Contains a detailed songbook and over 30 exclusive interviews with Björk's associates, family members, and industry professionals.

    Pages: 40. Chapters: Justin Bieber albums, Justin Bieber songs, My World, My World 2.0, Baby, Somebody to Love, Justin Bieber discography, One Time, My World Tour, Eenie Meenie, One Less Lonely Girl, My Worlds: The Collection, Never Say Never, Justin Bieber: Never Say Never, My Worlds Acoustic, Pray, U Smile, Never Say Never - The Remixes, Love Me, Coon vs. Coon and Friends, Never Let You Go, That Should Be Me, Favorite Girl, Bigger, Down to Earth, First Dance. Excerpt: Justin Drew Bieber (pronounced -b r, born March 1, 1994) is a Canadian pop/R&B singer, songwriter and actor. Bieber was discovered in 2008 by Scooter Braun, who happened to come across Bieber's videos on YouTube and later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher, and then to a recording contract with Island Records offered by L.A. Reid. His debut single, "One Time," released worldwide in 2009, peaked in the top ten in Canada and charted in the top thirty in several international markets. His debut release, My World, followed on November 17, 2009, and was eventually certified platinum in the United States. He became the first artist to have seven songs from a debut album chart on the Billboard Hot 100. Bieber's first full studio release, My World 2.0, was released on March 23, 2010 and has since received similar success; it debuted at number one and within the top ten of several countries, and was certified platinum in the United States. It was preceded by the worldwide top-ten single, "Baby," in January 2010. The music video of "Baby" is currently ranked as the most viewed and most discussed YouTube video, and was the most disliked until being overtaken by Rebecca Black's song "Friday." Bieber followed-up the release of his deb...

    "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    Almost forty years later, front man Gram Parsons, is still spoken of with almost messianic reverence. Patron saint of alt-country, emblazoned with a shining cross, dead at 26. Overshadowed by Parsons, this album remains an anomaly in the country rock genre, a map in miniature of a moment in music, and warrants discussion as more than part of the Gram Parsons legacy.

    These are the Savage North Chronicles. Over 2,000 pages of superhuman abilities, harrowing adventures, and heartwarming moments that will give you all the feels. Savage North Chronicles Reading Order:1. THE DARKEST WINTERElle - Haunting shadows are nothing new to Elle St. James, she’s been running from them all her life. But since the outbreak spread from the lower forty-eight, new monsters lurk in the darkness. After Elle wakes from the fever, capable of horrific deeds, she fears she’s one of them.Jackson - After the world goes mad and takes his family with it, Jackson Mitchell tosses aside his badge and decides a bottle of bourbon and the depths of despair are preferable to any semblance of living. All of that changes, however, when a group of young survivors are in dire need of his help and Jackson sacrifices his blissful oblivion in order to keep them safe.Brought together under the worst possible circumstances, Elle and Jackson must face the inexplicable realities of the new world. Their past lives are over, and the arctic isn’t all that’s savage anymore.1.5 THE LONGEST NIGHT, prequel novellaLife seemed complicated for Sophie when she had teen pregnancy and her squeaky-clean reputation as the mayor’s daughter to worry about. Now, everything is changed. Bloodcurdling screams pierce the night air and lurid memories haunt feverish dreams.Alex is the new kid from the wrong side of the tracks, and it’s all he can do to keep his head down until his eighteenth birthday when he can leave his life in foster care behind him. But Alex doesn’t realize he and the quiet girl from class with lonely, blue eyes are fated in the most impossible way imaginable.2. MIDNIGHT SUNThe six of them survived the Alaskan winter after the Virus devastated the North, but summer in the land of the midnight sun is fraught with a brutality of its own—long, grueling days, mosquito-ridden evenings, and woods with lurking shadows more dangerous than grizzlies.2.5. FADING SHADOWSCrazed survivors and Ability-hungry madmen aren’t the only repercussions of the Virus, and when a new, unforeseen danger threatens the townspeople, Kat must embrace her unharnessed Ability she’s been trying for years to avoid.3. UNTAMEDBeau has learned to embrace his Ability, but when he loses his best friend, Beau’s world crumbles all over again. Brokenhearted, he embarks on a transformative journey of self-discovery, fraught with danger and adventure, and most unexpectedly, love. But the scars left in the wake of the Virus run deeper than Beau can possibly imagine.4. UNBROKENThea fears the moment she’ll have to use her telekinesis again. After all, the mere flick of her wrist in the heat of the moment could prove fatal for someone she loves, and she already has enough blood on her hands to last her a lifetime. So, Thea jumps at the chance to shrug off the shadows of her youth and prove to herself she’s unbroken.Hunter and Thea have never gotten along, and three weeks together could be Hunter’s undoing...just not in the way he’s expecting.

