Khalid Jamil published his autobiography in Urdu under the title "Teesra Janam".In first part of the book "Pehla Janam", he talks of his childhood memories including his stay at Petaro. He talks of his successes and achievements at Petaro, which would be of great interest for all Petarians to read. In the second part "Doosra Janam", he talks about his unfortunate accident, and how this changed his entire life. He talks of the transformation and how his mind, soul, thoughts and consciousness reacted to this change in his life. It was a rebirth for him when he rediscovered himself. In the last part of the book "Teesra Janam", he discusses the stories of his patients and friends, and provides a new insight into one's own self. He goes on to discuss issues of society and social issues and their solutions. All of this can be possible only through a change in our thought process and a sense of discovery of the self.

    Trouble is, she’s sure she’s already found—and lost—hers. Now the young widow has inherited half the vineyard she considers her own, and she’s got one chance to produce a vintage that could make or break her career. But when the flashy, impetuous Clovis de Valois is revealed as heir to the other half, her dreams of independence are dashed into chaos.Cerise and Clovis seem to be opposites in every way that matters. Can their passion for winemaking—and secretly each other—unite them beyond their differences? Or will their clash ruin the vineyard, and the hearts, they’re both desperate to save?

    

    So this edition is currently unavailable. You can find this story in a newer edition combined into one story. Look for a Tucker's Way edition that includes this (about 350 pages).Our heroine returns in book two to face new crises.Her daughter, Maisy, decides to try and extort money from the father of her daughter, April. Maisy miscalculates how he will react to her demands. When she threatens a paternity suit against him, he murders Maisy and unwittingly disposes of her body in the same area that Tucker disposed of her murdered father over thirty years ago.Tucker’s limited life skills are put to the test as she experiences grief for the very first time and tries to help her grandchildren deal with the death of their mother. The only friend Tucker has ever had, Ella, reaches out to comfort Tucker in her grief.While Tucker is searching through Maisy's effects, she finds an envelope with the words "For Tucker" on the outside. Inside she finds a letter naming the fathers of Maisy’s children.But the murderer seems to have an airtight alibi.

    Shikwa (1909) and Jawab-i-Shikwa (1913) extol the legacy of Islam and its civilising role in history, bemoan the fate of Muslims everywhere, and squarely confront the dilemmas of Islam in modern times. Shikwa is thus, in the form of a complaint to Allah for having let down the Muslims and Jawab-i-Shikwa is Allah's reply to the poet's complaint.

    

    A fling here and there? Definitely. But full blown commitment? No way in hell. Dealing with a man full-time is just not worth the trouble when you can get what you want and get away like it never happened. That was the plan when she met Rich, a good and worthy fling, but exactly that...a fling. Until the cravings start. And Jasmine is forced into a whole new realm of life when she least expected it. (Warning : This book contains a few spoilers for Getting The Edge)

    Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.Advance Praise for Snuffing Out the Moon ‘Criss-crossing historical periods and populating its multiple narratives with a diverse set of characters, Snuffing Out the Moon is a daringly original novel charting the past and the future of our civilization, and so illuminating the author’s view of our present. A challenging and thought-provoking read’—Shashi Tharoor, author and MP‘This novel stirred strange feelings in me. Its air is bleak and somehow forbidding. It is vast in scope but comparatively compressed in a space that the novelist uses expertly to draw for us the lineages of the past, the present and the future. It leaves us with the chilling vision that evil—greed or the impulse to destroy—is man’s destiny. Masterfully composed, the novel sums up aeons of history and culture with an assurance of narrative power that makes the picture of the past and the present as compelling as his imaginings of the future. Present fears are no less than the horrible imaginings, the novel seems to say. Learned and sagacious, the narrative pleases while it also awes the reader’—Shamsur Rahman Faruqi, author of The Mirror of Beauty‘Osama Siddique’s ambitious historical novel will be of consequence not only to Pakistan but to the Indian subcontinent’—Bapsi Sidhwa, author of Ice-Candy-Man‘Innovative, introspective and evocative, this remarkable debut novel gives poignant expression to an age-old human dilemma and one of the central challenges of our own troubled times: the choice between stultifying social conformity born of ignorance, intellectual laziness and fear, and the liberating agency that comes from doubt, dissent and defiance. Polyphonic in scope and written in the fragmentary and episodic mode, the intriguingly titled Snuffing Out the Moon deftly weaves together half a dozen different narratives informed by the rich sociopolitical, cultural and literary traditions of South Asia’s six millennia- long history. Beginning in 2084 BCE with the Indus Valley Civilization and ending in 2084 CE when the deadly politics of religious radicalism and water wars have drastically recast the face of South Asia, the novel is a gripping read. It dispenses with linear time by criss-crossing the past, present and the future in a disconnected fashion without becoming random and trivial or devoid of inner meaning and connectedness. A welcome addition to South Asia’s burgeoning trove of English-language literature, it will engage and absorb a cross-section of readers with its sparkling wit, lyrical bursts and welter of insights into human frailties and foibles’—Ayesha Jalal, historian and author of Jinnah: The Sole Spokesman

