His critically acclaimed collection Woodcuts of Women is now available in paperback and features ten moving and heartbreaking stories of lust, love, and longing among men and women struggling to find their way in the world. Written in Gilb's spare, humid language, each of these haunting stories is crafted with a poetic, aching beauty. At turns powerful and resonant, hopeful and humorous, Woodcuts of Women is a tour de force by one of America's foremost Latino writers. The sheer intensity and bravado of [Gilb's] vision make this collection succeed. -- Jean Thompson, The New York Times Book Review Lonely, tough stories -- stories that force us to confront what's difficult in us, and in the people we love. -- Adrienne Miller, Esquire Gilb's stories read like verbal woodcuts deliberately unrefined and carefully unadorned, clear in their intent but without undue elaboration.... -- Sean Glennon, The Hartford Courant ...Gilb writes of the gritty passions of man for women, grand delusions and tender mercies.... -- Oscar C. Villalon, San Francisco Chronicle

    Southern civility turns savage when Hank Whitaker’s dying words reveal the unimaginable. No one—not his socialite wife, Maggie, or young son, Lance—ever suspected the successful businessman, husband and father they loved, and thought they knew, was a black man passing for white. In 1931, in the segregated South, marriage between whites and blacks is illegal. Maggie faces jail for her crime of interracial marriage, but when Lance receives death threats to atone for his father’s betrayal, the family decides to flee the U.S. for freedom in racially and socially liberal society in Paris, France.Still grieving Hank’s death and fearful of their uncertain future as Europe marches toward war, Lance and Maggie mourn the lives they loved but lost. As they struggle to create new identities for themselves, they find a surprising community of artists and American expats that are on the same journey. In a new city, with new friends, new loves and exciting possibilities, they start to believe that it might be possible to change everything, even the past.Provenance is a sweeping historical saga about love, betrayal, tragedy, triumph, passion, privilege and the universal desire for acceptance—regardless of who you are or where you’re from.

    As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father, a caring mother, and a love for language that will lead to a career as a teacher and writer.

    As unexpected as it is bold, Alsadir's ambitious tour de force demands we pay new attention to the current conversation about the nature of lyric - and human relationships - in the 21st century.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    This is the hotly anticipated followup to Hyde's critically acclaimed novel FUNERALS FOR HORSES.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    They celebrate the wonders of nature and explore the nature of love and friendship.

    Contributors include Tanya Byrne, Inua Ellams, Catherine Johnson, Patrice Lawrence, Ayisha Malik, Irfan Master, Musa Okwonga and Nikesh Shukla.Plus introducing four fresh new voices in YA fiction: Mary Bello, Aisha Bushby, Yasmin Rahman and Phoebe Roy.

    Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.This companion anthology features each poem and poet from the project to offer readers a chance to hold the wealth of poems in their hands. With work from Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, Layli Long Soldier, among others, Living Nations, Living Words showcases, as Joy Harjo writes in her stirring introduction, “poetry [that] emerges from the soul of a community, the heart and lands of the people. In this country, poetry is rooted in the more than 500 living indigenous nations. Living Nations, Living Words is a representative offering.”

    Fourteen years later the Petroski brothers arrived in London setting it alight with their breathtaking presence, bone melting accents and heart fluttering masculinity; eligible women were all interested in their availability. And yet the Prince’s betrothed, Miss Georgina Franklin, was yet to receive a visit.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    So I may as well say it now. I slept with my best friend's husband. There is no explanation. Not a real one, anyway, not one that people will accept, especially people who know me. . .But I want to tell my side. . .Just hear me out. . ."Asha and Lisa have been best friends since grade school and they have always shared everything. A beautiful and accomplished photographer, Asha never seems to lack excitement or a man to share it with. Yet, for a woman who appears to have it all there is always "that something" she needs to make her feel whole. . .worthy.Lisa, "the good girl," has always dreamed of the perfect marriage to the perfect husband. Now she has both with Ross Davis and she has their future planned to the last, perfect detail.Ross didn't want to believe that he and Lisa had married too soon. He didn't want to believe that each day the man he thought himself to be was being stripped away by the woman he loved--leaving him feeling like a kept man instead of the man of the house.And then--betrayal. No one knows how it happened, how they could have done this to each other. But now, they each want to tell their side of the story.As Asha, Lisa and Ross travel down the road to discovery, you will root for them, hurt for them, hate them and love them. But you will never forget them.An Ordinary Woman is about the betrayal of the most sacred of trusts. It is about the that one moment when a single choice will change lives forever. It is a cautionary tale that dares to look deep inside the hearts and minds of the characters involved. Most importantly, An Ordinary Woman attempts to answer the question: How?

    No sign remains of any other structure around them, no ruins of long forgotten buildings. They look... wrong. They feel wrong. Bad things happen if you get too close. Horrible things.You must never, ever ever talk about them.Thirty-four of today's best up and coming writers provide wonderfully unique interpretations inspired by the urban legends of the Internet age. Tales range from science fiction to fantasy, horror to mystery, and one writer even penned a romance!But you must never tell anyone about the stairs!Containing the stories:* Nothing Ever Happens Here by Richard Paolinelli* Star Thistle by J. Comer* Let Him In by Josh Dygert* A New Trail Off Of Old King?s Highway by Michael Reyes* The Strange Stairs at the Aldebourne Estate by Kristen Brand* Exclusive Scoop by J. Trevor Robinson* The Flash-Back Stairs: A Story of Betrayal by Patrick T. Luce* The Peacock House by Matthew Pegg* Where The Wood Thrush Sings by NB Williams* The Refuge by Dawn Witzke* Upon The Stair by Daniel Humphreys* Grand Staircase to the Yellow Court by R.C. Mulhare* Another Dead Man?s Curve by Chris Ingram* Game Warden by Russell Newquist* Stepping Stones by Jarrett Mazza* Reap Dance by James G. Hancock* Descending Stairs, 1699 by Meghan Casey* Where Angels Fear to Tread by Michelle Mellon* Sobek's Staircase by Jeremy Megargee* The Curses We Carry by Russell Mahon* Stranger?s Wood by J.S. Arroyo* Stairway Back to Jonathan's Farm by Dan Allen* The Thirteenth Step by MJ Mars* Cajun Ray by S.D. McPhail* W/M by Isobel Horsburgh* The Sentinel by Richard W. Watts* Sleep, Child by A.G. Lopes* The Lost Ones by Karen Thrower* Ready For Seven More by Christopher Lansdown* Fire and Pine by Bethany C. Gotschall* Stairway to? Where? by William Lehman* The Dead Always by Darren Todd* Missing Persons by Jonathan Bronico* Cedar Road by Mocha Pennington

    Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).