But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, "Henrietta's War" brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. "Henrietta's War" is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    John Hersey's novel documents the Warsaw ghetto both as an emblem of Nazi persecution & as a personal confrontation with torture, starvation, humiliation & cruelty--a gripping, visceral story, impossible to put down.

    The von Globig family’s manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish twelve-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors—a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee. Yet in the main, life continues as banal, wondrous, and complicit as ever for the family, until their caution, their hedged bets, and their denial are answered by the wholly expected events they haven’t allowed themselves to imagine.All for Nothing, published in 2006, was the last novel by Walter Kempowski, one of postwar Germany’s most acclaimed and popular writers.

    With numerous illustrations. In this volume is told the story of the first crusaders. It begins with their setting out, and it ends with the death of the last survivor. Eight hundred and thirty-five years have passed since then, and the lines of these men are known to us only by the chronicles of their days. Several of these chronicles were written by men who marched with the crusaders, by two chaplains and an unknown soldier. Two other narratives were finished in Beyond the Sea after the march, and we have accounts of others who saw the crusaders pass, a princess of Byzantium, an Armenian patriarch. There is also the testimony of Arab travelers and historians of the period, and the notes of Genoese sea traders, and the saga of a Norse king. Upon these original chronicles the story in this book is based. It does not deal with the legends that grew up after the crusades. It is not history rewritten. It is the story of a dozen men, most of them leaders, who started out on that long journey-what they saw on the road, and what they did, and what befell them at the Sepulcher of Christ.

    Rosenberg is stunned to discover that Goethe, his idol, was a great admirer of the Jewish seventeenth-century philosopher Baruch Spinoza. Long after graduation, Rosenberg remains haunted by this “Spinoza problem”: how could the German genius Goethe have been inspired by a member of a race Rosenberg considers so inferior to his own, a race he was determined to destroy?Spinoza himself was no stranger to punishment during his lifetime. Because of his unorthodox religious views, he was excommunicated from the Amsterdam Jewish community in 1656, at the age of twenty-four, and banished from the only world he had ever known. Though his life was short and he lived without means in great isolation, he nonetheless produced works that changed the course of history. Over the years, Rosenberg rose through the ranks to become an outspoken Nazi ideologue, a faithful servant of Hitler, and the main author of racial policy for the Third Reich. Still, his Spinoza obsession lingered. By imagining the unexpected intersection of Spinoza’s life with Rosenberg’s, internationally bestselling novelist Irvin D. Yalom explores the mindsets of two men separated by 300 years. Using his skills as a psychiatrist, he explores the inner lives of Spinoza, the saintly secular philosopher, and of Rosenberg, the godless mass murderer.

    In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

    Young, tough, patriotic, but also disturbingly self-aware, Jünger exulted in the Great War, which he saw not just as a great national conflict, but more importantly as a unique personal struggle. Leading raiding parties, defending trenches against murderous British incursions, simply enduring as shells tore his comrades apart, Jünger kept testing himself, braced for the death that will mark his failure.Published shortly after the war's end, 'Storm of Steel' was a worldwide bestseller and can now be rediscovered through Michael Hofmann's brilliant new translation.

    That day comes suddenly when his grandfather dies leaving him the floundering business. With the help of Becky Salmon, an enterprising young woman, Charlie sets out to make a name for himself as "The Honest Trader". But the brutal onset of World War I takes Charlie far from home and into the path of a dangerous enemy whose legacy of evil follows Charlie and his family for generations.Encompassing three continents and spanning over sixty years, As the Crow Flies brings to life a magnificent tale of one man's rise from rags to riches set against the backdrop of a changing century.

    This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

    McPherson's characters — gritty, jazzy, authentic, and pristinely rendered — give voice to unheard struggles along the dividing lines of race and poverty in subtle, fluid prose that bears no trace of sentimentality, agenda, or apology.

    Driving this revolutionary publication were two improbable newcomers united by single-minded ambition. S. S. McClure was an Irish immigrant, who, despite bouts of mania, overthrew his impoverished upbringing and bent the New York media world to his will. His steadying hand and star reporter was Ida Tarbell, a woman who defied gender expectations and became a notoriously fearless journalist.The scrappy, bold McClure's group—Tarbell, McClure, and their reporters Ray Stannard Baker and Lincoln Steffens—cemented investigative journalism’s crucial role in democracy. From reporting on labor unrest and lynching, to their exposés of municipal corruption, their reporting brought their readers face to face with a nation mired in dysfunction. They also introduced Americans to the voices of Willa Cather, Arthur Conan Doyle, Robert Louis Stevenson, Joseph Conrad, and many others.Tracing McClure’s from its meteoric rise to its spectacularly swift and dramatic combustion, Citizen Reporters is a thrillingly told, deeply researched biography of a powerhouse magazine that forever changed American life. It’s also a timely case study that demonstrates the crucial importance of journalists who are unafraid to speak truth to power.

