every morning, feverishly hot, her heart racing and mind whirring with every worst-case scenario imaginable. She's snappy, exhausted and has developed an alarming inability to remember simple nouns.When a friend has the audacity to suggest that forty-five-year-old landscape gardener Eliza Hamilton is hurtling toward menopause, she is naturally appalled. Menopause is something that happens to other women, older women.As Eliza tries to negotiate this new and confusing landscape, she also embarks on the biggest challenge of her career so far. But she soon discovers that juggling erratic mood swings with motherhood, demanding family members and domestic drudgery is far from the harmonious scenario she'd envisaged.If Eliza wants to embrace midlife without the crisis, she must first make some grown up choices and face some uncomfortable truths.Hilarious, gritty and brutally honest, Overgrown will have you laughing, crying and rooting for its quirky yet relatable characters. A much-needed novel every woman approaching midlife should read.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    Twelve episodes in the everyday life of the community of Mariposa

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    As with all friendships, it is a story filled with cops, lockpicks, astronauts, secret codes, face punching and quiet moments where you realize that you aren't alone in the world.

    They founded the global business Supercute Enterprises as teenagers, armed only with a phone, a collection of their favourite cuddly toys and a love of all things kawaii. Thanks to them, the Supercute aesthetic is now a way of life.In a world dominated by massive conglomerates, Supercute has continued to grow bigger and more powerful, morphing from an entertainment company to a ruthless organisation fighting for their right to the world's water.Now Mox and Mitsu face a choice. In a world that is tearing itself apart, who will win in the battle for ultimate control - and where will Supercute draw the line . . .

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    A marriage is tested as a mother struggles to cope with the disappearance of her prostitute daughter. Two angry women in a minivan act out their frustrations as they rampage through the night. A pill-dependent nurse juggles neuroses, infatuation, and exhaustion while supervising a high school dance-a-thon. A quiet tattoo artist takes in a homeless woman, and stumbles upon the true nature of beauty, jealousy, and love. Written in taut, unflinching prose, these stories are edgy and dark, sharply observed and uniquely imagined. As provocative as it is brilliant, Dead Girls introduces Nancy Lee as an astonishing and original new literary talent.

    Green Grass, Running Water is widely considered a contemporary Canadian classic.In The Back of the Turtle, Gabriel returns to Smoke River, the reserve where his mother grew up and to which she returned with Gabriel’s sister. The reserve is deserted after an environmental disaster killed the population, including Gabriel’s family, and the wildlife. Gabriel, a brilliant scientist working for DowSanto, created GreenSweep, and indirectly led to the crisis. Now he has come to see the damage and to kill himself in the sea. But as he prepares to let the water take him, he sees a young girl in the waves. Plunging in, he saves her, and soon is saving others. Who are these people with their long black hair and almond eyes who have fallen from the sky?Filled with brilliant characters, trademark wit, wordplay and a thorough knowledge of native myth and story-telling, this novel is a masterpiece by one of our most important writers.

    Hegemonies and hearts are broken in this droll and iconoclastic look at the worlds of art and twentysomethings.Walter Scott is an artist from Montréal. His work has been exhibited across Canada and Wendy has been serialized on Random House Canada's literary digital magazine Hazlitt.

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.

    But when matriarch Kate Parker miraculously survives plummeting over a waterfall in a barrel -- a feat captured on a video that goes viral -- it's Kate's family who tumbles into chaos under the spotlight. Her prodigal daughter returns to town. Her 16-year-old granddaughter gets caught up in an online relationship with a man she has never met. Her husband sifts through their marriage to search for what sent his wife over the falls. Her adopted son fears losing the only family he's ever known. Then there is Kate, who once made a life-changing choice and now fears her advancing dementia will rob her of memories from when she was most herself. Set over the course of four calamitous days, Amy Jones's big-hearted first novel follows the Parkers' misadventures as catastrophe forces them to do something they never thought possible -- act like a family.

    Animal combines autobiography and evolutionary history to create a funny, fascinating insight into the forces that mould and affect modern women.Animal is entertaining and informative, personal and universal – silly about lots of things and serious about some. It's a laugh-out-loud investigation to help us understand and forgive our animal urges and insecurities.