    Five are connected to a series of old unsolved disappearances. But the sixth is fresh. What’s worse, two of the victims—including the most recent—were killed with Cork’s gun. As Cork searches for answers, he must dig into his own past and that of his father, a well-respected man who harbored a ghastly truth. Northwest Angle: Amid the wreckage of a violent storm, Cork O’Connor and his daughter Jenny discover a body. Nearby, a baby boy lies hungry and dehydrated but still very much alive. Powerful forces in pursuit of the child follow them to the isolated Northwest Angle, where it’s impossible to tell who is friend or foe. Trickster’s Point: Cork O’Connor sits deep in the wilderness with his good friend Jubal Little—favored to become Minnesota’s first Native American elected governor—who is slowly dying with an arrow through his heart. But this is no hunting accident. The arrow is one of Cork’s. As he works to clear his name and track the killer who set him up, only Cork knows that his complex, passionate, ambitious friend was also capable of murder.

    Reveals True Story of Kill Or Be Killed Shootouts In The Real Wild West.Recently discovered memoir by one of the Old West's most feared (but virtually unknown today) gunfighter's and lawmen puts you behind a pair of Colt .45 six-guns and immerses you in the real life man-on-man fast draw shootouts, hell-bent-for-leather outlaw chases and lead dodgin' narrow escape in the Real Old West.If you've ever wondered what it was like to strap on a six-gun and have a face-off-in-the-street gunfight where only the fastest gunslinger walks away - - then rare eyewitness account of what it was like to live and die in the Real Old West is a must read.

    And I’ve chosen not to spend it constantly stressing about cancer. I’ve chosen to enjoy the little things. I’ve chosen to laugh. And I’ve chosen to look back on my life and thank God for it.' In March 2017, Linda Nolan was diagnosed with secondary breast cancer and was given the terrible news that, while it was treatable, it was not curable. Her first thought was to worry about her family, who were still grieving the loss of their sister Bernie. Her second was, ‘But I’m alive and I’m going to fight it.’In From My Heart, Linda writes honestly about growing up in her big Irish family and finding fame with her sisters in The Nolans and reveals the shocking family secrets and feuds that threatened to tear them apart. She also describes her original battle with breast cancer and how the death of her husband left her deeply depressed, to the point of feeling suicidal. Just as she’d learned to embrace life again, and even to start dating, the cancer came back . . . In this warm, brave and funny memoir, Linda shows that it’s never too late to learn what really matters.

    Download both ebooks for a special low price. Birdman Five bodies, all young women, all ritualistically murdered and dumped near the Millennium Dome in southeast London. A post-mortem examination tells the police they’re dealing with a sexual serial killer. Detective Inspector Jack Caffery knows he has only limited time before the sadistic killer strikes again. The Treatment In a residential neighbourhood in south London, a husband and wife are found tied up and imprisoned in their house. Their young son is missing. Detective Jack Caffery is called in to investigate. When the child’s body is found, he attempts to unravel the motive and sequence of events, especially when he discovers that a tragedy in his own past is indirectly connected to the murder.

    Grab a blanket and curl up with your new favorite big cats.SCORCH Drew Maddox has to find his fated mate.Drew Maddox has been given orders by the king of the jaguar tribe. It’s time to start building the Maddox empire. There is only one name on his list, a woman betrothed to him at birth. It's time to find her. Francesca March has no idea about her heritage or where she came from. Adopted by humans, she has lived a lonely existence as the only she-panther she knows. Long ago she gave up on happy endings, heroes, and trust. She’s never let anyone get close enough to learn her secret. That is until she meets a stranger on the side of the road. Drew knows time is running out. He has to convince Francesca to marry him in less than five days. But with his own secrets haunting him he struggles with how much to tell her without losing her. Can Francesca face the reality of what it truly means to be a she-panther, or will Drew keep her in the dark to fulfill his duty? Sparks fly. The sheets burn down. And every time they touch a flame ignites. Will fate keep them together, or tear them apart? SACRIFICE The chase is on.Josh Bauer expects his mate to be excited to see him, but when he shows up in her small town, she slams the door in his face.Tessa Cunningham has been an independent she-panther, running her own business and taking care of her mother. The last thing she wants is to let go of the control she has over her life.The more Josh chases her, the more she resists his sexy charm.Josh has an obligation to fulfill, but he learns that being a mate is worth sacrificing everything—even if that means losing Tessa.SEIZE Sometimes you have to take what you want.Donovan may come from a royal line of jaguar shifters, but he’s serving another king now. His mission is to uncover the plot for a shifter war. He never imagined guarding his tribe’s territory would put him in the path of she-panther, Caroline Addison. Caroline knows she only has a few weeks until her fated mate surfaces, so she takes a last minute vacation to escape. Only, she never knew she would find the one man she’d always been looking for.When Donovan and Caroline decide nothing can keep them apart, not even a shifter war, they realize there is a cost. And the price may be too high to pay. SHIFT Loyalties are tested, a war is upon them, and love knows no bounds.Case Maddox has finally found his mate.But the shifter war keeps brewing.Can he save his Tribe, and the woman he loves?Cadence is trying to find her place as a human in a world of shifters and as the mate of the jaguar king, but she's struggling. One night her world comes crashing down around her and she has to decide if she can even go on.Captured and held hostage. The only way for Cadence to survive may be to pledge herself to Case's ultimate rival.But Cadence has a secret that may be the key to her survival.

