Among his possessions: women, imprisoned and fated to serve. The strong-minded Althea Lambros controls her own fate and lives to honor her dying mother’s plea to protect her two sisters at all costs. Althea’s journey toward crushing the tyranny has begun. It is a destiny foretold by the Fates. And she is following their visions.On the southern isle of Crete, hidden among mortal women who have fled the Titans, is the Boy God, son of Cronus and believed dead. He shares Althea’s destiny to vanquish the Almighty—fate willing. Because Cronus has caught wind of the plot. He’s amassing his own forces against Althea’s righteous rebellion and all those who will no longer surrender or run. There will be war. If she’s to survive to write their history, the indomitable Althea must soar higher than any god.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    The first volume of Alexandre Dumas' two-part interpretation of the story of Robin Hood, popularized for Nineteenth Century audiences by Sir Walter Scott's Ivanhoe, set in England in 1162-66.In this book, Dumas tells the story of Robin Hood's youth: how he is delivered by an unknown man to be raised by poor but honest foresters, his great skill as an archer, how he comes into conflict with the Baron [sic] of Nottingham, how he meets Friar Tuck, the Maid Marian, Little John, Will Scarlett, and others, how he is declared an outlaw by the King, and decamps, with his followers, into Sherwood Forest to wage war against the Baron.

    His life is transformed by a brief glimpse of the beautiful country -- at the back of the north wind. This Victorian fairy tale has enchanted readers for more than a hundred years, and combines a Dickensian regard for the working class of mid-19th-century England with the invention of an ethereal landscape.

    Led by a stouthearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society.

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'

    But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther. The stories, a mixture of fantasy, myth, and magic, are underpinned by Kipling's abiding preoccupation with the theme of self-discovery, and the nature of the 'Law'.

    Either slightly dramatic or seriously dramatic. That this is the latter means just the one thing. That my day is about to get worse...' And for single mum, Abbie, life is complex enough. So once her eldest son, Seb, has gone on his gap year, she's decided it's time to make changes. She's just left her old job and started a new one (to escape the gorgeous man-who-turned-out-to-be-married), and is planning some space for herself at long last. But fate seems to have something else in mind for Abbie, in the shape of her demanding and incorrigible mother, whose feckless fourth husband, Hugo, has just died. Temporarily in a wheelchair after a recent knee op, Diana - retired TV fitness icon and dancer - will need looking after, so will have to move in. Still, Abbie tells herself - gritting her teeth - it won't be for more than a few weeks... However, Abbie hasn't figured on the sudden arrival of Hugo's 20 years' estranged son.

    Afflicted with Klein-Levin Syndrome, she suffers episodes of prolonged sleep that steal weeks, and sometimes even months, from her life. But unlike most KLS patients, she doesn’t spend each episode in a catatonic state or wake up with no recollection of the time she’s missed. Instead, Bryn spends half her life in an alternate reality made up of her memories. For Bryn, the past is a place, until one day a boy she’s never met before washes up on the illusory beach of her dreams with no memory of who he is.But the appearance of this strange boy isn’t the only thing that’s changed. Bryn’s symptoms are worsening, her body weakening as she’s plagued by hallucinations even while awake. Her only hope of finding a cure is to undergo experimental treatment created by a German specialist. But when Dr. Banz reveals that he knows more about her strange symptoms than he originally let on, Bryn learns that the boy in her head might actually be the key to understanding what’s happening to her, and worse, that if she doesn’t find out his identity before it’s too late, they both may not survive.

    The king found her as a child, the lone survivor of a poor village slaughtered by the Red Fever. Suddenly she became a princess of Runa Realm, the first of nine orphans adopted by the king.By her eighteenth year, Maelyn rules over Runa and a family of nine sisters. But some call the princesses frauds and imposters, a handful of urchins raised into royalty. Even Uncle Jarrod, the High King of Grunwold, seems determined to prove that Maelyn no longer deserves to be a princess. With a family losing faith in her, and a kingdom growing dangerously hostile, even Maelyn begins to wonder if she is truly a real princess. And if her riches will turn to rags once again….The Nine Princesses Novellas is a series that chronicles the adventures of an unconventional family of princesses, the struggles they face in a kingdom often hostile to their humble origins, and the day-to-day dramas of nine young women whose personalities often clash like swords. Fans of Gail Carson Levine and Shannon Hale would enjoy this young-adult series. Recommended for ages 12 and up.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    He’s going to enjoy the day… For hyper-particular publishing heir Jonathan Grief, the day starts like any other—with a strict morning fitness regimen that’ll keep his divorced, easily irritated, cynical, forty-two-year-old self in absolutely flawless physical condition. But all it takes to put a crimp in his routine is one small annoyance. Someone has left a leather-bound day planner with the handwritten title Your Perfect Year in his spot on his mountain bike at his fitness course!Determined to discover its owner, Jonathan opens the calendar to find that someone known only as “H.” has filled it in with suggestions, tasks, and affirmative actions for each day. The more he devotes himself to locating the elusive H., the deeper Jonathan is drawn into someone else’s rich and generous narrative—and into an attitude adjustment he desperately needs.He may have ended up with a perfect year by accident, but it seems fate has set Jonathan on a path toward healing, feeling, and maybe even loving again…if only he can meet the stranger who’s changing his life one day at a time.

    Professor Lidenbrock can't resist the opportunity to investigate, and with his nephew Axel, he sets off across Iceland in the company of Hans Bjelke, a native guide. The expedition descends into an extinct volcano toward a sunless sea, where they encounter a subterranean world of luminous rocks, antediluvian forests, and fantastic marine life — a living past that holds the secrets to the origins of human existence.

     Neverland is a cruel lie. Children follow Peter Pan believing their dreams will come true—to never grow up. Surprise, surprise... they never will. The children Peter Pan abducts are murdered or meet a grimmer fate. I'm the child who escaped Peter's treachery. I've made it my life's calling to rescue the Lost Boys, even those who don't wish to be saved. Now Pan has a schooner he's using to steal even more children. I'm the only one who can stop him. Call me Hook. I am the master and commander of a pirate ship, and I'll have my revenge on Peter Pan if it's the last thing I do. Pick up this page turner today! Praise for Hook: Dead to Rights: "I love it!" — Jannie "I highly recommend this book!" — S. Simmons