A rich compendium of looniness!

    Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold spreads. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger's art, including his use of collage, incorporation of religious themes and iconography, and frequent juxtaposition of innocence with violence. An essay by Brooke Davis Anderson illuminates Darger's source materials and techniques. Michael Bonesteel puts Darger's life in the context of his work and selects key texts to accompany the illustrations. The book also includes for the first time the text of Darger's History of My Life, A" the artist's autobiography. The only book of its kind, Henry Darger offers an authoritative, balanced, and insightful look at an American master

    A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Italo Calvino, Umberto Eco, Gilles Deleuze, Jean Baudrillard, Philip K. Dick, Paul McCartney, DJ Spooky, Peter Greenaway, and J. G. Ballard are among his many admirers. A community of scholars and artists maintain a posthumous dialogue with Jarry's ideas through the Collège de 'Pataphysique in Paris (named after the "science of imaginary solutions" he conceived), while a steady stream of books on twentieth-century drama pay tribute to his absurd and grotesque play, Ubu Roi. Even so, most people today tend to think of Jarry only as the author of that play, and of his life as a string of outlandish "ubuesque" anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy" that defined their relation. In short, Brotchie gives us the narrative version of what Jarry himself produced: a pataphysical life. Drawing on a wealth of new material, Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life.The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque," his inversions of everyday behavior (such as eating backwards, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.

    In Dimensions, he presented his theory that UFOs are probably not spacecraft but manifestations of a consciousness-controlling technology from "dimensions beyond spacetime"; in Confrontations, he bolstered that theory with examples from his own casebook. Here, deftly blending theory & memoir, he attempts to clear ufololgy of "the weeds & the vines of human fantasy &...the poisonous flowers of unbalanced minds." That is, to him, cases from the infamous Roswell incident (spacecraft & aliens purportedly captured by the USAAF in '47) to the popular legend of Area 51 (aliens working tentacle-in-hand with US officials beneath the Nevada desert) to the alleged abduction of Franck Fontaine in '79 (exhaustively researched 1sthand by Vallee) to the purported top-secret federal UFO-investigating committee of Howard Blum's Out There ('90) aren't only mostly nonsense, but--here's the rub--"complex hoaxes that have been carefully engineered for our benefit." But by whom, & why? By federal disinformation agents, & possibly as "psychological warfare experiments" or "as a cover for something else"--i.e., experimental spy/warcraft or real "flying discs." He offers little hard evidence to back those conjectures, but he does unglove the heavy hand of military intelligence in many cases, while at the same time exposing the absurdity of others, including Budd Hopkins' best-selling alien-rape reports. So what's left? A host of genuinely mysterious cases, e.g., the '89 USSR sightings, & the spirit of rigorous scientific inquiry that he urges they be subjected to. Except for his wobbly conclusions, a forceful & refreshingly iconoclastic study that, for all its good sense, will likely add up to only a cry in the alien-infested ufowilderness.--Kirkus (edited)

    This book presents the best of them: pipe-smoking robots, clairvoyant pennies, zoo jailbreaks, literary cannibals, corned beef in space, revolving squirrels, disappearing Scottish lighthouse keepers, reincarnated pussycats, dueling Churchills, horse spectacles, onrushing molasses, and hundreds more. Plus the obscure words, odd inventions, puzzles and paradoxes that have made the website a quirky favorite with millions of readers -- hundreds of examples of the marvelous, the diverting, and the strange, now in a portable format to occupy your idle hours.

    Book by Farrell, Joseph P.

    Encyclopaedia Anatomica does just this, page after page, with its high-quality color reproductions of the collection of Florence's Museo La Specola. This amazing set of anatomical models, made mostly of wax, are so brilliantly lifelike that the casual reader is sure to mistake them for extraordinarily well-preserved bodies. Organized by anatomical section, each of hundreds of models are displayed to show off their most flattering aspect; despite the respectful attitudes held by the book editors and designers, the macabre nature of the exhibits is irrepressible. Particularly eerie are the tableaux of Gaetano Giulio Zumbo, who used similar techniques to create terrifying metaphorical portraits of the harsh life of the 18th century. While the descriptions aren't specific enough to yield much insight into the anatomical detail, this would still make an excellent companion to a text or laboratory manual. The introductory essays cover the history of the museum, the artists, and their techniques thoroughly and engagingly. If the inside of the body is as beautiful to you as the outside, you should find Encyclopaedia Anatomica a charmingly powerful work. --Rob Lightner

    In this book, Keel leads the way into this mysterious realm, postulating that what we know--or, rather, think we know--about UFOs & their ilk is in need of serious reconsideration. The possibilities Keel has uncovered through his years of research are controversial, to say the least; what he has to say will undoubtedly infuriate or alienate (excuse the pun) many readers. This is most unfortunate, since Keel is only trying his best to make sense of what seems at times a senseless matter indeed, perpetuated by some eternally manipulative & elusive intelligence. If there was ever a "must-read" for anyone interested in the paranormal, occult etc., this must surely be it.--Michael Lubert

