Exhaustively researched with transcripts of interviews with killers, and featuring up-to-date information on the apprehension and conviction of the Green River killer and the Beltway Snipers, Vronsky's one-of-a-kind book covers every conceivable aspect of an endlessly riveting true crime phenomenon.INCLUDES PHOTOGRAPHS

    But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    Strange World has sold more than one million copies.

    She takes us to the ultra-bizarre Body Farm in Knoxville, Tennessee, where scientists watch bodies decay in order to learn the secrets of decomposition and death. She also takes us into the courtroom, where "post-O. J." forensic science as a whole is coming under fire and the new multidisciplinary art of forensic ecology is struggling to establish its credibility." In the end, Sachs reveals death to be not a single moment in time, but an elaborate dance, as insects and microbes colonize a corpse, and efficiently - even gracefully - return it to the earth. The story of the 2000-year search to pinpoint time of death. Corpse is also the terrible and beautiful story of what happens to our bodies when we die.

    She has spent her entire adult life seeking to understand why those non-human eyes held such an expression of human-like intelligence. What is the nature of a Sasquatch? Is it human? Animal? Or something in-between? How does Bigfoot live? How does it interact with others of its kind? And how would it interact with us? What would we learn about these creatures, if we stopped pursuing them... and they no longer avoided us? One man would finally offer answers to those questions. He is more than a witness. He is the friend of a wild man... and he calls him Enoch.

    Now after a 12-month scientific investigation, the story can be told. "An unforgettable experience...Must rank with the great classics of scientific revelation".--The New York Times.

    Bill Bass, one of the world's leading forensic anthropologists, gained international attention when he built a forensic lab like no other: The Body Farm. Now, this master scientist unlocks the gates of his lab to reveal his most intriguing cases-and to revisit the Lindbergh kidnapping and murder, fifty years after the fact.

     Tim Reiterman s Raven provides the seminal history of the Rev. Jim Jones, the Peoples Temple, and the murderous ordeal at Jonestown in 1978. This PEN Award winning work explores the ideals-gone-wrong, the intrigue, and the grim realities behind the Peoples Temple and its implosion in the jungle of South America. Reiterman s reportage clarifies enduring misperceptions of the character and motives of Jim Jones, the reasons why people followed him, and the important truth that many of those who perished at Jonestown were victims of mass murder rather than suicide.This widely sought work is restored to print after many years with a new preface by the author, as well as the more than sixty-five rare photographs from the original volume."

    Days later, the madman was dead and Denis was framed for murder. A riveting exposé of the fierce debates, deadly politics, and cutthroat rivalries behind the first transfusion experiments, Blood Work takes us from dissection rooms in palaces to the streets of Paris, providing an unforgettable portrait of an era that wrestled with the same questions about morality and experimentation that haunt medical science today.

    Here are the untold stories.A pilot reports a strange haze enveloping his plane, then disappears; eleven hours after fuel starvation, as if calling from a void, he is heard 600 miles away. He requests permission to land, then vanishes forever. A freighter steaming over placid seas disappears without a trace. A pleasure yacht ghosts past without a soul on board. A pilot calls for help because a weird object is harassing his plane. A jet collides with an unknown and is never found. . . .Into the Bermuda Triangle is the first comprehensive examination of these baffling disappearances in more than a generation. Drawing on official reports from the NTSB and other investigative agencies as well as interviews with scientists, theorists, and survivors, leading authority Gian Quasar not only sets the record straight on previously examined cases, he also offers a bulging file of new cases, the collective results of his twelve-year investigation. In meticulous detail this unflinching account:Documents confirmed disappearances of airplanes and shipsGathers new testimony and reexamines old interviews from eyewitnesses and survivorsExplores possible explanations ranging from zero-point energy to magnetic vorticesChallenges our assumptions with the sheer weight of accumulated evidenceIn this age of technological and scientific discovery, there are still mysteries that transcend understanding. The Bermuda Triangle is one.The best book I've ever read on this important subject.--Andrew Griffin, The Town Talk

    Were humans created by God as Slaves? Was Abraham the first human Spy? Was Jesus an accidental Messiah? This work takes readers on a odyssey of the origins of humankind drawing on analogies between discoveries in genetic engineering and ancient archaeological finds.

    It does not obey the known rules of astrophysics and there is no theory of its origin that explains the known facts--in fact it should not really be there...The authors of Civilization One return, bringing new evidence about the Moon that will shake up our world. Christopher Knight and Alan Butler realized that the ancient system of geometry they presented in their earlier, breakthrough study works as perfectly for the Moon as it does the Earth. On further investigation, they found a consistent sequence of beautiful integer numbers when looking at every major aspect of the Moon--no such pattern emerges for any other planet or moon in the solar system. In addition, Knight and Butler discovered that the Moon possesses few or no heavy metals and has no core—something that should not be possible. Their persuasive conclusion: if higher life only developed on Earth because the Moon is exactly what it is and where it is, it becomes unreasonable to cling to the idea that the Moon is a natural object. The only question that remains is, who built it?

    In Dimensions (1988), Vallee offered his basic UFO theory: that UFOs are not interstellar craft, but are unexplained consciousness-controlling mechanisms intruding from other dimensions. Here, he expands on that theory by reference to the cases he's explored during the past three decades, concluding that "UFOs represent a technology capable of harmful actions"--hence this book's provocative title rather than Whitley Strieber's more pacific Communion or Transformation. Before he details cases of UFO hostility, however, in order to erect a scientific framework for his findings he sifts thru cases that offer hard if inconclusive evidence about UFOs (sightings that have permitted readings of UFO megawatt output; manifestations that have left odd physical remnants in their wake), analyzes various UFO photos & reflects upon the ambiguous nature of UFO research. These discussions feature copious advice & suggested guidelines for fellow UFO researchers; of more interest to general readers will be his in-depth account of his '88 trip into the Amazon jungle to look into mass UFO sightings that involved "medical injuries," including deaths--e.g., that of hunter Raimundo Souza, allegedly seen by his companion to be caught in a UFO's beam, then found dead on the ground, his body covered with circular purple marks. He closes by presenting a series of relatively technical definitions, classifications & rating scales for future UFO research. A sort of personal appendix to Dimensions, partly slanted toward UFO investigators; &, as such, of limited appeal--tho his findings & speculations are a core curriculum for anyone with a serious interest in ufology.--Kirkus (edited)

    By day's end, he had killed one teacher and severely wounded another.In Lethal Passage Erik Larson shows us how a disturbed teenager was able to buy a weapon advertised as "the gun that made the eighties roar." In so doing, he not only illuminates America's gun culture -- its manufacturers, dealers, buffs, and propagandists -- but also offers concrete solutions to our national epidemic of death by firearm. The result is a book that can -- and should -- save lives, and that has already become an essential text in the gun-control debate.

    For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family’s spoons, tried on their underpants and tested their chamber pots.Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions. Women wore makeup made with mercury and lead. Men rubbed turds on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings, and potions of human fat and skull, fresh from the executioner. The most gorgeous palaces were little better than filthy latrines. Gazing at gorgeous portraits of centuries past, we don’t see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines.In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true story of Europe’s glittering palaces: one of medical bafflement, poisonous cosmetics, ever-present excrement, festering natural illness, and, sometimes, murder.