent-minded woman, struggles to observe the traditional boundaries of a small and tight-knit community without relinquishing her dreams of love, freedom, and adventure. However, things aren't as simple as they appear -- Nora's letters eventually reveal life in the big city is less exotic than it seems, and the tranquil solitude of Clara's life is shattered by a series of unforeseeable events. These twists of fate require all of Clara's courage and strength, and finally put the seemingly unbreakable bond between the sisters to the test.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    As a young child, Moth's father smiled, tipped his hat and walked away from her forever. The summer she turned twelve, her mother sold her as a servant to a wealthy woman, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, where eventually she meets Miss Everett, the owner of a brothel simply known as "The Infant School." Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. Through the friendship of Dr. Sadie, a female physician, Moth learns to question and observe the world around her, where her new friends are falling prey to the myth of the "virgin cure" - that deflowering a "fresh maid" can heal the incurable and tainted. She knows the law will not protect her, that polite society ignores her, and still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    At nineteen, Mary Boulton has just become a widow—and her husband's killer. As bloodhounds track her frantic race toward the mountains, she is tormented by mad visions and by the knowledge that her two ruthless brothers-in-law are in pursuit, determined to avenge their younger brother's death. Responding to little more than the primitive fight for life, the widow retreats ever deeper into the wilderness—and into the wilds of her own mind—encountering an unforgettable cast of eccentrics along the way. With the stunning prose and captivating mood of great works like Charles Frazier's Cold Mountain or early Cormac McCarthy, Gil Adamson's intoxicating debut novel weds a brilliant literary style to the gripping tale of one woman's desperate escape.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    Lizzy is the steadfast grandmother; crazy, red-haired Josie, the mother; and Kit, the 14-year-old daughter who tells their story. Like a maritime cutter, the narrative sails along smoothly, and much of the dialogue is in the distinctive argot of that windy Atlantic island: "When it's clear like ice and ribbed on the bottom--that's the killin' frost. Your berries are dead. Good for moose and caribou pickin's. Now, there's them that picks 'em anyway, and that's why their jam is as tart as a whore's arse." With its partridgeberry patches, moose stew, and endless cups of tea, this is quintessential Newfoundland. After Lizzy dies, the nasty local pastor wants to put Kit in an orphanage and Josie in an appropriate institution. The compassionate Doctor Hodgins becomes their staunch defender against both do-gooders and those plotting Kit's downfall. This first novel is a female coming-of-age story of the rural variety, replete with endemic poverty, good-hearted and downright evil village people, and the constant irritant of Newfoundland's raw, nasty weather. It is also the touching story of Kit's first love, and it reads like a breeze. --Mark Frutkin

    Mitchell died in 1998, he was described as "Canada's best-loved writer." Every commentator agreed that his best—and his best-loved—book was Who Has Seen the Wind. Since it was first published in 1947, this book has sold almost a million copies in Canada.As we enter the world of four-year-old Brian O'Connal, his father the druggist, his Uncle Sean, his mother, and his formidable Scotch grandmother ("she belshes … a lot"), it soon becomes clear that this is no ordinary book. As we watch Brian grow up, the prairie and its surprising inhabitants like the Ben and Saint Sammy—and the rich variety of small-town characters—become unforgettable. This book will be a delightful surprise for all those who are aware of it, but have never quite got around to reading it, till now.

    Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined. Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land.Elizabeth Hay has been compared to Annie Proulx, Alice Hoffman, and Isabel Allende, yet she is uniquely herself. With unforgettable characters, vividly evoked settings, in this new novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet.

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.