    They investigated the inexplicable. They had one hell of a hangover. On an odyssey of oddities that would take them all to the very limits of their imagination (and inebriation), bestselling author Nick Redfern teamed up with professional monster-hunters Jonathan Downes and Richard Freeman. For six weeks in the summer of 2001, the intrepid-yet-hard-partying trio rampaged across the remote wilds of Great Britain in hot pursuit of werewolves, lake monsters, giant cats, ghostly devil dogs, and ape-men. Their adventures led them deep into ancient forests, into the dark corridors of a mansion hiding a wild man, and to the shores of the legendary Loch Ness -- along the way encountering all manner of curious characters, including witches, government agents, and eyewitnesses who claim to have seen monsters firsthand. And only at journey's end did the hard questions posed at the start of their quest begin to reveal some mind-bending answers. That monsters truly do exist in our world. And that we are responsible for their existence! Whether you're seeking a glimpse into the bizarre reaches of reality, or just looking for a good time, Three Men Seeking Monsters is a uniquely gonzo trek with a trio of adventurers who pushed themselves to the edge -- and went right over it.

    Inside this book are hundreds of strange occurrences, modern-day miracles, and puzzling facts brought together in a single volume by Charles Berlitz, author of the bestselling THE BERMUDA TRIANGLE. Inside you'll find the great mysteries of our time--documented incidents that no scientist or skeptic can explain away....

    His research appeared in four books: The Book of the Damned, New Lands, Lo!, and Wild Talents.In these four volumes Fort organized and commented on a wild host of phenomena: flying saucers seen in the sky before the invention of aircraft, flying wheels, strange noises in the sky; correlations between volcanic activity and atmospheric phenomena; falls of red snow; falls of frogs, fishes, worms, shells, jellies; finding of "thunderbolts"; discrepancies in the schedules of comets, sightings on Mars and the moon; infra-Mercurian planets; inexplicable footprints in snowfields; flat earth phenomena, disruptions of gravity; poltergeist phenomena; stigmata; surviving fossil animals; the Jersey devil; Kaspar Hauser; spontaneous combustion; and similar weird effects.While Charles Ford never actually explained the phenomena, beyond making vague hints of an organic universe and neo-Hegelianism, through the years his following has grown. At first his work was picked up by literary men such as Theodore Dreiser, Booth Tarkington, Clarence Darrow, Havelock Ellis, and Oliver Wendell Holmes. Later, "Fortean themes" influenced the development of science fiction, and today his work remains the great predecessor to all extraterrestrial speculations.

    Vanishing and mutilated cattle. Unidentified Flying Objects. The appearance of huge, otherworldly creatures. Invisible objects emitting magnetic fields with the power to spark a cattle stampede. Flying orbs of light with dazzling maneuverability and lethal consequences. For one family, life on the Skinwalker Ranch had become a life under siege by an unknown enemy or enemies. Nothing else could explain the horrors that surrounded them -- perhaps science could. Leading a first-class team of research scientists on a disturbing odyssey into the unknown, Colm Kelleher spent hundreds of days and nights on the Skinwalker property and experienced firsthand many of its haunting mysteries. With investigative reporter George Knapp -- the only journalist allowed to witness and document the team's work -- Kelleher chronicles in superb detail the spectacular happenings the team observed personally, and the theories of modern physics behind the phenomena. Far from the coldly detached findings one might expect, their conclusions are utterly hair-raising in their implications. Opening a door to the unseen world around us, Hunt for the Skinwalker is a clarion call to expand our vision far beyond what we know.

    This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War.Contributions from the original men's magazine talent like Bruce Jay Friedman, Mario Puzo, and Mort Künstler bring the reader inside the offices, showing us how the writers, illustrators, editors, and publishers put together decades of what were then called "armpit slicks." Reproductions of original paintings from Norman Saunders, Künstler, and Norm Eastman are featured within, and Bill Devine's annotated checklist of the many thousands of adventure magazines is essential for collectors of the genre.The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s.

    Now after a 12-month scientific investigation, the story can be told. "An unforgettable experience...Must rank with the great classics of scientific revelation".--The New York Times.

    Now this avatar of conspiriology, renowned for his razor wit and progressive philosophy, takes you on a fascinating, eclectic ride through what Wilson has termed the "Cultic Twilight" where conspiracy theories flourish. Everything Is Under Control covers the range of Wilson's kaleidoscopic knowledge, from John Adams to the Voronezh (former Soviet Union) UFO sighting, the Campus Crusade for Cthulhu to the Mothman prophecies, and everything in between. What do the Freemasons, the Kennedys, and Princess Diana have in common? All are at the center of gigantic conspiracy theories with incredibly complex and endlessly multiplying twists, turns, highways and byways. Arranged by alphabetical entries which include cross-references to other entries in the book and also provide addresses to related sites on the Web, this book is truly interactive — you can dip in, read through, or follow one of the URLs from an interesting entry onto the internet.What some famous people say about Robert Anton Wilson:"A dazzling barker hawking tickets to the most thrilling tilt-a-whirls and daring loop-o-planes on the midway to higher consciousness."--Tom Robbins"Wilson managed to reverse every mental polarity in me, as if I had been pulled through infinity."—Philip K. Dick"One of the most important scientific philosophers of his century — scholarly, witty, scientific, hip and hopeful."—Dr. Timothy Leary