He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.

    Musically very gifted, by her mid-teens Alice was one of the best-known pianists in Prague. But as the Nazis swept across Europe her comfortable, bourgeois world began to crumble around her, as anti-Jewish feeling was legitimised. This book tells her story.

    Everything they do subverts their firm intention of keeping up appearances. They meet just after the war in liberated Paris but they cannot quite free themselves from the many strings attached to them - the old aunts, the sisters, the cousins, the nuns and the ominous concierges who dog their footsteps.Alexandre is a banker and a Resistant and lives in a world of numbers and Roman emperors. Poum resides in the Odyssey and in her bed, hiding from the mysterious disapproval of their relatives, for they both seem to persist in some irreparable faux pas which has them wading through a lifetime pickle. Their daughter, Catherine, would like to help but she seems to be part of the problem.This is no ordinary childhood, and Catherine de Saint Phalle’s acceptance of her parents, despite their flaws, shines through, propelling us head first into their strange, yet beautiful, Parisian world.Poum and Alexandre is a searingly honest, humorous and moving elegy to family and place, and a meditation on the ways they ultimately define us.

    It is real-life police procedural, courtroom drama, family saga, investigative journalism, social history, archival treasure hunt - a meditation, too, on how the past shapes the present, and the present the past.On a warm evening in December 1949, two young people met by chance under the clocks at Flinders Street railway station. They decided to have a night on the town. The next morning, one of them, twenty-year-old typist Beth Williams, was found dead on Albert Park Beach. When police arrested the other, Australia was transfixed: twenty-four-year-old John Bryan Kerr was a son of the establishment, a suave and handsome commercial radio star educated at Scotch College, and Harold Holt's next-door neighbour in Toorak.Police said he had confessed. Kerr denied it steadfastly. There were three dramatic trials attended by enormous crowds, a relentless public campaign proclaiming his innocence involving the first editorials against capital punishment in Australia. For more than a decade Kerr was a Pentridge celebrity, a poster boy for rehabilitation – a fame that burdened him the rest of his life. Then, shortly after his death, another man confessed to having murdered Williams. But could he be believed?

    Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous.Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.

    It is a tale of ambition, of wealthy widows and marriage mistakes; of money and trade, espionage and mercenaries, hardship and illness. Beyond the facts of discovery and exploration, this book reveals the extraordinary idealism and the influence of the Enlightenment on the founding of Australia.Michael Pembroke provides a compelling portrait of Arthur Phillip. He carefully weaves together the little-known facts and projects us into life in Georgian England – a time when newly discovered territories were the road to untold wealth.‘At long last, a finely written biography of the astonishing egalitarian who became Australia’s founding father. There are gripping descriptions of his amazing sea voyages and moving accounts of the humanity he brought to the government of a penal colony that only he thought would ever become a nation. The book shows the moral vision of a man who gave history its best example of the possibility of the Reformation of the human spirit.’-Geoffrey Robertson QC‘A gripping life of a quite extraordinary man: the most important enlightenment life story that we’ve never had properly told before.’-Andrew Marr, BBC broadcaster and television host‘The colour and dash of Arthur Phillip’s extraordinary life, lived in amazing times in every corner of the world, is told just brilliantly in Michael Pembroke’s utterly absorbing book, destined to become a classic of Imperial literature.’-Simon Winchester, bestselling author and journalistMichael Pembroke is a writer, judge and naturalist. He spent much of his childhood travelling to many of the maritime ports of the colonial era. His first school was at Sandhurst in England in the grounds of a military academy and his last on the foreshore of Sydney Harbour. He completed his education at Cambridge and now lives and writes in Sydney and at the hamlet of Mount Wilson in the Blue Mountains. In 2009 he wrote Trees of History & Romance, a paean to nature and poetry. He is a direct descendant of Nathanial Lucas and Olivia Gascoigne, who arrived in Botany Bay in January 1788.

    These are tales of love, secrets, doubt and torment, the everyday and the extraordinary. A sleepy town is gripped by delusory grief after the movie being filmed there wraps and leaves. A lingering heartbreak is replayed on Facebook. An ordinary family walks a shaky line between hopelessness and redemption. Brilliant, shocking and profound, these tales will leave you reeling in ways that only a great short story can. Kate Grenville * Mandy Sayer * Penni Russon * Favel Parrett * Tegan Bennett Daylight * Sonya Hartnett * Isabelle Li * Gillian Essex * Brenda Walker * Gillian Mears * Fiona MacFarlane * Joan London * Karen Hitchcock * Charlotte Wood * Tara June Winch * Cate Kennedy * Alice Pung * Anna Krien * Delia Falconer * Rebekah Clarkson

    Murder in Suburbia features the stories of more than 20 murder cases that have happened in the quiet streets of Australia's suburbs and small towns.Featuring contemporary cases as well as some shocking historical murders, Murder in Suburbia proves you should say "it could never happen here".

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again.

    A few years after the war, Jean is back in England, the nightmare behind her. However, an unexpected inheritance inspires her to return to Malaya to give something back to the villagers who saved her life. Jean's travels leads her to a desolate Australian outpost called Willstown, where she finds a challenge that will draw on all the resourcefulness and spirit that carried her through her war-time ordeals.

    With his sharp and masterful observations of race, class and gender in the "new" Sri Lanka, Savanadasa takes his seat beside Omar Musa, Alice Pung and Michael Mohammed Ahmad to usher in the brave and stunning new dawn of diverse Australian fiction.' Maxine Beneba Clarke, award-winning author of FOREIGN SOILA country picking up the pieces, a family among the ruins.In the restless streets, crowded waiting rooms and glittering nightclubs of Colombo, five family members find their bonds stretched to breaking point in the aftermath of the Sri Lankan civil war.Latha wants a home. Anoushka wants an iPod. Mano hopes to win his wife back.Lakshmi dreams of rescuing a lost boy.And Niranjan needs big money so he can leave them all behind. '[Savanadasa's] writing recalls Christos Tsiolkas' recent work ... distinct and convincing, RUINS heralds the arrival of a gifted new talent in Australian fiction.' BOOKS+PUBLISHING'An absolute must-read' WOMAN'S DAY'An outstanding debut novel' WEST AUSTRALIAN'RUINS is an impressive debut. Savanadasa joins other important contemporary Australian-Sri Lankan novelists . . . in enriching the globalised phenomenon that is Australian literature.' THE SATURDAY PAPER'RUINS stands out from other Australian debuts for its ambitious structure, its vibrant setting, and the depth and complexity of the Sri Lankan family at the centre of the story.' READINGS'an intelligent, engaging novel' DARK MATTER ZINE'A rich and colourful story of family and country, its complexity revealed in layers . . . Only through the eyes of others can we begin to see a place.' Inga Simpson, author of the critically acclaimed WHERE THE TREES WERE

    When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. Too late, she realises the place she has ended up is the worst of all: the 'Interior,' where the hard cases are sent-a brutally hard life with a cruel master, miles from civilisation.She runs from there and finds herself imprisoned by the impenetrable Tasmanian wilderness. What she finds there-what finds her-is Matt Sheedy, a man on the run, who saves her from certain death. Her precarious existence among volatile and murderous bushrangers is a different kind of hell and, surrounded by roaring rivers and towering columns of rock, hunted by soldiers and at the mercy of killers, Bridget finds herself in an impossible situation. In the face of terrible darkness, what will she have to do to survive?A gripping and moving story of a woman's struggle for survival in a beautiful and brutal landscape, Bridget Crack is a unique and deeply accomplished novel by a rare talent.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.