There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

    That she was an outcast set apart by her clairvoyance. That she was alone. Then came the stranger. Dangerously seductive Sean Ballagh appears out of nowhere with a startling story that will challenge everything Danni thought was true.A lost woman...He claims that Danni’s family has been searching for her ever since she disappeared twenty years ago. He’s come to bring her home to Ireland. But Danni fears there’s more to his story than he dares to reveal. And the only way to find out is by following Sean back in time, to a forgotten past, to a world where nothing is what it seems.A terrifying legacy...Now, in a land where the mystical and the occult are as vivid as the emerald fields, Danni must rewrite history to save her family, to fight a force more evil than she ever imagined, and to reunite with the one man she was destined for—or live forever in time as nothing more than an ethereal memory, a tragic and haunting beauty...

    With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    Even if that means literally throwing herself at the Duke and risking her own ruination.No man is arguably more broken and debauched than Timothy Burton, the Duke of Marfront. But, according to his father’s will, he needs to wed and produce an heir. Only, he never sleeps with the same woman twice.When Diana finds herself bound to the same man she wanted to frame, she starts discovering not only his tender, guarded heart, but the big secret surrounding his mother’s death. For, she is about to follow her cold trail...

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Her mam died giving birth to her, her drunken father George Kenney ignored her unless he was cursing her, and only beloved Auntie Biddy provided an anchor for the little girl. Growing up in post-war Blackburn, life could be tough when Biddy had to take in washing to make ends meet - at a time when the washing machine began to gain popularity. After Auntie Biddy's death there was only Queenie to care for the home and to earn money, and no one to protect her from the father who blamed his daughter for her mother's death.But Queenie was resilient. And in spite of hardship, she grew up tall and strikingly beautiful with her deep grey eyes and her abundant honey-coloured hair. Love, in the shape of Rick Marsden, might have released her from the burden of the drink-sodden George. But the sins of the fathers would not be easily forgotten . . .

    Gabe Miller is going to Turin, Italy. His task is to once and for all verify the authenticity of the Shroud of Turin – the purported burial cloth of Jesus Christ. However, that is not why he is really going. Unknown to Dr. Miller, he is being sent to steal blood samples from the Shroud. His company has perfected a way to use DNA from any blood samples to recumbently clone humans. In Italy, Dr. Miller is protected by the head of Vatican Security, Father Dolan, a reformed mercenary who has a closet full of skeletons that he is atoning for. Miller has no idea of what he is getting into, but quickly discovers that people want him dead. As Dolan protects Miller, they uncover the real secret behind the trip to Turin, but not before a woman is impregnated with the clone. Miller and Dolan know they have to rescue the pregnant women. Once they do, the trio is hunted across the United States by a multitude of fanatical groups .The Shroud of Turin has been in public awareness since 1350 when it was brought to France after the Second Crusades. It has become the Catholic Church's most visible and sacred relic. Wars have been fought over it. The Church has been protecting it for over five hundred years. Why? Is the Shroud of Turin real? If so, what of the pregnant women? Can she be carrying the second coming of Jesus? Start the journey that is woven into the Fabric of Man.

    In an attempt to escape her not-so-innocent past in Glasgow, Bessy Buckley—a wide-eyed and feisty young Irish girl—takes a job as a maid in a big house outside Edinburgh working for the beautiful Arabella—the "missus." Bessy lacks the necessary scullery skills for her new position, but as she finds out, it is her ability to read and write that makes her such a desirable property. Bessy is intrigued by her new employer but puzzled by her increasingly strange requests and her insistence that Bessy keep a journal of her mundane chores and most intimate thoughts. And it seems that the missus has a few secrets of her own, including her near- obsessive affection for Nora, a former maid who died in mysterious circumstances. Giving in to her curiosity, Bessy makes an infuriating discovery and, out of jealousy, concocts a childish prank that backfires and threatens to jeopardize all that she has come to hold dear. Yet even when caught up in a tangle of madness, ghosts, sex, and lies, she remains devoted to Arabella. But who is really responsible for what happened to her predecessor Nora? As her past threatens to catch up with her and raise the stakes even further, Bessy begins to realize that she has not quite landed on her feet. The Observations is a brilliantly original, endlessly intriguing story of one woman’s journey from a difficult past into an even more disturbing present, narrated by one of the most vividly imagined heroines in recent fiction. This powerful story of secrets and suspicions, hidden histories and mysterious disappearances is at once compelling and heart-warming, showing the redemptive power of loyalty and friendship. A hugely assured and darkly funny debut, The Observations is certain to establish Jane Harris as a significant new literary talent.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    So when he meets Marguerite, a bright young American with whom he can talk freely about both, he is able to love again and takes her back to Ireland as his wife. But Marguerite soon discovers that married life is not what she expected, and that she has married into a troubled family bitterly divided by love and hatred. Cashelmara becomes the curse of three generations as they play out their fates in a spellbinding drama, which moves inexorably towards murder and retribution.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    Forced to keep house for her autocratic, charming father, Nelly toils in a sweatshop to keep her family fed and clothed. But when life is hard, Nelly has friendship, dancing and her early dreams to cling to. Dreams which slowly crumble as marriage, the war and a lost baby are followed by the heartache of a lost love. Fortune may crush her proud spirit but when faced with a crisis which will test her courage to the limit, no tragedy can change Nelly Kelly's determination to be her own woman.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.