it contains black & white photographs paired with poetry pieces; giving it a photo diary feels.

    *Shortlisted for the Forward Prize for Best First Collection 2019*Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.

    home body is a collection of raw, honest conversations with oneself – reminding readers to fill up on love, acceptance, community, family, and embrace change. Illustrated by the author, themes of nature and nurture, light and dark, rest here.i dive into the well of my bodyand end up in another worldeverything i needalready exists in methere’s no needto look anywhere else– home

    She's the classic (somewhat obnoxious) overachiever determined to win.Rachel Recht is a wannabe director who's obsesssed with movies and ready to make her own masterpiece. As she's casting her senior film project, she knows she's found the perfect lead - Sana.There's only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since.Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strongwilled young women falling for each other despite themselves.

    Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.Both epic and intimate, blending Chinese symbolism and re-imagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story, an unforgettable sibling story, and the announcement of a stunning new voice in literature. On a broad level, it explores race in an expanding country and the question of where immigrants are allowed to belong. But page by page, it's about the memories that bind and divide families, and the yearning for home.

    A regular columnist for MTV.com, Willis-Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Willis-Abdurraqib "bridges the bravado and bling of praise with the blood and tears of elegy." The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.

    Choi comes a funny and emotional story about two estranged sisters switching places and committing insurance fraud to save one of their lives.Jayne Baek is barely getting by. She shuffles through fashion school, saddled with a deadbeat boyfriend, clout-chasing friends, and a wretched eating disorder that she’s not fully ready to confront. But that’s New York City, right? At least she isn’t in Texas anymore, and is finally living in a city that feels right for her.On the other hand, her sister June is dazzlingly rich with a high-flying finance job and a massive apartment. Unlike Jayne, June has never struggled a day in her life. Until she’s diagnosed with uterine cancer.Suddenly, these estranged sisters who have nothing in common are living together. Because sisterly obligations are kind of important when one of you is dying.

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.

    Perfect for fans of Akata Witch and Shadowshaper . There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster--and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also uncover the truth, and the answer to the question How do you save the world from monsters if no one will admit they exist?In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices you can make when the society around you is in denial.

    Ranging across history and continents, these poems operate in the spaces in between, their haunting lyrics creating new, hybrid territories.The Perseverance is a book of loss, contested language and praise, where elegies for the poet’s father sit alongside meditations on the d/Deaf experience.

    Instead he decided to redefine what ‘culture’ could — and should — mean for the show. He took a risk and declared, ‘I am culture.’ Karamo believes that culture is so much more than art museums and the ballet — it’s how people feel about themselves and others, how they relate to the world around them, and how their shared labels, burdens, and experiences affect their daily lives in ways both subtle and profound. Seen through this lens, Karamo is culture: His family is Jamaican and Cuban; he was raised in the South in predominantly white neighborhoods and attended a HBCU (Historically Black College/University); he was trained as a social worker and psychotherapist; he overcame personal issues of colorism, physical and emotional abuse, alcohol and drug addiction, and public infamy; he is a proud and dedicated gay single father of two boys, one biological and one adopted. It is by discussing deep subjects like these, he feels, that the makeovers on the show can attain their full, lasting meaning. Styling your hair is important, but so is figuring out why you haven’t done so in 20 years!In this eye-opening and moving memoir, Karamo reflects on his lifelong education. It comprises every adversity he has overcome, as well as the lessons he has learned along the way. It is only by exploring our difficulties and having the hard conversations—with ourselves and one another—that we are able to adjust our mind-sets, heal emotionally, and move forward to live our best lives.Karamo shows us the way.

    After all, she loves her family (even if her cousins were named after Disney characters), and with her biracial background, amazing judo skills and red-hot temper, she doesn't quite fit the princess mold.All that changes the instant she locks eyes with Grace Kimura, America's reigning rom-com sweetheart, during the Nikkei Week Festival. From there, Rika embarks on a madcap adventure of hope and happiness--searching for clues that Grace is her long-lost mother, exploring Little Tokyo's hidden treasures with cute actor Hank Chen, and maybe...finally finding a sense of belonging.But fairy tales are fiction and the real world isn't so kind. Rika knows she's setting herself up for disappointment, because happy endings don't happen to girls like her. Should she walk away before she gets in even deeper, or let herself be swept away?

    But her romance had ended in heartbreak, and now, back in NYC again, she's determined to rediscover her joy--so of course she runs into the woman who broke her heart.When Likotsi and Fabiola meet again on a stalled subway train months later, Fab asks for just one cup of tea. Likotsi, hoping to know why she was unceremoniously dumped, agrees. Tea and food soon leads to them exploring the city together, and their past, with Fab slowly revealing why she let Likotsi go, and both of them wondering if they can turn this second chance into a happily ever after.

    This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from Dear America

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.