Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent social structures of a lost time.

    readers will be able to experience the phenomenon that became the inspiration for a blockbuster movie, a hit TV show, and a popular manga. A national sensation that touched over three million readers, Kyoichi Katayama brought innocent love and romance to the forefront of Japan's ultra-hip mass market. Affectionately known as "Sekachu" in Japan, Katayama's novel depects a sweet high school romance between an average guy and a popular girl. But tragedy ensues when the girl falls ill with leukemia. A bittersweet tale of young love, enduring devotion, and heartbreaking loss, socrates in Love is a story to cherish and nurture.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    Giovanni and his friend Campanella, who is dead from drowning, travel on a celestial railway which is a ferry of souls journeying to the afterlife.

    The five heroines are Onatsu, already wise in the ways of love the tender age of sixteen; Osen, a faithful wife until unjustly accused of adultery; Osan, a Kyoto beauty who falls asleep in the wrong bed; Oshichi, willing to burn down a city to meet her samurai lover; and Oman, who has to compete with handsome boys to win her lover's affections.But the book is more than a collection of skillfully told erotic tales, for "Saikaku…could not delve into the inmost secrets of human life only to expose them to ridicule or snickering prurience. Obviously fascinated by the variety and complexity of human love, but retaining always a sense of its intrinsic dignityhe is both a discriminating and compassionate judge of his fellow man."Saikaku's style, as allusive as it is witty, as abbreviated as it is penetrating, is a challenge that few translators have dared to face, and certainly never before with the success here achieved in a translation that recaptures the heady flavor of the original.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    She always worked Fridays, but if things had gone according to plan on that particular Friday, she would have had the night off. One rainy Tokyo night, a waitress’s uneventful twentieth birthday takes a strange and fateful turn when she’s asked to deliver dinner to the restaurant’s reclusive owner. Birthday Girl is a beguiling, exquisitely satisfying taste of master storytelling, published to celebrate Murakami’s 70th birthday.

    . . . So reminisces old Hanshichi in a story from one of Japan's most beloved works of popular literature, Hanshichi torimonocho. Told through the eyes of a street-smart detective, Okamoto Kido's best-known work inaugurated the historical detective genre in Japan, spawning stage, radio, movie, and television adaptations as well as countless imitations. This selection of fourteen stories, translated into English for the first time, provides a fascinating glimpse of life in feudal Edo (later Tokyo) and rare insight into the development of the fledgling Japanese crime novel.Once viewed as an exclusively modern genre derivative of Western fiction, crime fiction and its place in the Japanese popular imagination were forever changed by Kido's unsung Sherlock Holmes. These stories--still widely read today--are crucial to our understanding of modern Japan and its aspirations toward a literature that steps outside the shadow of the West to stand on its own.

    In 2005 it won the prestigious Naoki Prize, awarded semiannually for the best work of popular fiction by an established writer.Sayoko, a thirty-five-year-old homemaker with a three-year-old child, begins working for Aoi, a free-spirited, single career woman her own age who runs a travel agency-housekeeping business. Timid and unable to connect with other mothers in her neighborhood, Sayoko finds herself drawn to Aoi's independent lifestyle and easygoing personality. The two hit it off from the start, beginning a friendship that is for Sayoko also a reaffirmation of what living is about.Aoi, meanwhile, has not always been the self-confident person she appears to be. Severe classroom bullying in junior high had forced her to change schools, uprooting her and her family to the countryside; and at her new school, she was so afraid of again becoming the object of her classmates' cruelties that she spent most of her time steering clear of those around her.The present-day friendship between Sayoko and Aoi on the one hand, and Aoi's painful high school past on the other, form a gripping two-tier narrative that converges in the final chapter. The book touches on a broad range of issues of concern to women today, from marriage and childrearing to being single and working for oneself. It is a universal story about both the fear and the joy of opening up to others.

    This lusty tale of their disreputable doings was originally issued serially in 1802, and was so successful that the author wrote numerous sequels, appearing year by year.

    Shimazaki's 1906 classic of modern Japanese literature portrays a young man born into the Burakumin outcaste class and his struggle against both social discrimination and his own hypocrisy.

    Abandoned at birth in adjacent train station lockers, two troubled boys spend their youth in an orphanage and with foster parents on a semi-deserted island before finally setting off for the city to find and destroy the women who first rejected them. Both are drawn to an area of freaks and hustlers called Toxitown. One becomes a bisexual rock singer, star of this exotic demimonde, while the other, a pole vaulter, seeks his revenge in the company of his girlfriend, Anemone, a model who has converted her condominium into a tropical swamp for her pet crocodile.Together and apart, their journey from a hot metal box to a stunning, savage climax is a brutal funhouse ride through the eerie landscape of late-twentieth-century Japan.

    Playing games with the basic units of both life and fiction—the solid certainties of the self, the world around us, and the words we use to describe these things to one another—Mieko Kanai creates a reality where nothing is certain, and where a little boy going out to run errands for his mother might find that he’s an adult, and his mother long dead, at the end of a single train ride. Using precise language to describe dreamlike plots owing as much to Kafka and Barthelme as to Kenzaburō Ōe and the long tradition of the Japanese folktale of the macabre, The Word Book is an unforgettable voyage to absurd, hilarious, and terrifying locales, and is the English-language debut for one of the greatest and most interesting Japanese writers working today.

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    It is the story of Yuasa Jōji, a famous artist who returns to Japan after many years in Paris. Once back in Tokyo, he receives love letters from a fervent young woman who begs him to meet her--importunings that start him on a bizarre round of romantic adventures.Writing here at the height of her powers, one of Japan's foremost women writers explores both the folly and the inevitability of human passion, leading the reader to a startling revelation of how lives can be destroyed by the compulsions of love.