He chronicles the rise and fall of dynastic power during this period; he examines its numerous material, social and cultural innovations and inventions: The wheel, civil, engineering, building bricks, the centralized state, the division of labour, organised religion, sculpture, education, mathematics, law and monumental building.At the heart of Kriwaczek's magisterial account, though, is the glory of Babylon - 'gateway to the gods' - which rose to glorious prominence under the Amorite king Hammurabi, who unified Babylonia between 1800 and 1750 BC. While Babylonian power would rise and fall over the ensuing centuries, it retained its importance as a cultural, religious and political centre until its fall to Cyrus the Great of Persia in 539 BC.

    She should not speak of "being friends" with him -- a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?

    Trains are deeply embedded in the national psyche and folklore—yet it is considered uncool to care about them. For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humor, capacity for suffering, and even sexual repression. To uncover its mysteries, Engel has traveled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff. Along the way Engel finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railway man, and—after a quest lasting decades—an individual pot of strawberry jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

    Seeking a new Eden in America, she discovers that freedom and justice, even in the new world, do not always triumph over wealth and power. In the process of her journey, Maggie finds and loses the things she loves most, but grace and courage lead her toward a fulfillment she never thought to find.

    Now palaeontologist Charles Pellegrino presents a wealth of new knowledge about the doomed towns – and brings to vivid life the people, their last moments, and the aftermath.The lessons learned from modern scrutiny of that ancient eruption produce disturbing echoes in the present. Dr Pellegrino, who worked at Ground Zero in the aftermath of the 9/11 attack, shares his unique knowledge of the strange physics of volcanic 'downblast' and 'collapse column', drawing a direct link from past to present, and providing readers with a poignant glimpse into the last moments of the 'American Vesuvius'.

    

    Jamie and his mother have returned to his mother’s home, Aurellius—a world where dragons, dwarves, elves, and other so-called mythological creatures actually exist. It is a world created by the leader of the Dragons, Dragonith, and his mate, Gwenith. Even though life on Aurellius is not the ideal that Dragonith and Gwenith had envisioned, it is still far better than Earth, where the nine races have wreaked havoc and exploited Earth’s people. But now a movement, led by a group called The Sisterhood, would seize the powerful “Dragon’s Heart” in order to gain total control of Aurellius. Jamie is unwittingly being drawn into this struggle, with his very life at stake. In order to survive, he must learn many skills that he can only learn in Stonebriar Academy. However, competition to enter Stonebriar Academy is grueling, and only one hundred students will be granted admission. And gaining admission is Jamie’s only hope if he is to survive against the Sisterhood. Jamie desperately wants to be admitted to Stonebriar, not only to give himself a fighting chance against the Sisterhood but also so that he might learn something that a few short months ago he didn’t even know existed—how to fly with a Dragon.

    All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art.

    Even today, Greek art and architecture dominate our cities; modern military strategists still study and employ Hellenic war tactics; Greek poetry, plays, and philosophy are widely read and enjoyed; and science, mathematics, medicine, and astronomy all build on the fundamentals of early Greek thinking. Included are fascinating insights into Greek island living, ancient social networking, and the extreme priority Greeks placed on athletic competition (warring city-states declared truces during the Olympic games). Learn of spectacular discoveries such as the Uluburun shipwreck, the earliest writing ever found in Europe, and buried palaces. A stunning treasure, this lushly-illustrated, uniquely comprehensive and accessible history of Ancient Greece is perfect for anyone interested in the origins of our modern world.

    Math prodigy Jed De Landa is enlisted to decipher an ancient Mayan codex containing the secrets of the Sacrifice Game. It foretells the end of civilization, and only Jed can prevent the coming apocalypse.

    Yet the life of any structure is neither fixed nor timeless. Outliving their original contexts and purposes, buildings are forced to adapt to each succeeding age. To survive, they must become shape-shifters. In an inspired refashioning of architectural history, Edward Hollis recounts more than a dozen stories of such metamorphosis, highlighting the way in which even the most familiar structures all change over time into “something rich and strange.” The Parthenon, that epitome of a ruined temple, was for centuries a working church and then a mosque; the cathedral of Notre Dame was “restored” to a design that none of its original makers would have recognized. Remains of the Berlin Wall, meanwhile, which was once gleefully smashed and bulldozed, are now treated as precious relics. Altered layer by layer with each generation, buildings become eloquent chroniclers of the civilizations they’ve witnessed. Their stories, as beguiling and captivating as folktales, span the gulf of history.

    No stranger to the roadless commonly travelled herself, Marian has also written two collections of tales and observations from her own life. Nothing Bad Ever Happens in Tiffany's is a small but perfectly formed selection of these.

    

    His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to sacred caves, catacombs, tombs, bunkers, and ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted us through the ages.In a narrative spanning continents and epochs, Hunt follows a cast of subterraneaphiles who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old mine in the Australian outback, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees.Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs and guided how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see.

    Questions about the construction and the purpose of these majestic monuments have existed since the middle period of ancient Egyptian civilization, but recent cutting-edge research has uncovered information about how and why they were built. In Mountains of the Pharaohs, Zahi Hawass, a world-renowned archaeologist and the official guardian of Egypt’s timeless treasures, weaves the latest archaeological data and an enthralling family history into spellbinding narrative.Nearly five thousand years ago, the 4th Dynasty of Egypt’s Old Kingdom reigned over a highly advanced civilization. Believed to be gods, the royal family lived amid colossal palaces and temples built to honor them and their deified ancestors. Hawass brings these extraordinary historical figures to life, spinning a soap opera–like saga complete with murder, incest, and the triumphant ascension to the throne of one of only four queens ever to rule Egypt.The magnificent pyramids attest not only to the dynasty’s supreme power, but also to the engineering expertise and architectural sophistication that flourished under their rule. Hawass argues that the pyramids—including the Great Pyramid of Khufu, the only one of the Seven Wonders of the World still standing—were built by skilled craftsmen who took great pride in their work.Mountains of the Pharaohs is an unprecedented account of one of civilization’s greatest achievements