But a terrible incident on his first beat has left him dishonored, dismayed, and barely clinging to sanity. Years later Stu prowls the streets again, not as a cop, but a scruffy private detective with one hell of a trick up his sleeve...and a monster under his skin. But when the city he always wanted to protect claims the one person who helped him survive it this far, Stu is prepared to unleash the beast he's kept inside and embark on his own road to revenge...and he gets the feeling that two graves will not be nearly enough. A supernatural hardboiled crime thriller for the 21st century. "Feels like a modern retelling of a classic monster movie" - THE BEAT "One of the masters of modern horror comics." - PASTE MAGAZINE "What separates Lonesome Days, Savage Nights from your typical werewolf story is how Stu communicates with the beast within." - HORROR DNA "TKO Studios is the Criterion Collection of comic books" - COMIC BOOK COUPLES COUNSELING "TKO Studios wants to revolutionize comics...and it just might do it" - AV CLUB

    Renowned for their meanness and always armed with their legendary nickel-plated colts, they patrol the streets of Harlem and attempt to keep some semblance of law and order.

    SOHO, 1935.SERGEANT LEON GEATS' PATCH.A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another young woman who topped herself early.But Geats - a good man prepared to be a bad one if it keeps the worst of them at bay - knows the dark seams of the city.Working with his former partner, mercenary Flying Squad sergeant Mark Cassar, Geats obsessively dedicates himself to finding a warped killer - a decision that will reverberate for a lifetime and transform both men in ways they could never expect.

    The story follows Kline, a brutally dismembered detective forcibly recruited to solve a murder inside the cult. As Kline becomes more deeply involved with the group, he begins to realize the stakes are higher than he previously thought. Attempting to find his way through a maze of lies, threats, and misinformation, Kline discovers that his survival depends on an act of sheer will. Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.

    Now surrounded by rusting fence and patrolled by guards from Tin Star Security Service, the under-construction homes do little more than gather dust and spiderwebs.But they are not alone. A killer in gray coveralls and a red ski mask has made it their own private cemetery, turning backyard benches into tombs and patios into slabs covering the bodies of their victims.For part-time student Zachary Frenkel, working swing shift as a Tin Star guard at Shadow Vista was the perfect gig. Until he crosses paths with the killer and plunges into a battle to save himself from being the next victim!

    What starts with a crank call from an old school chum sets the lonely, aloof, financially comfortable Miss Helen Clarvoe on a path as predictable only as madness. Lured from her rooms in a second-rate residential Hollywood hotel, she finds herself stranded in the more perilous terrain of extortion, pornography, vengeance, and ultimately murder.

    It’s been eighteen years and she’s never stopped looking, not for him… or for the friend who has never been seen since.Now the Secretary of State’s granddaughter has gone missing in London, and it falls to Ingrid to find the teenager. There’s something about girls who disappear from view that gnaws at Ingrid, that makes her care more than she should, that makes her lose perspective and take unnecessary risks.It’s Ingrid’s first time in London—she’s only in town to train the Metropolitan Police––so she needs some local knowledge. She is reluctantly paired with a suave, good-looking and arrogant secret intelligence operative who leads her through the city’s back alleys and corridors of power. He’s charismatic and dynamic but when his methods become dangerously unconventional, the two of them clash… in more ways than one. Run Girl sets the scene for Ingrid’s future adventures working out of the US embassy in London. If an American citizen lands in trouble… or winds up dead… or gets accused of a crime they didn’t commit, Special Agent Ingrid Skyberg is on their case.Unlock the thrills and twists of this up-all-night crime thriller series, perfect for fans of gripping mysteries, strong women investigators and any reader who has ever wondered if there’s a female version of Jack Reacher. There is, and her name is Ingrid Skyberg.Please note: Run Girl is a novella - roughly half the length of an average novel.PRAISE FOR EVA HUDSON"I was immediately struck by the plotting savvy and grip-factor of Eva Hudson's writing – she is a natural storyteller" - Sophie Hannah"Ingrid is a fascinating character" - James Oswald"Gripped me from the first page " - DS ButlerABOUT EVA HUDSONAfter years of enjoying thrillers and police procedurals by authors like Lee Child and Michael Connelly, Eva was inspired to write thrillers herself. In 2011 she won the inaugural Lucy Cavendish fiction prize for her first novel, The Loyal Servant, and never looked back.

