The death of Eleanor's twin sister tears her family apart. Her father blames her mother for the accident. When Eleanor's mother looks at her, she sees only the daughter she lost. Their wounded family crumbles under the weight of their shared grief. 1993. Eleanor is fourteen years old when it happens for the first time... when she walks through an ordinary door at school and finds herself in another world. It happens again and again, but it's only a curiosity until that day at the cliffs. The day when Eleanor dives... and something rips her out of time itself. And on the other side, someone is waiting for her.

    A community in the Piedmont of North Carolina rises in outrage as a county initiative draws students from the largely Black east side of town into predominantly white high schools on the west. For two students, Gee and Noelle, the integration sets off a chain of events that will tie their two families together in unexpected ways over the span of the next twenty years. On one side of the integration debate is Jade, Gee's steely, ambitious mother. In the aftermath of a harrowing loss, she is determined to give her son the tools he'll need to survive in America as a sensitive, anxious, young Black man. On the other side is Noelle's headstrong mother, Lacey May, a white woman who refuses to see her half-Latina daughters as anything but white. She strives to protect them as she couldn't protect herself from the influence of their charming but unreliable father, Robbie. When Gee and Noelle join the school play meant to bridge the divide between new and old students, their paths collide, and their two seemingly disconnected families begin to form deeply knotted, messy ties that will shape the trajectory of their adult lives. And their mothers-each determined to see her child inherit a better life-will make choices that will haunt them for decades to come. As love is built and lost, and the past never too far behind, What's Mine and Yours is an expansive, vibrant tapestry that moves between the years, from the foothills of North Carolina, to Atlanta, Los Angeles, and Paris. It explores the unique organism that is every family: what breaks them apart and how they come back together.

    Now, amateur codebreaker Sara Thomas has been hired by a once-famous historian to crack the journal's cipher.But when she arrives in Paris, Sara finds herself besieged by complications from all sides: the journal's reclusive owner, her charming Parisian neighbor, and Mary, whose journal doesn't hold the secrets Sara expects. As Mary's tale grows more and more dire, Sara, too, must carefully choose which turning to take... to find the road that will lead her safely home.

    It is a sin she can never forgive herself for, so she pushes away the man she loves most, knowing that he would eventually hate her for what she’s done, the same way she hates herself.Twenty years later, Abby’s husband, Nate, is also living with a deep sense of guilt. He was the driver who first came upon the scene of Abby’s accident, the man who pulled her to safety before the car erupted in flames, the man who could not save her brother in time. It’s this guilt, this regret that binds them together. They understand each other. Or so Nate believes.In a strange twist of fate, Liam (her old lover—possibly her true soulmate) moves in with his own family next door, releasing a flood of memories that Abby has been trying to keep buried all these years. Abby and Liam, in a complicit agreement, pretend never to have met, yet cannot resist the pull of the past—nor the repercussions of the dark secrets they’ve both been carrying…

    As she takes in the magnificent energy and brassy sounds of her youth, the past comes to life, along with the fateful decision all those years ago that forced her to choose between personal conviction and social expectations, between the two men who had captured her heart. It had been a time of great music and love, but also of war and sacrifice, and now, trying to make peace with her memories, Lorraine must find the courage to face buried secrets. In the process, she will rediscover herself, her passion, and her capacity for resilience.Set during the 1940s and the present and inspired by a real-life ballroom, Stars Over Clear Lake is a moving story of forbidden love, lost love, everlasting love - and self love. (less)

     Evelyn set aside her career to marry late, and motherhood never became her. Her daughter Laura felt this acutely and wants desperately to marry, but she soon discovers her husband Gabe to be a man who expects too much of everyone in his life, especially his musician son. Grace has moved out from Laura and Gabe’s house, but can’t seem to live up to her potential—whatever that might be. In A Cloud in the Shape of a Girl we see these women and their trials, small and large: social slights and heartbreaks; marital disappointments and infidelities; familial dysfunction; mortality. Spanning from World War II to the present, Thompson reveals a matrilineal love story that is so perfectly grounded in our time—a story of three women regressing, stalling, and yes, evolving, over decades. One of the burning questions she asks is: by serving her family, is a woman destined to repeat the mistakes of previous generations, or can she transcend the expectations of a place, and a time? Can she truly be free? Evelyn, Laura, and Grace are the glue that binds their family together. Tethered to their small Midwestern town—by choice or chance—Jean Thompson seamlessly weaves together the stories of the Wise women with humanity and elegance, through their heartbreaks, setbacks, triumphs, and tragedies.

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    But in 2018, his perfect world is about to come crashing to the ground. His business is in the spotlight--and not in a good way--and his love life is under scrutiny. Because behind a glittering curtain of lavish parties, gorgeous homes, and a media empire is a tale worthy of any tabloid. And Harry has a lot to account for.

    After her mother’s death, penniless May Kimble lives a lonely life until an aunt she didn’t know existed summons her to San Francisco. There she’s welcomed into the wealthy Sullivan family and their social circle.Initially overwhelmed by the opulence of her new life, May soon senses that dark mysteries lurk in the shadows of the Sullivan mansion. Her glamorous cousin often disappears in the night. Her aunt wanders about in a laudanum fog. And a maid keeps hinting that May is in danger. Trapped by betrayal, madness, and murder, May stands to lose everything, including her freedom, at the hands of those she trusts most.Then, on an early April morning, San Francisco comes tumbling down. Out of the smoldering ruins, May embarks on a harrowing road to reclaim what is hers. This tragic twist of fate, along with the help of an intrepid and charismatic journalist, puts vengeance within May’s reach. But will she take it?

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.

    Now, at age fifty-five, his wife has left him, he hasn't sold a painting in two years, and his gallery wants to stop selling his work, claiming they'll have more value retrospectively...when he's dead. So, left with a large West London home and no income, he's forced to move into his artist's studio in the back garden and list his house on the popular vacation rental site, AirBed.A stranger now in his own home, with his daughter, Mia, off at art school, and any new relationships fizzling out at best, Bennett struggles to find purpose in his day-to-day. That all changes when three different guests--lonely American Alicia; tortured artist Emma; and cautiously optimistic divorcée Kirstie--unwittingly unlock the pieces of himself that have been lost to him for too long.Warm, witty, and utterly humane, Super Host offers a captivating portrait of middle age, relationships, and what it truly means to take a new chance at life.

    As she nears her ninety-first birthday, her daughter Jane, with whom she’s weathered a shaky relationship, suddenly moves back home. Then Millie’s granddaughter shares the thrilling surprise that she’s pregnant. But for Millie, the news stirs heartbreaking memories of a past she’s kept hidden for too long. Maybe it’s time she shared something, too. Millie’s last wish? For Jane to forgive her.Sixty years ago Millie was living a dream. She had a husband she adored, a job of her own, a precious baby girl, and another child on the way. They were the perfect family. All it took was one irreversible moment to shatter everything, reshaping Millie’s life and the lives of generations to come.As Millie’s old wounds are exposed, so are the secrets she’s kept for so long. Finally revealing them to her daughter might be the greatest risk a mother could take in the name of love.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    It can be found only in the final book of the series that made her a famous writer. But does that book exist?This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.