Get someone here in one hour or I’m going to put her out of her misery.”An ultimatum that forever changes the lives of police officer Sam Lucas and Dr. Kate Myles.When heavy snowfall isolates the small English village of Birchenlow, a violent robbery shatters the community. Taken as a hostage and stranded with the increasingly desperate criminals, Sam is seriously injured during an ill-fated escape attempt. Already struggling to save the lives of the villagers caught up in the raid, Kate volunteers to walk straight into the lion’s den. Cut off from help, with only each other to rely on, Sam and Kate must find a way to fight the odds and stay alive if the growing attraction between them is to survive.

    Her father Lexander, an alchemist, harbors an evil obsession, and Catalina, his newest bride, made the grave mistake of becoming his wife. When Catalina finds herself falling in love with his daughter, Neve, instead, the deepening bond between the women sets in motion the final chapter of a story that began long ago, with a desperate longing and a handful of apple seeds. Together, Neve and Catalina must venture into the Huntsman's haunted forest to undo what has been done and set themselves free. The novella SEVEN is the lesbian retelling of the classic fairy tale, “Snow White.” It is part of the series SAPPHO’S FABLES: LESBIAN FAIRY TALES.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    But when the festival lights go down and the palace slumbers, Katya chases traitors to the crown and protects the kingdom’s greatest secret: the royal Umbriels are part Fiend. When Katya thwarts an attempt to expose the king’s monstrous side, she uncovers a plot to let the Fiends out to play.Starbride has no interest in being a courtier. Ignoring her mother’s order to snare an influential spouse, she comes to court only to study law. But a flirtatious rake of a princess proves hard to resist, and Starbride is pulled into a world of secrets that leaves little room for honesty or love, a world neither woman may survive.

    It was an anthology of erotic comics, with contributions from some of the best and the brightest creators. There were three issues, and they were AWESOME. But that was it. The third Smut Peddler mini was followed by a years-long publishing hiatus...UNTIL NOW.

    The hip, noir adventurers who get by on wit, bravado, and drugs, and haunt the virtual worlds of the Shadows of cyberspace, are up against the encroachments of civilization. It's time to adapt or die.India Carless, alias Trouble, got out ahead of the feds and settled down to run a small network for an artist's co-op.Now someone has taken her name and begun to use it for criminal hacking. So Trouble returns. Once the fastest gun on the electronic frontier, she had tried to retire-but has been called out for one last fight. And it's a killer.

    She's known since she was young; being a woman just fit better. She was happier in skirts than trousers, but that was before her stepmother moved in. Eleanor can't stand her, and after Ella's father passes she's forced to revert to Cole, a lump of a son. She cooks, she cleans, and she tolerates being called the wrong name for the sake of a roof over her head. Where else can she go? An opportunity to attend the royal ball transforms Ella's life. For the first time, strangers see a woman when she walks down the stairs. While Princess Lizabetta invited Cole to the ball, she doesn't blink an eye when Cinderella is the one who shows. The princess is elegant, bold, and everything Ella never knew she wanted. For a moment she glimpses a world that can accept her, and she holds on tight. She should have known it wouldn't last. Dumped by her wicked stepmother on the farthest edge of the kingdom, Ella must find a way to let go of the princess and the beautiful life they shared for an hour. She'll never find her way back. But it's hard to forget the greatest night of her life when every rose she plants is a reminder.

    She’s a lesbian with a ton of baggage—fearful, guilty, and alone. Very few things would compel her to leave the familiar. The job offer of a lifetime is one of them. Against her better judgment, she packs up, and moves to Illinois. Unfortunately, she’s not there long before she’s convinced that the devil is hunting her down. Gabe Garst is a police officer. She’s also a powerful medium. Her work with juvenile delinquents and ghosts is all that keeps her going. Inside she’s dead, certain that her capacity to love is buried six feet under. Talking with and seeing the dead has always come easily, and yet for some reason, she’s not able to communicate with her late wife. She’s grieving, depressed, and alone. Suicide seems like the best option. It’s just a matter of time.Anna and Gabe’s paths cross. Their attraction is immediate, but they hold back until all hope seems lost. As good battles evil, two tortured souls must engage in a struggle to overcome demons of their own.

