A suspect has already been singled out: a 17-year-old girl who has since disappeared from the scene.The press has now revealed that she is the youngest member of one of London's most notorious families. Thirteen years earlier, her grandfather set off a suicide bomb in a grocery store, a bomb her mother confessed to building. Has the girl decided to follow in their footsteps?To find her, Bish must earn the trust of her friends and family, including her infamous mother, now serving a life sentence in prison--but as he delves into the deadly bus attack that claimed five lives, the ghosts of older crimes become impossible to ignore.A gripping fusion of literary suspense and family drama, Tell the Truth, Shame the Devil is a fast-paced puzzle of a novel that will keep readers feverishly turning pages.

    Tasmania. The green, rolling hills of the dairy town Mole Creek have a dark underside -- a labyrinthine underworld of tunnels that stretch for countless miles, caverns the size of cathedrals and underground rivers that flood after heavy rain. The caves are dangerous places, forbidden to children. But this is Tasmania -- an island at the end of the earth. Here, rules are made to be broken.For two young brothers, a hidden cave a short walk from the family farm seems the perfect escape from their abusive, shell-shocked father -- until the older brother goes missing. Fearful of his father, nine-year-old Kip lies about what happened. It is a decision that will haunt him for the rest of his life. Fifty years later, Kip -- now an award-winning scientist -- has a young son of his own, but cannot look at him without seeing his lost brother, Tommy. On a mission of atonement, he returns to the cave they called Kubla to discover if it's ever too late to set things right. To have a second chance. To be the father he never had.The Better Son is a richly imaginative and universal story about the danger of secrets, the beauty in forgiveness and the enthralling power of Tasmania's unique natural landscapes.

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    The two girls move in with their grandmother who is particularly encouraging of Nora's musical talent. Nora eventually follows her dream of a brilliant musical career, while Ida takes a job as a nanny and their lives become quite separate.The two sisters are reunited as Nora's life takes an unwelcome direction and she finds herself, embittered and resentful, isolated in the Tasmanian bush with a husband and children. Ida's longs for a family and when she marries Len, a reliable and good man, she hopes to soon become a mother. Over time, it becomes clear that this is never likely to happen. In Ida's eyes, Nora possesses everything in life that could possibly matter yet she values none of it.Set in rural Tasmania over a span of seventy years, the strengths and flaws of motherhood are revealed through the mercurial relationship of these two very different sisters, Ida and Nora. The Sisters' Song speaks of dreams, children and family, all entwined with a musical thread that binds them together.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    Meet Mercy Blain, whose house has just burnt down. Unfortunately for Mercy, this goes beyond the disaster it would be for most people: she hasn't been outside that house for two years now.Flung out into the world she's been studiously ignoring, Mercy goes to the only place she can. Her not-quite-ex-husband Eugene's house. But it turns out she can't stay there, either.And so begins Mercy's unwilling journey. After the chance purchase of a cult classic campervan (read tiny, old and smelly), with the company of her sausage dog, Wasabi, and a mysterious box of cremated remains, Mercy heads north from Adelaide to Darwin.On the road, through badly timed breakdowns, gregarious troupes of grey nomads, and run-ins with a rogue adversary, Mercy's carefully constructed walls start crumbling. But what was Mercy hiding from in her house? And why is Eugene desperate to have her back in the city? They say you can't run forever...Exquisite, tender and wry, this is a break-out novel about facing anxiety and embracing life from an extraordinary new talent.PRAISE: 'Tender, funny and quietly profound, The Other Side of Beautiful is a breath of fresh air.' - The Sunday Times'A colourful, engaging story of escape and road-trip adventure ... also compellingly cinematic and features an endearing narrator-heroine with plenty of meaty real-world troubles.' - Sydney Morning Herald'An engaging story about second chances and a life changing road trip ... a heart-warming story.' - Canberra Weekly magazine'Mercy Blain is a character you find yourself cheering on. Kim Lock mixes the transformative journey of Alice Hart with the quirkiness of Eleanor Oliphant in this story about embracing life, even when it threatens to overwhelm you' - Tricia Stringer, bestselling author of The Family Inheritance'Mercy Blain is an unforgettable character who will capture your heart from the first pages and hold it through until the end. Her madcap journey towards forgiveness - of herself and others - is moving and funny and all other good things that will make you want to keep reading and make you sad when your time with Mercy comes to an end.' - Sophie Green, bestselling author of The Shelly Bay Ladies Swimming Circle

