senator. In a heated race against time, Storm chases Volkov's shadow from Paris, to the lair of a computer genius in Iowa, to the streets of Manhattan, then through a bullet-riddled car chase on the New Jersey Turnpike. In the process, Storm uncovers a plot that could destroy the global economy--unleashing untold chaos--which only he can stop.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    It was up to Christopher to discover who was who in this sticky international mess.

    In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.Page by page, veteran CIA officer Jason Matthews’s Red Sparrow delights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed, Red Sparrow is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

    A major terrorist cell is planning a series of attacks across London over the next forty-eight hours. The government has surveillance on the group, a man undercover, and prepare to move in, to take out the terrorists before they can strike. But they lose contact with their inside man. And the cell vanishes into thin air, dispersing into the streets, armed and intent on completing their assault on London. The best Counter-Terrorist teams in the country are told to take them down before it's too late.Nine terrorists.Nine lives.The Armed Response Unit is one of these teams. Efficient and ruthless, the task force is ordered to locate the leader of the cell. As they hunt him down, they begin to realise that this is far bigger than any of them could ever have imagined. Bombings, rocket attacks, betrayal and a series of unexpected and shocking twists leave the ARU fighting to stay alive.There's Archer, the youngest member of the team, keen to prove himself and justify his spot on the task force. His best friend, Chalky, who is forced to fight both the terrorists and his own demons. Porter, Deakins and Fox, tough and experienced men who’ve never dealt with anything of this magnitude. And Mac, their sergeant, who must make the quickest of decisions and lead his men against the invisible enemy.As events unfold, other people are drawn into the danger. The Prime Minister, desperately trying to find a solution and protect the capital. A mysterious female Mossad agent, who appears out of nowhere and joins the fight against the cell. Two Special Agents from the DEA, one of whom was a member of the SEAL team that stormed Osama Bin Laden’s compound and who for some reason is struggling with the memory. And the vicious, powerful leader of a Middle Eastern drug cartel, who operates in the shadows and is somehow connected to the terrorists.With crowds all over London celebrating the New Year, and with nine terrorists somewhere amongst them, the Armed Response Unit is faced with the most dangerous night of their lives. As the savage, shocking plans of the enemy are fully revealed, the ARU officers are faced with the ultimate question.How many times can a man cheat Death before Death evens the score?

    Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Posted in Beirut to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    But then the inventor of a technology Alex is banking on is murdered... and the patent examiner who reviewed it dies... and Alex himself narrowly escapes an attack in his own home. Off balance, out of ideas, and running out of time, he knows the one person who can help him is the last person he'd ever ask: his brother.Ben Treven is a Military Liaison Element, an elite undercover soldier paid to "find, fix, and finish" high-value targets in America's Global War on Terror. Disenchanted with what he sees as America's culture of denial and decadence, Ben lives his detached life in the shadows because the black ops world is all he really knows--and because other than Alex, who he hasn't spoken to since their mother died, his family is long gone.But blood is thicker than water, and when he receives Alex's frantic call, Ben hurries to San Francisco to help him. Only then does Alex reveal that there's another player who knows of the technology: Sarah Hosseini, a young Iranian American lawyer who Alex has long secretly desired... and who Ben immediately distrusts. As these three radically different people struggle to identify the forces attempting to silence them, Ben and Alex are forced to examine the events that drove them apart--even as Sarah's presence, and her own secret wants, deepens the fault line between them.Emotionally charged and politically timely, Fault Line centers on a conspiracy that has spun out of the shadows and into the streets of America, a conspiracy that can be stopped only by three people--three people with different worldviews, different grievances, different motives. To survive the forces arrayed against them, they'll first have to survive each other.

    Written by Childers—who served in the Royal Navy during World War I—as a wake-up call to the British government to attend to its North Sea defenses, The Riddle of the Sands accomplished that task and has been considered a classic of espionage literature ever since, praised as much for its nautical action as for its suspenseful spycraft.

    The man chosen for this mission is Alexander Braun---American born, Harvard educated, and a ruthless killer. British Intelligence learns of the Nazi plan. Unable to convince their American counterparts of the magnitude of the threat, they dispatch Major Michael Thatcher to track down Braun. The trail leads to Rhode Island, where Lydia Cole, a young heiress, has unwittingly taken Braun back into her life. Braun is forced to run, and there is one place where he must go--Los Alamos, home of the Manhattan Project. On July 16, 1945, the world's first atomic bomb is tested - code named Trinity. In the days that follow, four people - a tenacious British investigator, a determined young woman, a killer, and the spy who could compromise America's greatest scientific endeavor - will have a fateful rendezvous, all vying for control of the secret that will shape the world.

    None of us knew it was coming."So says Wes Holloway, a young presidential aide, about the day he put Ron Boyle, the chief executive's oldest friend, into the president's limousine. By the trip's end, a crazed assassin would permanently disfigure Wes and kill Boyle. Now, eight years later, Boyle has been spotted alive. Trying to figure out what really happened takes Wes back into disturbing secrets buried in Freemason history, a decade-old presidential crossword puzzle, and a two-hundred-year-old code invented by Thomas Jefferson that conceals secrets worth dying for.

    In the clandestine world of 1944 Lisbon, a man and a woman discover the perilous consequences of love in war, understand the true meaning of betrayal, and share a secret so dangerous and so intimate that it could save or destroy them both.

    A crib burglar, he robs apartments—never hotels, never offices, never liquor stores, never jewelers. Strictly apartments, and strictly during the day. He’s paranoid, ready to cut and run as soon as a job turns sour—he’s already been to prison once, and he doesn’t plan on getting caught again—but he’s about to get the offer of a lifetime, the big make he’s always been looking for. How can he say no? This could set him up for life—but it could also send him back to Sing Sing for good. The stake revolves around Daisy, a one-legged hooker who spends Thursday afternoons at the home of a Westchester millionaire. It would be simple if Alex wasn’t increasingly distracted by Jessica, his square neighbor who has no idea he’s a burglar and seems to like him. Between these two very different women lies the biggest opportunity of Alex’s life. Will he get his hands on it before the alarms start to sound?

    When the legal maverick is assigned by the top brass to investigate a Bosnian massacre in which a Green Beret A-team and the Kosovo Liberation Army detachment they were "advising" got trapped behind Serbian lines, he gets the subtext that's part of his orders. What the Army doesn't need are headlines about the cold-blooded execution of 35 Serbian soldiers, and they're counting on Drummond to clean things up fast, before a public scandal blows dirt all over their medals. Drummond is provided with two associates to help with the investigation: an attractive young woman captain who's a Harvard Law School graduate, and an equally illustrious Judge Army General's Corps lawyer whose reputation precedes him.Once Drummond and his team get to Bosnia, it's clear that the accused Green Berets have their own cover-up going, and they're not going to make it easy for the lawyers to figure out what happened. Drummond has a few tricks up his own sleeve, and when he finds out that his CO has put a spy on his team, he's even more determined to get to the bottom of what really went on, even if he has to bully his way out of a murder frame-up to do it. The moral dilemma Drummond faces when he learns the real story (and understands why the Army is so desperate to keep the cover-up going) reveals the man behind the maverick, and lifts Brian Haig's novel a cut above the genre. Haig might have spent more time making his secondary characters as interesting as his protagonist and tightened up his narrative. Still, fans of military thrillers will find this a good enough read.

    Anyone who learns of them must die - with their file stamped:XPD - expedient demise