Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Harassed by Iroquois, the Verchere family's fort must keep a continual guard. 14-year-old Madeleine is left alone with two younger brothers and few others when the Indians attack. We follow the brave and determined stratagems of Madeleine and her small circle. Madeleine's youthful leadership, especially of her brothers, will win the reader's admiration.

    Anytime. Anything. Anywhere.Drawing is what Ramon does. It¹s what makes him happy. But in one split second, all that changes. A single reckless remark by Ramon's older brother, Leon, turns Ramon's carefree sketches into joyless struggles. Luckily for Ramon, though, his little sister, Marisol, sees the world differently. She opens his eyes to something a lot more valuable than getting things just "right." Combining the spareness of fable with the potency of parable, Peter Reynolds shines a bright beam of light on the need to kindle and tend our creative flames with care.

    When Curious George gets a new ball, he loves playing with it! But when he takes a peek out the window and sees a very small house, he becomes curious, so George ventures outside. This curiosity starts a comical chain of events that build up to taming a high-flying kite--with George attached to it! With vibrant signature Rey illustrations and easy-to-read text, this story is sure to delight readers young and old at story time.

    and Mrs. Jones all have one Christmas wish. Ivy, an orphan, wishes for a real home and sets out in search of the grandmother she's sure she can find. Holly, a doll, wishes for a child to bring her to life. And the Joneses wish more than anything for a son or daughter to share their holiday. Can all three wishes come true? This festive tale is perfectly complemented by beloved Barbara Cooney's luminous illustrations, filled with the warm glow of the Christmas spirit.

    Rosalyn Schanzer's engaging and wonderfully illustrated book brings to life both sides of the American Revolution. The narrative introduces anew the two enemies, both named George: George Washington, the man who freed the American colonies from the British, and George III, the British king who lost them. Two leaders on different sides of the Atlantic, yet with more in common than we sometimes acknowledge. We are lead through their story, and the story of their times, and see both sides of the arguments that divided the colonies from the Kingdom. Was King George a "Royal Brute" as American patriots claimed? Or was he, as others believed, "the father of the people?" Was George Washington a scurrilous traitor, as all the king's supporters claimed? Or should we remember and celebrate him as "the father of his country?" Who was right? History teaches us that there are two sides to every story. Rosalyn Schanzer's book is an accessible account of one the most vital periods in American history. It is also a timeless lesson in seeing history from different points of view. The author spent two years researching books, paintings, cartoons, and descriptions of Revolutionary times. She uses art, text, and first-hand accounts to illustrate how history should never be reduced to simplistic conflicts between the "good guys" and the "bad guys." Her illustrations, and her engaging quote bubbles, bring the Revolution to life again, and allow the characters of the period to speak for themselves. Through its lively text, detailed illustrations, and fully authenticated quotes, George vs. George shines fresh light on both sides of the story of our country's formative years.

    She'd rather hunt than sew and plow than bake, and tries to beat her brother's dares every chance she gets. Caddie is friends with Indians, who scare most of the neighbors -- neighbors who, like her mother and sisters, don't understand her at all. Caddie is brave, and her story is special because it's based on the life and memories of Carol Ryrie Brink's grandmother, the real Caddie Woodlawn. Her spirit and sense of fun have made this book a classic that readers have taken to their hearts for more than seventy years.

    Lots of aisles. Long lines. Mama is too busy to notice that Llama Llama is getting m-a-d! And before he knows it, he's having a full-out tantrum! Mama quickly calms him down, but she also realizes that they need to make shopping more fun for both of them. Parents and children are sure to recognize themselves in this fun-to-read follow-up to the popular Llama Llama Red Pajama.Watch a Video

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    He's not too thrilled about all the chores either—especially fishing. Before long, though, a raft appears in the nearby river, and it changes everything. As Nicky explores, the raft works a subtle magic on the obstinate young boy, opening up the wonders all around him: the animals of river and woods, his grandmother's humor and wisdom, and his own special talent as an artist.This is a serene story about a summer in the woods, appreciating things—and people—in a whole new light, and discovering one's own talents. School Library Journal proclaimed, "this dazzling picture book is an artistic triumph." A note from the author describes the similarities between LaMarche's and Nicky's life.Supports the Common Core State Standards

    

    In this book, he is transported back to the deck of the Mayflower.

    When he sees one at the museum and says, "It would be nice to play with a dinosaur," a voice answers, "And I think it would be nice to play with you." So begins Danny's and the dinosaur's wonderful adventure together!This edition contains altered illustrations, but not the later recolored ones.

    Tells of the adventurous life of the Wampanoag Indian, Squanto.

    It turns out the moose has a dream bigger then just being a moose—he wants to be an astronaut and go to the moon.His forest friends step in to help him, and action ensues. Lots of action. Like a lacrosse-playing grandma, a gigantic slingshot into space, and a flying, superhero chipmunk.In this hilarious romp, Richard T. Morris and bestselling illustrator Tom Lichtenheld remind us to dream big and, when we do, to aim for the moon.