In transcribing the 150-year-old manuscript’s cryptic handwriting and complex notations, Thoreau specialist Bradley Dean has performed a "heroic feat of decipherment" (Booklist) to bring this great work to light. Readers will discover "passages that reach for the transcendentalist ideal of writing new scriptures, yet grounding this Bible in a vision of practical ecology" (Boston). Beautifully illustrated throughout with line drawings of the natural life Thoreau considers on his walks, Wild Fruits is "well worth any nature lover’s attention" (Christian Science Monitor).

    All of the authors in Letters of Transit have written award-winning works on exile, home, and memory, using the written word as a tool for revisiting their old homes or fashioning new ones. Now in paperback are five newly commissioned essays offering moving distillations of their most important thinking on these themes. Andre Aciman traces his migrations and compares his own transience with the uprootedness of many moderns. Eva Hoffman examines the crucial role of language and what happens when your first one is lost. Edward Said defends his conflicting political and cultural allegiances. Novelist Bharati Mukherjee explores her own struggle with assimilation. Finally, Charles Simic remembers his thwarted attempts at "fitting in" in America.

    An avid river rafter, Sarahlee Lawrence grew up in remote central Oregon and, by the age of twenty-one, had rafted some of the most dangerous rivers of the world as an accomplished river guide. But living her dream led her back to the place she least expected—her dusty beginnings and her family’s home.River House is a beautiful story about a daughter’s return and her relationship with her father, whom she enlists to help brave the cold winter and build a log house by hand. Together, they work through the harsh winter, father helping daughter every step of the way.

    Among them are: ‘remote trout lake,’ ‘fish up to 13 pounds,’ ‘the place the guides fish on their days off,’” writes John Gierach in this wonderful collection of thirteen essays inspired by a fishing trip to Rat Lake, a remote body of water in Montana. Once again John Gierach does what he does best—explain the peculiarities of the fishing life in a way that will amuse novices and seasoned fly fishers alike. The View from Rat Lake deftly examines man in nature and nature in man, the pleasures of fishing the high country, and the high and low comedy that occasionally overcomes even the best-planned fishing trip. Some typically sage observations from The View from Rat Lake: “One of the things we truly fish for [is] an occasion for self-congratulation.”“In every catch-and-release fisherman’s past there is an old black frying pan.”“We . . . believe that a 12-inch trout caught on a dry fly is four inches longer than a 12-inch trout caught on a nymph or streamer.”

    In each chapter he makes clear the ways in which a particular book has helped to shape how he leads his own life and the ways in which it might help to shape ours. He talks about what brought him to each book - or vice versa; the people in his life he associates each book with; how each has led him to other books; how each is part of his understanding of himself in the world. And he relates each book to a question of our daily lives, for example: Melville's Bartleby, the Scrivener speaks to quitting; 1984 to disconnecting from our electronics; James Baldwin's Giovanni's Room to the power of finding ourselves and connecting with one another; Anne Morrow Lindbergh's Gift from the Sea to taking time to recharge; Anne Lamott's Bird by Bird to being sensitive to the surrounding world; The Little Prince to making friends; Paula Hawkins's The Girl on the Train to trusting. Here, too, are books by Dickens, Daphne du Maurier, Haruki Murakami, Edna Lewis, E. B. White, and Hanya Yanagihara, among many others. A treasure of a book for everyone who loves books, loves reading, and loves to hear the answer to the question: "What are you reading?"

    In Kabbalah: The Dreams Book, Berg examines the meanings of dreams by using Kabbalistic principles. Dreams, he says, offer valuable messages and wisdom, and to ignore them is the same as leaving a potentially life-changing letter unopened. Berg shows readers how to interpret the directions in their dreams, from how to find a soul mate to ways to deflect negative energy and judgments.

