When she and her mother move yet again, she tries to hide her TS. But it isn't long before the kids at her new school realize she's different. Only Calli's neighbor, who is also the popular student body president, sees her as she truly is—an interesting person and a good friend. But is he brave enough to take their friendship public? As Calli navigates school, she must also face her mother's new relationship and the fact that she might be moving, again, just as she starts to make friends and finally accept her differences.

    and so much has gone wrong.But she knows who can make things right again: Maggie Marie, her mermaid mother, who swam away when Keeper was just three. A blue moon calls the mermaids to gather at the sandbar, and that's exactly where Keeper is headed - in a small boat. In the middle of the night, with only her dog, BD (Best Dog), and seagull named Captain. When the riptide pulls at the boat, tugging her away from the shore and deep into the rough waters of the Gulf of mexico, panic sets in and the fairy tales that lured her out there go tumbling into the waves. Maybe the blue moon won't sparkle with mermaids and maybe - Oh, no ... "Maybe" is just too difficult to bear.

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    The details of their struggle to survive the Great Depression will linger long after the last page has been read."-Ann M. Martin, winner of the Newbery Honor for A Corner of the UniverseA stunning debut novel about the true meaning of homeSadie Wynn doesn't want a new life; her old one suits her just fine. But times are hard in drought-plagued Missouri, and Daddy thinks they'll be better off in Texas. Sadie hates this strange new place, where even children must work at the cannery to help make ends meet and people are rude to her disabled father.Yet when trouble comes, it is the kindness of these new neighbors that helps the family make it through. And no one helps more than Dollie, a red-headed chatterbox of a girl who just might become a good friend-if Sadie gives her half a chance. The Truth About Sparrows is a 2005 Bank Street - Best Children's Book of the Year.

    The problem is her editor-in-chief keeps shooting down her article ideas. Jameela’s assigned to write about the new boy in school, who has a cool British accent but doesn’t share much, and wonders how she’ll make his story gripping enough to enter into a national media contest. Jameela, along with her three sisters, is devastated when their father needs to take a job overseas, away from their cozy Georgia home for six months. Missing him makes Jameela determined to write an epic article—one to make her dad extra proud. But when her younger sister gets seriously ill, Jameela’s world turns upside down. And as her hunger for fame looks like it might cost her a blossoming friendship, Jameela questions what matters most, and whether she’s cut out to be a journalist at all...

    Her brother is a local hero for calling 911 after seeing their elderly neighbor collapse, and only her best friend was able to win a role in the play they both auditioned for. Feeling cast aside from all angles, Suzy sees a kindred spirit in Emily Dickinson, the subject of her summer project. Suzy decides to escape from her disappointments by emulating the poet's life of solitude: no visitors or phone calls (only letters delivered through her window), no friends (except her goldfish, Ottilie), and no outings (except church, but only if she can wear her long white Emily dress).But being a recluse is harder than Suzy predicted. Will she find a way to fold Emily into her life while also remaining true to herself?