    Comprised entirely of exclusive interviews, many with artists who have never spoken about their careers before, this tome begins the project by examining three facets of the genre in detail, returning to the subject of Norwegian Black Metal, discussing Polish Black Metal and telling the story of the subgenre of Depressive/Suicidal Black Metal.

     Hardcore music emerged just after the first wave of punk rock in the late 1970s. American punk kids who loved the speed and attitude of punk took hold of its spirit, got rid of the “live fast, die young” mind-set and made a brilliant revision: hardcore. The dividing line between punk and hardcore music was in the delivery: less pretense, less melody, and more aggression. This urgency seeped its way from the music into the look of hardcore. There wasn’t time to mold your liberty spikes or shine your Docs, it was jeans and T-shirts, Chuck Taylors and Vans. The skull and safety-pin punk costume was replaced by hi-tops and hooded sweatshirts. Jamie Reid’s ransom note record cover aesthetic gave way to black-and-white photographs of packed shows accompanied by bold and simple typography declaring things like: "The Kids Will Have Their Say", and "You’re Only Young Once." Radio Silence documents the ignored space between the Ramones and Nirvana through the words and images of the pre-Internet era where this community built on do-it-yourself ethics thrived. Authors Nathan Nedorostek and Anthony Pappalardo have cataloged private collections of unseen images, personal letters, original artwork, and various ephemera from the hardcore scene circa 1978-1993. Unseen photos lay next to hand-made t-shirts and original artwork brought to life by the words of their creators and fans. Radio Silence includes over 500 images of unseen photographs, illustrations, rare records, t-shirts, and fanzines presented in a manner that abandons the aesthetic clichés normally employed to depict the genre and lets the subject matter speak for itself. Contributions by Jeff Nelson, Dave Smalley, Walter Schreifels, Cynthia Connolly, Pat Dubar, Gus Peña, Rusty Moore, and Gavin Ogelsby with an essay by Mark Owens.

    s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album s genesis with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe s hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art. EXCEPRT: In the course of an interview that took place some twenty years ago, Michael Stipe made passing reference to an essay that had a deep impact on him. It s what came to his mind when, after having been harangued by fans and journalists alike about Murmur s lyrics, already grown weary from having to continually entertain their broad speculations, he finally threw up his hands. Anyone who really wants to figure out the words to our songs should probably read this essay, then go back and listen, Stipe told the interviewer. It talks about how people misinterpret something that s being said, and come up with a little phrase or word that actually defines the essence of what the original was better than the original did. What Stipe was trying to say is that if you want answers to R.E.M., you re not only looking in the wrong place, you re also asking the wrong questions.

    The guitarist and de facto leader of the Grateful Dead was a gregarious talker, keenly engaged with the new world exploding around him. In 1972, Garcia was visited by Charles Reich, a Yale law professor, and Jann Wenner, the founder of Rolling Stone. Garcia was just thirty-one years old but already viewed--to his lasting dismay--as a social avatar for the new sensibility sweeping the land, an anarchist streak with a populist undercurrent that had roots in Ken Kesey's pranksters, the writers of the Beat Generation, and the libertine tradition of the American transcendentalists. In this interview, Garcia reveals how he is a combination of these and other influences, a high-school dropout and autodidact blessed with a gift for eloquent turns of phrase and a refreshing directness. He speaks of the saga of the Grateful Dead and his hoodlum youth growing up in San Francisco's Mission district. He delves into fascinating discourses on the music that shaped his own playing and writing, and freely discusses his use of drugs and explains why he felt it was important to stay high. Like the Grateful Dead's best music, Garcia: A Signpost to New Space is familiar, friendly, and inviting.

    With it landed Bowie s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of 70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world s biggest stars.A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer s inner circle, and, between 1972 and 1973, worked as the singer s photographer and videographer.This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.