    It can’t be that hard... not when Jorgas keeps coming after him.But there’s more to this werewolf than a body count and a bad attitude. As their relationship grows deeper and more twisted, Reylan tastes Jorgas’ blood, reawakening desires the vampire had thought long dead. And what evolves between them may be far more dangerous than some rival predator in the dark...

    These dark, often disturbing tales expand the boundaries of the horror genre; the sexuality of the protagonists is a point of reference for the "horror" of otherness that defines and, at times, divides us.Cover painting: Detail from The Ambassador of Obloquy by James HuctwithContains the following stories:"The Nightguard" C. Mark Umland"Piercing Men" Douglas Clegg"The Siege" Michael Marano"Bear Shirt" Gemma Files"Little Holocausts" Brian Hodge"The Sound of Weeping" Thomas S. Roche"Hey Fairy" Edo Van Belkom"The Spark" William J. Mann"Spindleshanks (New Orleans, 1956)" Caitlin R. Kiernan"The Perpetual" David Quinn"Genius Loci" Becky N. Southwell"Goodbye" Michael Thomas Ford"Tabula Rasa" Robert Boyczuk"You Can't Always Get What You Want" T.L. Bryers"The Bird Feeders" David Nickle"No Silent Scream" Nancy Kilpatrick"Second Shadow" Joseph O'Brien

    Holly tells herself that the reason she hasn’t asked her girlfriend to move in (after four years of dating) is that she’s too busy–but it isn’t true. A very book-obsessed librarian, Holly has buried herself in so many romantic and magical stories, that at night, she dreams of a woman who will sweep her off her feet–something her indifferent girlfriend has never done. But one night, during an unusually vicious storm, magic and romance appear in Holly’s backyard in the form of a mysterious, gorgeous woman…wielding a sword. The dashing stranger’s name is Virago. She claims that she’s a warrior on the hunt for a great and terrible beast; that she, and the beast, slipped through a portal from their world into ours. Holly isn’t sure what to believe, but she is now responsible for a (possibly crazy) swordswoman who is bewildered by modern-day conveniences like escalators, but not by the chivalry of sweeping a woman off her feet. Can Holly help Virago find her own world again, or will that falling-in-love thing get in the way? And, of course, there’s the tiny problem of the beast Virago wounded that is now seeking revenge…

    A captain in the King’s elite guard and filled with humor and good nature, Darry’s considerable charms pull Jessa rather happily into an unexpected friendship that quickly becomes something more, promising passion and the fulfillment of her deepest desires.Jessa and Darry’s relationship threatens the fragile peace, and the future of two countries might very well hang in the balance. When family secrets and hidden agendas begin to surface, as well as an ancient majik that Jessa has been preparing to use since the day she was born, a prophecy is set in motion that will thrust both lands into a bloody war of revenge and retribution—a war that love alone will not be able to stop.

    The only issue in Zelda's almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss's nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda's long-time crush and colleague. What's a werebear to do?

    She runs the school, and if she chose, she could blow up Maria and Lily’s whole world with a pointed look, or a carefully placed word.But what Delilah doesn’t know is that Lily and Maria are willing to do anything—absolutely anything—to make their dreams come true. And the first step is unseating Delilah for the Kingsley Prize. The full scholarship, awarded to Maria, will lock in her attendance at Stanford―and four more years in a shared dorm room with Lily.Maria and Lily will stop at nothing to ensure their victory—including harnessing the dark power long rumored to be present on the former plantation that houses their school.But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what is imagined, the girls must decide where they draw the line.

    She can no longer trust her own mind, because she is convinced that her memories have somehow betrayed her, forcing her to question her very identity.Struggling with her perception of reality, Imp must uncover the truth about an encounter with a vicious siren, or a helpless wolf that came to her as a feral girl, or neither of these things but something far, far stranger...