Dumas's subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.

    And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    Out of this rare collaboration has come a dramatic work that is eminently readable and at the same time suitable for staging.

    It is a verse tragedy, written in 1865 and first performed in Stockholm, Sweden on 24 March 1867. Brand was an intellectual play that provoked much original thought.Brand is a priest who wants to take consequence of his choices, and is therefore deeply bound to doing the "right thing". He believes primarily in the will of man, and lives by the device "all or nothing". To make compromises is therefore difficult, or by his moral standards questionable at best.

    

    . . A book in which I shall spit out my bile." At the center of this book are Bouvard and Pécuchet, two retired clerks who set out in a search for truth and knowledge with persistent optimism in light of the fact that each new attempt at learning about the world ends in disaster.In the literary tradition of Rabelais, Cervantes, and Swift, this story is told in that blend of satire and sympathy that only genius can compound, and the reader becomes genuinely fond of these two Don Quixotes of Ideas. Apart from being a new translation, this edition includes Flaubert's Dictionary of Received Ideas.

    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    If human beings are determined by their genes and their environment, how can they claim to be free to want or do anything? Where are Jacques and his Master going? Are they simply occupying space, living mechanically until they die, believing erroneously that they are in charge of their Destiny? Diderot intervenes to cheat our expectations of what fiction should be and do, and behaves like a provocative, ironic and unfailingly entertaining master of revels who finally show why Fate is not to be equated with doom. In the introduction to this brilliant new translation, David Coward explains the philosophical basis of Diderot's fascination with Fate and shows why Jacques the Fatalist pioneers techniques of fiction which, two centuries on, novelists still regard as experimental.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the building's tenants, who for their part are barely aware of her existence. Then there's Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma's trust and to see through Renée's timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    It tells the story of Cécile, who leads a carefree life with her widowed father and his young mistresses until, one hot summer on the Riviera, he decides to remarry - with devastating consequences. In A Certain Smile Dominique, a young woman bored with her lover, begins an encounter with an older man that unfolds in unexpected and troubling ways. These two acerbically witty and delightfully amoral tales about the nature of love are shimmering masterpieces of cool-headed, brilliant observation.

    Césaire’s rich and insightful adaptation of The Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).