He chronicles his journey in the New York Times bestseller Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. What brought Denby back to his alma mater was not a sense of nostalgia, but the current academic debate surrounding Western literature. This culture war centers on the left's denunciation of "dead white European males" as oppressive and exclusionary and the right's reverence of the Western canon as the foundation of traditional values and patriotism. Like many of the extremists engaged in the debate, Denby found his memories of these works faded and forgotten. "I possessed information without knowledge, opinions without principles, instincts without beliefs.... And I wanted to add my words to the debate from the ground up, beginning and ending in literature, never leaving the books themselves." Thus Denby returns to Columbia for the two "great books" courses: Literature Humanities and Contemporary Civilization. During his yearlong education he explores the difficulties of going back to reading seriously; analyzes today's college students; observes the teaching styles of four professors; and enters into a period of self-discovery as he learns to deal with life as a middle-aged student, father, and husband. Along the way he gains a new appreciation of writers such as Homer, Boccaccio, Austen, Nietzsche, Conrad, Machiavelli, Marx, and Woolf. He walks away from his experiences believing deeply that students today, more than ever, need this type of humanistic education and that both sides of the culture war are simplifying the Western tradition.

    Now, for the first time, del Toro reveals the inspirations behind his signature artistic motifs, sharing the contents of his personal notebooks, collections, and other obsessions. The result is a startling, intimate glimpse into the life and mind of one of the world's most creative visionaries. Complete with running commentary, interview text, and annotations that contextualize the ample visual material, this deluxe compendium is every bit as inspired as del Toro is himself.Contains a foreword by James Cameron, an afterword by Tom Cruise, and contributions from other luminaries, including Neil Gaiman and John Landis, among others.

    Rowling in her 2008 Harvard commencement speech, sum up both the Harry Potter series and Travis Prinzi's analysis of the best-selling books in Harry Potter & Imagination: The Way Between Two Worlds. Great imaginative literature places the readers between two worlds - the story world and the world of daily life - and challenges readers to imagine and to act for a better world. Starting with Harry Potter's great themes, Harry Potter & Imagination takes readers on a journey through the transformative power of those themes for both the individual and for culture by placing Rowling's series in its literary, historical, and cultural contexts. Prinzi explores how fairy stories in general, and Harry Potter in specific, are not merely tales that are read to "escape from the real world," but stories with the power to transform by teaching us to imagine better. . - .[Endorsement]: . - . "Harry Potter & Imagination offers a challenging and rewarding tour of the inspirations for and meanings behind J.K. Rowling's lauded series. Travis Prinzi ably explores how the Harry Potter books satisfy fundamental human yearnings, utilize mythological archetypes, and embody their author's social vision. From Arthurian romance and Lovecraftian horror to postmodernism and political theory, Prinzi provides new insights into the Harry Potter phenomenon. Harry Potter & Imagination will not only fascinate and entertain readers, but will also convince them that fairy tales matter." [Dr. Amy H. Sturgis, editor of Past Watchful Dragons] - . - [Endorsement]: . - . "There is no more insightful commenter on the Harry Potter novels than Travis Prinzi - and Harry Potter & Imagination is an ideal showcase for his original thinking and lucid writing. This trail-blazing guidebook into the world of Harry Potter - showing the imaginative way between two worlds - is a must read." [John Granger, author of The Deathly Hallows Lectures and other books]

    Specifically designed to challenge the creative boundaries of some of the most famed and respected horror writers working today—such as A. S. Byatt, Christopher Priest, Hanif Kureishi, Frank Cottrell Boyce, Matthew Holness, and the indomitable Ramsey Campbell—this anatomically precise experiment encapsulates what the uncanny represents in the 21st century. Masterfully narrated with the benefit of unique perspectives on what exactly it is that goes bump in the night, this chilling modern collective is not only an essential read for fans of horror but also an insightful and intriguing introduction to the greats of the genre at their gruesome best.

    W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. Leading the field once again, Norton is proud to publish the anthology for the new century, The Norton Anthology of World Literature, Second Edition. Now published in six paperback volumes (packaged in two attractive slipcases), the new anthology boasts slimmer volumes, thicker paper, a bolder typeface, and dozens of newly included or newly translated works from around the world. The Norton Anthology of World Literature represents continuity as well as change. Like its predecessor, the anthology is a compact library of world literature, offering an astounding forty-three complete longer works, more than fifty prose works, over one hundred lyric poems, and twenty-three plays. More portable, more suitable for period courses, more pleasant to read, and more attuned to current teaching and research trends, The Norton Anthology of World Literature remains the most authoritative, comprehensive, and teachable anthology for the world literature survey.

