But this is not a detective story, this is a story about the making of a detective . . .William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force.After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light.While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on?This new series introduces William Warwick, a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    Except it is your house. And you didn’t sell it. When Fiona Lawson comes home to find strangers moving into her house, she's sure there's been a mistake. She and her estranged husband, Bram, have a modern co-parenting arrangement: bird's nest custody, where each parent spends a few nights a week with their two sons at the prized family home to maintain stability for their children. But the system built to protect their family ends up putting them in terrible jeopardy. In a domino effect of crimes and misdemeanors, the nest comes tumbling down.Now Bram has disappeared and so have Fiona's children. As events spiral well beyond her control, Fiona will discover just how many lies her husband was weaving and how little they truly knew each other. But Bram's not the only one with things to hide, and some secrets are best kept to oneself, safe as houses.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    Detective Inspector Newsome of the new Detective Force decides to recruit a recently-apprehended master criminal to help bring the culprits to justice. A polymath with a mysterious past, the man is no eager volunteer.And when the ghastly murder of conjoined twins galvanizes the city, Newsome blackmails his prisoner - Noah Dyson, as he calls himself - into working with the Force's finest: Sergeant George Williamson.Unknown to the policemen, the criminal genius behind the murder shares a dark past with their new associate. It is not justice that is on Dyson's mind, but retribution. As Williamson and Dyson together close the net, the murder-rate soars and the streets of London begin to burn. Ingeniously plotted and seething with grotesque characters, James McCreet's striking debut will grip readers from its first dark pages.

    Molly, her powerful and enigmatic lover, her fey granddaughter, and her young apprentice, soon discover that something terrible prowls the woods. As the group travels from refuge to refuge, it becomes apparent that the mysterious evil force must be faced and defeated - or else they will surely die. An intoxicating and spirited blend of fantasy, mythology, and history, Something Red features the most fascinating of characters including shapeshifters, Irish battle queens, Norman knights, Templars, pilgrims, Saracens, a Lithuanian noblewoman, warrior monks, strong - even dangerous - women, and ten murderous mastiffs, as well as an epic snowstorm that an early reader described as "one of the coldest scenes since Snow Falling on Cedars."

    Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. But with barely a moment to acclimatise to his new life or to deal with the ghosts which still haunt him, Wyndham is caught up in a murder investigation that will take him into the dark underbelly of the British Raj.A senior British official has been murdered, and a note left in his mouth warns the British to quit India: or else. With rising political dissent and the stability of the Raj under threat, Wyndham and his two new colleagues–arrogant Inspector Digby, who can barely conceal his contempt for the natives and British-educated, but Indian-born Sargeant Banerjee, one of the few Indians to be recruited into the new CID–embark on an investigation that will take them from the luxurious parlours of wealthy British traders to the seedy opium dens of the city.The start of an atmospheric and enticing new historical crime series.

    Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester. The Castle’s faded grandeur hides a web of secrets and scandals—the Earl has been missing for seven years, lost without a trace since the night he left his guests and walked out into a blizzard. When a skeleton is uncovered beneath the flagstones of the Old Chapel, the police produce a suspect and declare the case closed.Hugo is not convinced. With the help of the spirited Freya Wryton, the Earl’s niece, he is drawn back into active service, and the ancient town of Selchester is dragged into the intrigues and conspiracies of the Cold War era. With a touch of Downton Abbey, a whisper of Agatha Christie and a nod to Le Carré, A Man of Some Repute is the first book in this delightfully classic and witty murder mystery series.

    Just after Great War, there are few jobs available and the couple are desperately short of money. Restless for excitement, they decide to embark on a daring business scheme: Young Adventurers Ltd.—"willing to do anything, go anywhere." Hiring themselves out proves to be a smart move for the couple. In their first assignment for the mysterious Mr. Whittingtont, all Tuppence has to do in their first job is take an all-expense paid trip to Paris and pose as an American named Jane Finn. But with the assignment comes a bribe to keep quiet, a threat to her life, and the disappearance of her new employer. Now their newest job are playing detective.Where is the real Jane Finn? The mere mention of her name produces a very strange reaction all over London. So strange, in fact, that they decided to find this mysterious missing lady. She has been missing for five years. And neither her body nor the secret documents she was carrying have ever been found. Now post-war England's economic recovery depends on finding her and getting the papers back. But he two young working undercover for the British ministry know only that her name and the only photo of her is in the hands of her rich American cousin. It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business… and their lives.

    With the opening of the Great Exhibition at hand, interest is mounting in the engineering triumphs of the railways, but not everyone feels like celebrating...In an audacious attack, the London to Birmingham mail train is robbed and derailed, causing many casualties. Planned with military precision, this crime proves a challenge to Detective Inspector Robert Colbeck who fights to untangle a web of murder, blackmail and destruction.As Colbeck closes in on the criminal masterminds, events take an unexpected turn when the beautiful Madeleine, daughter of the injured train driver, becomes a pawn in the criminals' game. With time running out, good and evil, new and old, battle against each other. But will the long arm of the law have speed on its side?The Railway Detective is an action-packed dip into murky 1850s London. Full of historical detail, unexpected twists and memorable characters, this is a mystery that will surprise you at every turn.

    Charlotte is practical and cautious; Emily is headstrong and imaginative. But they do have one thing in common: a love of writing. This shared passion will lead them to be two of the first published female novelists and authors of several enduring works of classic literature. But they’re not there yet. First, they have to figure out if there is a connection between a string of local burglaries, rumors that a neighbor’s death may not have been accidental, and the appearance on the moors of a mysterious and handsome stranger. The girls have a lot of knots to untangle—before someone else gets killed.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    As the trial unfolds, May tells her version of events. In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.  Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between. The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family? As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

    In a cold January morning in 1856, Evelyn Atherton’s husband is found murdered after attending an exclusive séance. Having “married up” into New York society, Evie herself is the immediate suspect. Ostracized and vulnerable, she knows that to clear her name she must retrace her husband’s last steps. And so, joining forces with her husband’s best friend–and the only Manhattan lawyer who will accept her case–Evie dives into the mysterious underworld of the occult. Before long, the trail brings them to a charismatic medium, Michel Jourdain. Evie’s instincts tell her the smooth-talking Jourdain is a charlatan–and her only hope for exoneration. But getting close to Jourdain means embracing a seductive and hypnotic world where clues to murder come through the voices of the dead. Caught in a perilous game in which she is equal player and pawn, predator and victim, Evie finds there is no one to trust, perhaps not even herself. As her powerful in-laws build a case against her, and with time running out, Evie must face the real ghosts of her past if she is to have any hope of avoiding the hangman.