    In The Hope, his long-awaited return to historical fiction, he turns to one of the most thrilling stories of our time - the saga of Israel. In the grand, epic style of The Winds of War and War and Remembrance, The Hope plunges the reader into the major battles, the disasters and victories, and the fragile periods of peace from the 1948 War of Independence to the astounding triumph of the Six-Day War in 1967. And since Israelis have seen their share of comic mishaps as well as heroism, this novel offers some of Herman Wouk's most amusing scenes since the famed "strawberry business" in The Caine Mutiny. First to last The Hope is a tale of four Israeli army officers and the women they love: Zev Barak, Viennese-born cultured military man; Benny Luria, ace fighter pilot with religious stirrings; Sam Pasternak, sardonic and mysterious Mossad man; and an antic dashing warrior they call Kishote, Hebrew for Quixote, who arrives at Israel's first pitched battle a refugee boy on a mule and over the years rises to high rank. In the love stories of these four men, the author of Marjorie Morningstar has created a gallery of three memorable Israeli women and one quirky fascinating American, daughter of a high CIA official and headmistress of a Washington girls school. With the authenticity, authority, and narrative force of Wouk's finest fiction, The Hope portrays not so much the victory of one people over another, as the gallantry of the human spirit, surviving and triumphing against crushing odds. In that sense it can be called a tale of hope for all mankind; a note that Herman Wouk has struck in all his writings, against the prevailing pessimism of our turbulent century.

    This memoir was his brutal and deeply personal account of the Russian Front's appalling carnage. Depicting a running tank engagement lasting 72 hours, Faust describes how his Tiger unit fought pitched battles in the snows of western Russia against the full might of the Red Army: the T34s, Stalin tanks, Sturmovik bombers and the feared Katyusha rocket brigades. His astonishing testimony reveals the merciless decisions that panzer crews made in action, the devastating power of their weaponry, and the many ways that men met their deaths in the snow and ice of the Ostfront. First published in the late 1940s, this memoir's savage realism shocked the post-war German public. Some readers were outraged at the book's final scenes, while others wrote that, ‘Now, at last, I know what our men did in the East.’ Today it stands as one of the great semi-autobiographical accounts of warfare in World War 2: a crescendo of horror, grim survival and a fatalistic acceptance of the panzer man’s destiny. “Among the most impressive narratives of the Eastern Front that I have read. The pages are alive with characters - their machines, their struggles, their decisions and their pain. Readers will finish the book haunted and truly moved, the mark of a great story." - Chris Ziedler, the English translator of ‘SS Panzer SS Voices.’ Originally published in the German Federal Republic as ‘Panzerdammerung’ (‘Panzer Twilight.’) The only other surviving memoir by this author is 'The Last Panther' - an astonishing account of panzer warfare in the final hours of the Third Reich - available now on Amazon.

    gave me a travel warrant, a white feather and a picture of Hitler marked "This is your enemy". I searched every compartment, but he wasn't on the train . . .'In this, the first of Spike Milligan's uproarious recollections of life in the army, our hero takes us from the outbreak of war in 1939 ('it must have been something we said'), through his attempts to avoid enlistment ('time for my appendicitus, I thought') and his gunner training in Bexhill ('There was one drawback. No ammunition') to the landing at Algiers in 1943 ('I closed my eyes and faced the sun. I fell down a hatchway').Filled with bathos, pathos and gales of ribald laughter, this is a barely sane helping of military goonery and superlative Milliganese.'The most irreverent, hilarious book about the war that I have ever read' Sunday Express'Desperately funny, vivid, vulgar' Sunday Times'Milligan is the Great God to all of us' John Cleese'The Godfather of Alternative Comedy' Eddie Izzard'That absolutely glorious way of looking at things differently. A great man' Stephen FrySpike Milligan was one of the greatest and most influential comedians of the twentieth century. Born in India in 1918, he served in the Royal Artillery during WWII in North Africa and Italy. At the end of the war, he forged a career as a jazz musician, sketch-show writer and performer, before joining forces with Peter Sellers and Harry Secombe to form the legendary Goon Show. Until his death in 2002, he had success as on stage and screen and as the author of over eighty books of fiction, memoir, poetry, plays, cartoons and children's stories.

    Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko-absolute ruler of Japan in the Emperor's name.When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi-brash, impulsive, and utterly fearless-who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness.As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.