    Thirty-two good stories--some previously anthologized, some hot off the press ("Beauty and the Opera" by Suzy McKee Charnas appeared in July 1996), and a few once considered classic, but now nearly forgotten (Thomas Burnett Swann is rapidly falling out of sight)--offer entertainment for every taste. Many of the stories ("The Overworld" by Jack Vance, and "The Changeling" by Michael Swanwick) also offer continuation elsewhere as part of a longer work.Gardner Dozois's emphasis is on magazine fiction. As such, it's an interesting view of the evolution and increasing sophistication of the "pulps"--and their readers. For this reason this would be an excellent text for a course on modern fantasy writing. Stories from Asimov Science Fiction Magazine, which Dozois edits, are prominent among the recent pieces. Providing a brief history of 20th-century fantasy, the introduction seems written with the new reader in mind.ContentsWalk Like a Mountain • [John the Balladeer] • (1955) • shortstory by Manly Wade WellmanScylla's Daughter • [Fafhrd and the Gray Mouser] • (1961) • novella by Fritz LeiberPaper Dragons • (1985) • novelette by James P. BlaylockThe Golem • (1955) • shortstory by Avram DavidsonFlowers of Edo • (1987) • novelette by Bruce SterlingBears Discover Fire • (1990) • shortstory by Terry BissonThe Changeling's Tale • (1994) • shortstory by Michael SwanwickMissolonghi 1824 • (1990) • shortstory by John CrowleyBlunderbore • (1990) • shortstory by Esther M. FriesnerInto Gold • (1986) • novelette by Tanith LeeSpace-Time for Springers • [Gummitch the Cat] • (1958) • shortstory by Fritz LeiberBeauty and the Opéra or the Phantom Beast • (1996) • novelette by Suzy McKee CharnasThe Man Who Painted the Dragon Griaule • [Griaule] • (1984) • novelette by Lucius ShepardA Cabin on the Coast • (1984) • shortstory by Gene WolfeThe Sleep of Trees • (1980) • shortstory by Jane YolenTrouble with Water • (1939) • shortstory by H. L. GoldThe Gnarly Man • (1939) • novelette by L. Sprague de CampDeath and the Executioner • [Lord of Light] • (1967) • novelette by Roger ZelaznyThe Manor of Roses • [John & Stephen] • (1966) • novella by Thomas Burnett SwannThe Overworld • [Dying Earth] • (1965) • novelette by Jack VanceExtempore • (1956) • shortstory by Damon KnightGod's Hooks! • (1982) • shortstory by Howard WaldropBuffalo Gals, Won't You Come Out Tonight • (1987) • novelette by Ursula K. Le GuinThe Tale of Hauk • (1977) • novelette by Poul AndersonA Gift of the People • (1988) • shortstory by Robert SampsonConfiguration of the North Shore • (1969) • shortstory by R. A. LaffertyTwo Sadnesses • (1973) • shortstory by George Alec EffingerManatee Gal, Won't You Come Out Tonight • [Jack Limekiller] • (1977) • novelette by Avram Davidson (aka Manatee Gal Ain't You Coming Out Tonight)The Signaller • [Pavane] • (1966) • novelette by Keith RobertsThe Troll • (1935) • shortstory by T. H. WhiteDeath and the Lady • (1992) • novelette by Judith TarrProfessor Gottesman and the Indian Rhinoceros • (1995) • novelette by Peter S. BeaglePreface (Modern Classics of Fantasy) • (1997) • essay by Gardner DozoisRecommended Reading (Modern Classics of Fantasy) • essay by Gardner Dozois

    “Taken together,” as the editor Ignacio Echevarría remarks in his introduction, they provide “a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented ‘autobiography.’” Bolaño’s career as a nonfiction writer began in 1998, the year he became famous overnight for The Savage Detectives; he was suddenly in demand for articles and speeches, and he took to this new vocation like a duck to water. Cantankerous, irreverent, and insufferably opinionated, Bolaño also could be tender (about his family and favorite places) as well as a fierce advocate for his heroes (Borges, Cortázar, Parra) and his favorite contemporaries, whose books he read assiduously and promoted generously. A demanding critic, he declares that in his “ideal literary kitchen there lives a warrior”: he argues for courage, and especially for bravery in the face of failure. Between Parentheses fully lives up to his own demands: “I ask for creativity from literary criticism, creativity at all levels.”

    Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.