Its mission: to cut the lifeline of British shipping and win the war with one mighty blow. How the Royal Navy tried to meet this threat and its desperate attempt to bring the giant Bismarck to bay is the story C. S. Forester tells with mounting excitement and suspense!

    It is the beginning of an infatuation that will last a lifetime. He befriends her husband, an influential businessman, and as their paths cross and re-cross over the years, Mme Arnoux remains the constant, unattainable love of Moreau’s life. Blending love story, historical authenticity, and satire, Sentimental Education is one of the great French novels of the nineteenth century.

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Mlle. De Maupin, Lolita, Candy—all pale beside Juliette.”—Library Journal

    Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses, and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, "Bel-Ami" is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity, and humanity. Douglas Parmee's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic.

    Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. As Balzac wrote, "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this...one sees perfection in every detail."With beautiful illustrations by Robert Andrew Parker.

    Gamelin's ideals lead him to the most monstrous mass murder of his countrymen, and the links between Gamelin and his family, his mistress and the humanist Brotteaux are catastrophically severed. This book recreates the violence and devastation of the Terror with breathtaking power, and weaves into it a tale which grips, convinces and profoundly moves. The perfection of Anatole France's prose style, with its myriad subtle ironies, is here translated by Frederick Davies with admirable skill and sensitivity. That The Gods Will Have Blood is Anatole France's masterpiece is beyond doubt. It is also one of the most brilliantly polished novels in French literature.Anatole France was awarded the Nobel Prize in 1921.

    But when his father forces him to attend the Adventurers’ Academy, where warriors, enchanters, and rogues learn how to fulfil quests to become heroes, Dagdron must face a whole new life. When Dagdron is accused of stealing the Arch of Avooblis, he and his ever-honourable roommate, Earl, embark on a quest to recover the magical crystal. Along the way, they must deal with the mysterious Headmaster Gwauldron, a snobby princess-enchantress, and the fact that their involvement with the Arch of Avooblis may very well cost them their lives.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    

    Speaking out against the unjust French government, he takes refuge with a nomadic band of actors and assumes the role of the clown Scaramouche—a comic figure with a very serious message...Set during the French Revolution, this novel of swashbuckling romance is also a thought-provoking commentary on class, inequality, and the individual’s role in society—a story that has become Rafael Sabatini’s enduring legacy.With an Introduction by Gary Hoppenstand

    Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage.This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

    In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

    Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. Set during the reign of Louis XIV and filled with behind-the-scenes intrigue, the novel brings the aging Musketeers and d'Artagnan out of retirement to face an impending crisis within the royal court of France. This new edition of the classic English translation is richly annotated and places Dumas's invigorating tale in its historical and cultural context.