    Claudia and the Bad Joke20. Kristy and the Walking Disaster21. Mallory and the Trouble With Twins

    So when she runs into him in New York City on business, they both see this as an opportunity to explore their undeniable attraction. But can a whirlwind of passion turn into long-lasting love?

    Her friends at Rhododendron High School—all girls from semi-royal and other rich families—will soon be going abroad, but she, with second-division marks in her final exams, might have to settle for a grimy little college in town. Her parents, plodding away in middle-class Kathmandu, are deeply disappointed, and all their hopes are now pinned on Numa, her sister. Sundry cousins from their village in far-off Lungla—driven out by poverty and the warring Maoists—come to live with the family, trample upon her privacy, and wage kitchen politics with Boju, her foul-tongued grandmother. Other relatives embarrass her with their gauche village ways. And, worst of all, Sagar, Sumnima’s US-returned RJ boyfriend, for whom she has been lying, sneaking around and stealing money from home, keeps her waiting for his phone calls.Employing a rich cast of characters, The Wayward Daughter tells the story of a young girl seeking out love, finding herself and her own spaces in life. Equally, it draws a telling portrait of Kathmandu—its class and caste divisions, its cosmopolitanism which exists alongside conservative attitudes, and its politics due to which a civil war looms. Written with humour, empathy and skill, this novel is a must-read.

    He's a serial killer that brutally murders women. Eva Lewis is the reporter that named him...but is she also his next victim? The FBI must race against time to catch this Demon King before he claims his queen.

    Each of the 104 ghazals, 7 miscellaneous nazms, and 68 selected letters are presented in the original Urdu text, with a parallel translation in simple, lucid English, and a transliteration in Roman script for readers who are not familiar with Urdu in Persian script. A critical introduction to Ghalib's work, chronology of important events in his life, and bibliography are also provided.

    God. Those are the words used to describe Derek Wright around Sapphire Falls. But now that Derek wants to date nice-girl Lucy Geller, those words are coming back to bite him in the ass. His best friend’s little sister, Riley, isn’t about to let Derek turn his attention on her sweet friend Lucy. Derek isn’t good enough for Lucy, and Riley has no trouble telling him that. But when Derek asks for her help in reforming him from rouge to romantic, Riley can’t resist the opportunity to mess with the irritating, know-it-all playboy a little. Because she is not a nice girl.

    In 1960s South Carolina, new industry is encroaching on old country, and Genny fears her grandmother may have gotten in the way of so-called progress. Even Daduh, Nannie's dearest friend and longtime housekeeper, doesn't know what to make of Nannie's death. Was it an accident, or did the drunkard son of a local businessman play a role? What's more, ever since Nannie passed, Genny has been hearing and seeing things she's not sure she can share with anyone except her mother, whose own grief is making it harder and harder to get through to her. Seeking answers, longing for guidance, and unsure if Mama will ever be the same again, Genny gingerly forges a path out of childhood and into adolescence. As Genny struggles to understand justice, healing, and a world in which Nannie is gone but still present, The Truthful Story traces a family's difficult journey through the pain of loss and the survival of love.