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I'd get rid of the baby.Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney's bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936.Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    Used to tending the sick as they are, nothing could have prepared them for what they confront, first near Gallipoli, then on the Western Front.Yet amid the carnage, Naomi and Sally Durance become the friends they never were at home and find themselves courageous in the face of extreme danger, as well as the hostility they encounter from some on their own side. There is great bravery, humor, and compassion, too, and the inspiring example of the remarkable women they serve alongside. In France, where Naomi nurses in a hospital set up by the eccentric Lady Tarlton while Sally works in a casualty clearing station, each meets an exceptional man: the kind of men for whom they might give up some of their precious independence — if only they all survive.At once vast in scope and extraordinarily intimate, The Daughters of Mars brings World War I to vivid, concrete life from an unusual perspective. A searing and profoundly moving tale, it pays tribute to men and women of extraordinary moral resilience, even in the face of the incomprehensible horrors of modern war.

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    But darkness is found both in the iconic setting as well as in the disturbing behaviour of one of the family.As he tilted the blinds she saw her mother in her tennis whites, standing at the kitchen bench, staring out into the dark bushland that bordered their houses. That was what Tricia did these days, looked into the bush as though it would attack one of them.On a sweltering day in a cliff-top beach shack, Jack and Lou Bright grow suspicious about the behaviour of their charismatic, unpredictable father, Charlie. A girl they know has disappeared, and as the day unfolds, Jack's eruptions of panic, Lou's sultry rebellions and their little sister Phoebe's attention-seeking push the family towards revelation.Twenty years later, the Bright children have remained close to the cliff edges, russet sand and moody ocean of their childhood. Behind the beautiful surfaces of their daily lives lies the difficult landscape of their past, always threatening to break through. And then, one night in late summer, they return to the house on the cliff...Gripping and evocative, Bluebottle is a story of a family bound by an inescapable past, from the award-winning author of The River Baptists and Hannah and Emil.

    Providing you with the antidote to every annoying little thing, these rules are not made to be broken.488 Rules for Life is not a self-help book, because it's not you who needs help, it's other people. Whether they're walking and texting, asphyxiating you on public transport with their noxious perfume cloud, or leaving one useless square of toilet paper on the roll, a lot of people just don't know the rules. But thanks to Kitty Flanagan's comprehensive guide to modern behaviour, our world will soon be a much better place. A place where people don't ruin the fruit salad by putting banana in it … where your co-workers respect your olfactory system and don't reheat their fish curry in the office microwave ... where middle aged men don't have ponytails …What started as a joke on Kitty Flanagan's popular segment on ABC TV's The Weekly, is now a quintessential reference book with the power to change society. (Or, at least, make it a bit less irritating.) What people are (Kitty Flanagan is) saying about this book: 'You're welcome everyone.''Thank god for me.''I'd rather be sad and lonely, but right.''There's not actually 488 rules in here but it sure feels like it'.

    The endless glow of summer, the bottomless fury of contest. All the love and hatred in two small bodies poured into the rules of a made-up game.Darren has two big talents: cricket and trouble. No surprise that he becomes an Australian sporting star of the bad-boy variety—one of those men who’s always got away with things and just keeps getting.Until the day we meet him, middle aged, in the boot of a car. Gagged, cable-tied, a bullet in his knee. Everything pointing towards a shallow grave.

    Gerald's dominating personality has loomed large over his wife, Connie, their children, Andrew and Kerry, and his sister Flora, for decades.Connie, whose own dreams were dispensed with upon marriage, is now determined to renew her long friendship with Gerald's estranged sister, Flora. She travels to France where she finds Flora struggling to make peace with the past and searching for a place to call home. Meanwhile Andrew's marriage is crumbling, and Kerry is trapped in stasis by unfinished business with her father.As the family adjusts to life after Gerald, they could not be more splintered. But there are surprises in store and secrets to unravel. And once the loss has been absorbed, is it possible that they could all find a way to start afresh with forgiveness, understanding and possibility?