    In the richly illustrated pages of this book, she unfolds a myriad of wonders — the pattern of a bee abdomen, varieties of ice forms and sky colors, the joys of a garden — and shows us how to capture them on the page. Hinchman's respect for the miracle of our five senses, and her passion for what they can tell us about the world, is contagious. "Start with a smell, like a crushed marigold leaf, the sea, coal smoke," she advises, and from such raw materials begin to "decant the stuff of life" into journal form, "where it remains fresh, still tasting of its source." Even for one who has no intention of journal-keeping, to delve into Hinchman's own work is to see with new eyes. A Trail Through Leaves is a true gift and inspiration, a treasure-box of ways to write, draw, and be alive to the world. * "This is an important book, brilliantly produced. Its light will linger a long, long time." — John R. Stilgoe, professor in the history of landscape, Harvard University * "[B]oth a rich work of performance art and a personal growth tool with many handles." — Boston Globe

    There are entries in praise of earthworms and in protest of rock gardens, a treatise on the sexual politics of tending plants, and a paean to the salubrious effect of gardening (see “Longevity”). Twenty years after its initial publication, Green Thoughts remains as much a joy to read as ever. This Modern Library edition is published with a new Introduction by Allen Lacy, former gardening columnist for The Wall Street Journal and The New York Times and the author of numerous gardening books.

    We find everything we need for spiritual growth as we picnic with the children, go to the grocery store, and pick up the morning paper. Denise’s intimate approach invites us to recognize the grace that exists within our own lives. We needn’t pull over and look for enlightenment; the divine is always present, even in the car-pool lane.   Stories of finding wisdom in the everyday   God is in the silence and also in the noise. Spirit is in stillness and also in silliness. The Sacred is in the monastery and also in the minivan. “I don’t know how it is that days filled with children and noise and mess and clutter can seem endless, and then, when the kids are grown, it can seem as if those same days passed ever too quickly. I don’t know how many billions of stars are up in the sky or how suffering can hold the seeds of resurrection. I don’t know how to answer all my children’s questions, or my own. I don’t know how to completely let go. Life keeps inviting me to learn these things, presenting me each and every day with opportunities for growth. And it does seem that when I open my eyes and heart to others, I begin to recognize something that has been there all along. It feels like a presence, a light, a love that is unbounded by time or space or matter. It moves within us and among us, healing us, filling us, calling us to recognize that what we seek is right here in our midst.” —From My Monastery Is a Minivan   “I was thrilled to discover a soul sister in Denise Roy.  This book will be a wonderful companion to any parent, whatever their faith tradition.” —Rabbi Nancy Fuchs-Kreimer, author, Parenting as a Spiritual Journey “This is the kind of book that makes you want to grab all your friends and say, ‘You’ve got to read this!’ This collection of inspirational stories will lift your spirits and soothe your soul. Denise Roy’s minivan wisdom invites you to discover the sacred right smack in the middle of ordinary life.” —Steve and Patt Saso, authors, 10 Best Gifts for Your Teen “The humor and honesty of Denise Roy’s writing pulled me in right away. If you are not a saint but an ordinary man or woman hoping to live the joys and trials of daily life with your eyes and your heart wide open to the sacred, this is a book for you.” —Oriah Mountain Dreamer, author, The Invitation and The Dance “Some people can hold up a lens to life that reveals the depth and beauty all around us. Denise Roy is that kind of person, and spending time reading the stories that fill her book is like spending time with a wise friend who brightens your life.” —Tom McGrath, family-life editor, U.S. Catholic, author, Raising Faith-Filled Kids

    They can sulk, hold grudges, and they have preferences and can be vain. All these characteristics and more have been observed, documented, interpreted and retold by Rosamund Young based on her experiences looking after the family farm's herd on Kite's Nest Farm in Worcestershire, England. Here the cows, sheep, hens and pigs all roam free. There is no forced weaning, no separation of young from siblings or mother. They seek and are given help when they request it and supplement their own diets by browsing and nibbling leaves, shoots, flowers and herbs. Rosamund Young provides a fascinating insight into a secret world - secret because many modern farming practices leave no room for displays of natural behavior yet, ironically, a happy herd produces better quality beef and milk.

    It’s not quite a nature book, not quite a humour book, not quite a family memoir, not quite folklore, not quite social history, not quite a collection of essays, but a bit of all six.It contains owls, badgers, ponies, beavers, otters, bats, bees, scarecrows, dogs, ghosts, Tom’s loud and excitable dad and, yes, even a few cats. It’s full of Devon’s local folklore – the ancient kind, and the everyday kind – and provincial places and small things. But what emerges from this focus on the small are themes that are broader and bigger and more definitive.The book’s language is colloquial and easy and its eleven chapters are discursive and wide-ranging, rambling even. The feel of the book has a lot in common with the country walks Tom Cox was on when he composed much of it: it’s bewitched by fresh air, intrepid in minor ways, haunted by weather and old stories and the spooky edges of the outdoors, restless, sometimes foolish, and prone to a few detours... but it always reaches its intended destination.The book is illustrated with Tom’s own landscape photographs and linocuts by his mother.

