"I don't want his stopwatch. I want him." Grampa used to time everything. A race to the end of the street and back: 24 seconds. Eating bubblegum ice cream: 1 minute, 58 seconds. But now, Grampa's gone. "There are no more Grampa minutes, Grampa seconds," the child says. "Time just stops." As the seasons come and go, the stopwatch becomes a cherished symbol of remembrance, and the child uses it to carry on Grampa's favorite pastimes and traditions.Loretta Garbutt uses subtlety and sensitivity to explore the five stages of grief (denial, anger, bargaining, depression, acceptance) in this moving picture book story of loss. It features a gender-neutral main character (no first name or pronouns are given) making the story universally relatable. This is a perfect choice for fostering discussions with children about their emotions, particularly the feeling of loss. It also offers a poignant representation of an intergenerational relationship between a grandfather and grandchild. Carmen Mok's expressive and thoughtful illustrations employ a limited color palette to convey the character's emotional trajectory. There are curriculum applications here in social-emotional development as well as character education lessons in caring and resilience.

    Merz asks her sixth grade class to write poems of apology, they end up liking their poems so much that they decide to put them together into a book. Not only that, but they get the people to whom they apologized to write poems back.In haiku, pantoums, two-part poems, snippets, and rhymes, Mrs. Merz’s class writes of crushes, overbearing parents, loving and losing pets, and more. Some poets are deeply sorry; some not at all. Some are forgiven; some are not. In each pair of poems a relationship, a connection, is revealed.

    . . turns himself into a little old man, defeats his aunt and uncle at cards, and lets a rabbit chase the dog, before turning back into a child".--New York Times Book Review.

    Now shimmering illustrations, as bejeweled and golden as the Prince himself, give glowing life to the many dimensions of his tale. His story of friendship, love, and a willingness to part with one's own riches may be more important today than ever before. Full color.

    Clair is going to be a lawyer. She was the fastest girl in New York City. She knows everything there is to know about the brain. And now that she’s living in Crow, Iowa, she wants to ride into her first day of school on a cow named Willowdale Princess Deon Dawn. But Gwyn isn’t in Crow, Iowa, just for royal cows. Her family has moved there, where her parents grew up, in the hopes of jogging her mother Vienna’s memory. Vienna has been suffering from memory loss since Gwyn was four. She can no longer remember anything past the age of thirteen, not even that she has two young daughters. Gwyn’s father is obsessed with finding out everything he can to help his wife, but Gwyn’s focused on problems that seem a little more within her reach. Like proving that the very strange Gaysie Cutter who lives next door is behind the disappearance of her only friend, Wilbur Truesdale. Gwyn is sure she can crack the case, but when she does she finds that not all of her investigations lead her to the places she would have expected. In fact they might just lead her to learn about the mother she’s been doing her best to forget.

    It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    In this moving story, a little girl helps her grandfather reach his memories through the simple act of making hats from folded newspaper.

    A hungry Curious George snatches a pail of bananas from the zoo keeper. Though he shouldn't have taken the bananas, George soon changes the zookeeper's shouts to praise with his clever, helpful ways.

    A friend who shares. A friend who listens. Maybe even a friend who likes things to stay the same and all in order, as Henry does. But on a day full of too close and too loud, when nothing seems to go right, will Henry ever find a friend—or will a friend find him? A story from the perspective of a boy on the autism spectrum.

    When my grandfather came to Americahe made himself a handsome coat!Then he wore it and he wore it and he wore it--until it was all worn out!So what did he do?He snipped and he clipped--and he stitched and he sewed...and out of the still-good cloth of his coat--he made himself a smart jacket!How many things can Grandfather makeout of that old frayed coat?

    One is raised by a grandmother, and another has two dads. One is full of stepsiblings, and another has a new baby.As one by one, her classmates describe who they live with and who loves them — family of every shape, size and every kind of relation — the child realizes that as long as her family is full of caring people, her family is special.A warm and whimsical look at many types of families written by award-winning author Sara O’Leary, A Family is a Family is a Family springs to life with quirky and sweet illustrations by Qin Leng.

    A hunter's bullet left Feather, a crane, injured and unable to fly. As Lotus nurses Feather back to health, their bond grows. Soon Feather is following Lotus everywhere, even to school! The bird dances to the girl's reed whistle, much to the delight of the other children. One day, when the village floods, Feather helps raise the alarm as Lotus and her grandfather urge their neighbors to get to high ground. Feather is a true friend to Lotus, but the time comes when Lotus must be a true friend to him--by encouraging him to migrate with the rest of the cranes. The next spring, Feather miraculously returns, and that's not all . . . he has brought new life to the nearby lake.Inspired by the true story of a crane that rescued a Chinese village, and graced with sensitive watercolor illustrations, this lovely book about respecting nature offers deep emotion and delightful surprises.

    This year, they're also preparing for the birth of a new brother or sister, due after the New Year. Vicky is worried that the baby will come early―what kind of Christmas Eve would it be without Mother to help them hang up stockings and sing everyone to sleep with carols?

    She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy. And she's determined to let everyone know it - somehow.

    This new edition, with Bernhard Oberdieck's dark, romantic images, perfectly brings to life this fiercely compelling fairy tale. — Maurice Sendak.