    Detective Curt Delatte just buried his only daughter, he's in no condition to work. But when the bodies pile up, he masks his grief and joins the hunt through the bowels of the Big Easy. It won't be long until his city, and his evidence, gets washed away.

    Scott Wolven is such a talent, and his raw, blistering tales of hard-bitten convicts, dodgy informers, and men running from the law make for "the most exciting, authentic collection of short stories I have read in years," says George Pelecanos. Brooding, edgy, and sometimes violent, Controlled Burn's loosely linked stories are each in some way a distillation of hard time -- spent either in prison, the backwoods of Vermont, or the badlands of the American West. Peopled by boxers, drunks, truck drivers, murderers, bounty hunters, drifters traveling under assumed names, and men whose luck ran out a thousand miles ago, these stories feel hard-won from life, and if they are moody and stark, so too are they filled with human longing. Controlled Burn is divided into two sections: "The Northeast Kingdom" and "The Fugitive West." In each, Scott Wolven reveals a broken world where there is no bottom left to hit. In the haunting "Outside Work Detail," convicts stoically dig graves for their fellow prisoners yet reserve their deepest grief for the senseless death of a deer. "Crank" introduces Red Green, a maniacally brilliant addict who brews his own crystal meth in a backwoods lab, and whose high-energy antics inspire both cautious admiration and mortal fear in his business associates. In "Ball Lightning Reported," Red Green's ultimate fate is revealed. In "Atomic Supernova," a revenge-obsessed sheriff deputizes a known cop-killer to help him hunt down a counterfeiter and drug lord. The unexpectedly tender and heartbreaking "The Copper Kings" concerns a father facing the dark truth behind his son's disappearance. And in "Vigilance," a hunted man struggles to escape his past, always yearning for an honorable yet perhaps unreachable future. Powered by a spare, ruminative prose style that recalls the best of Denis Johnson and Thom Jones, Controlled Burn is an unforgettable debut.

    So when Byron is found dead, they’re shocked. They’re even more shocked when they learn that nothing is what they originally thought, and they’re being held accountable in the man's death.With Junior called in for questioning, Boo is determined to clear their names by finding Byron’s true killer. It’s a quest in which Boo will have to face down crooked cops, crazed guard dogs, a rival security crew, the Irish mob and—worst of all—his own ingrained prejudices.Action-packed, outrageously funny, and brutally honest, Rough Trade brings back crime fiction’s favorite bouncers and takes them well out of their comfort zone in a novel that’s whip-smart, hilarious, gritty and above all human, proving that Todd Robinson is one of the most important voices in crime fiction.

    Six months later, Stacy’s first case back from medical leave involves the murder of Cleveland Browns football player Devon Baker. With little forensic evidence connecting anyone to the crime, Stacy sets out to find the killer. As Stacy comes very close to unraveling the tangled threads of the case, the killer wants her, and those close to her, to suffer for another impulsive decision she made in the line of duty. The killer just may be more familiar to Stacy than she realizes.

    And that’s kinda how she likes it—until the day Atlanta is drawn into a battle against two groups of bullies and saves a pair of new, unexpected friends. But actions have consequences, and when another teen turns up dead—by an apparent suicide—Atlanta knows foul play is involved. And worse: she knows it’s her fault.You go poking rattlesnakes, maybe you get bit.Afraid of stirring up the snakes further by investigating, Atlanta turns her focus to the killing of a neighborhood dog. All paths lead to a rural dogfighting ring, and once more Atlanta finds herself face-to-face with bullies of the worst sort. Atlanta cannot abide letting bad men do awful things to those who don’t deserve it. So she sets out to unleash her own brand of teenage justice.Will Atlanta triumph? Or is fighting back just asking for a face full of bad news?

    A spare and chilling account of the day-to-day experience of Sloper, a janitor in a big-city office building, WASTE explores the import of the discarded--for those who generate it, those who dispose of it, and those who are themselves discarded. From the humble prospect of his station, Sloper uncovers ominous possibility in lives he barely brushes. Brian Evenson says, "Only Eugene Marten can keep a reader enthralled with the minutiae of a janitorial existence.... Precisely and exquisitely detailed, WASTE is a stark little masterpiece." And Dawn Raffel writes, "[P]itch-perfect. WASTE wastes nothing--not a syllable, a beat, a ragged breath." And Sam Lipsyte writes, "There is nothing quite like the controlled burn of Eugene Marten's prose."

    Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.It’s been twelve years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.In the modern vein of Girl on the Train and The Bone Collector, The One That Got Away is a dark, psychological thriller, featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.