    It also has much to teach us about the wilderness within and the divine presence that is manifest in nature. In this, his last work, beloved author Gerald May offers a memoir and spiritual guide that reveals the great lessons available to us when we retreat from our busy lives to the serenity of the natural wilderness.The Wisdom of Wilderness expresses the healing and wholeness May received through spending time in the wild -- whether hiking, camping, canoeing, fishing, or, often, just sitting. Also, May saw that wilderness can be found anywhere -- a garden, a park, perhaps in one's own room, or even in other people. Wherever we find it, it calls to what is natural in each of our hearts, reassuring us that we are part of a bigger creation and teaching us how to make peace with the outer world and with our inner selves.For May, nature was not something to rise above. The belief that we must dominate and tame all that is wild around and within us is the most fundamental estrangement of Western civilization, long inflicting wounds upon the planet and upon ourselves. But before we can effectively heal the earth, we must somehow recover our own natural wholeness, our own wildness and kinship with nature. We cannot do this healing for ourselves, but only through "the grace of Something or Someone beyond" -- and in May's case, he found this grace in Nature itself.This moving, beautifully written book is Gerald May at his best. It includes a foreword by author Parker J. Palmer, which illuminates the importance of May's life and writing and explains how this last book fits into the body of his work.

    And I have nothing against my dad, given the same set of conditions. In a fit of questionable judgment, consummate indoorsman John Sellers tags along on a journey to search for snakes with his eccentric, aging father—an obsessive fan of Bob Dylan, a giver of terrible gifts, a drinker of boxed wine, a minister- turned-heretic, and, most importantly, the self-designated guardian of the threatened copperbelly water snake.The quest is their fumbling attempt to reconnect. Decades of bitterness, substance abuse, acrimonious divorce, and divergent opinions about personal hygiene have conspired to make the two estranged. Sellers has just begun to develop a new appreciation for the American wilderness, and all the slithering creatures that populate it, when his father’s deteriorating health thwarts their mission and disturbs their tentative peace. Determined to finish what they started, he ventures back into the swamp— alone, but more connected to his dad than ever. With big-hearted humor and irreverence, The Old Man and the Swamp tells the story of a father who always lived on his own terms and the son who struggled to make sense of it all.

    Even as a teenager, experimenting in his own laboratory, he was impressed by the logic and materiality of the universe, which is governed by a small number of disembodied forces and laws. Those laws decree that all things in the world are material and impermanent. But one summer evening, while looking at the stars from a small boat at sea, Lightman was overcome by the overwhelming sensation that he was merging with something larger than himself--a grand and eternal unity, a hint of something absolute and immaterial. Searching for Stars on an Island in Maine is the result of these seemingly contradictory impulses, written as an extended meditation on an island in Maine, where Lightman and his wife spend their summers. Framing the dialogue between religion and science as a contrast between absolutes and relatives, Lightman explores our human quest for truth and meaning and the different methods of religion and science in that quest. Along the way, he draws from sources ranging from St. Augustine's conception of absolute truth to Einstein's relativity, from a belief in the divine and eternal nature of stars to their discovered materiality and mortality, from the unity of the once indivisible atom to the multiplicity of subatomic particles and the recent notion of multiple universes. What emerges is not only an understanding of the encounter between science and religion but also a profound exploration of the complexity of human existence.

    In addition to his day job in the Oxfordshire countryside treating cows, dogs, pigs and cats, he's also worked with an astonishing range of species around the world, including crocodiles, rhinos and pandas. In this charming collection he introduces us to some of his favourite patients, ranging from beloved family pets through to magnificent creatures of the wild. Whether microchipping armadillos, anaesthetising giraffes or advising the makers of the Jurassic World series on exactly how to operate on a velociraptor, Jonathan's love for his work and the entire animal kingdom is infectious. From the preposterous (castrating a sugar glider) to the poignant (encountering victims of rhino poaching), the stories in The Travelling Vet will delight and enthral every animal lover.