Orphaned by their mother’s death in childbirth and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Yet it will be love, not politics—their passion for the same woman—that will tear them apart and force Marion, fresh out of medical school, to flee his homeland. He makes his way to America, finding refuge in his work as an intern at an underfunded, overcrowded New York City hospital. When the past catches up to him—nearly destroying him—Marion must entrust his life to the two men he thought he trusted least in the world: the surgeon father who abandoned him and the brother who betrayed him.An unforgettable journey into one man’s remarkable life, and an epic story about the power, intimacy, and curious beauty of the work of healing others.(front flap)

    Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

    When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

    Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters.But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-aunt, Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way.Crisscrossing in time, The Pearl the Broke Its Shell interweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of marriageable age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?

    Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades attorney Catherine Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man?Once We Were Brothers is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and sixty years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.

    Their tribe has moved and escaped for thousands of years - across oceans, deserts, and mountains - but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world: deny any relationship with the known and start over from scratch. Destiny is unwritten. Time and history are forgotten. Jobs, husbands, a child, are reassigned. And for years, there is boundless hope. But the real world continues to unfold alongside the imagined one, eventually overtaking it, and soon our narrator - the girl, grown into a young mother - must flee her village, move from one world to the next, to find her husband and save her children, and propel them toward a real and hopeful future. A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, No One Is Here Except All Of Us explores how we use storytelling to survive and shape our own truths. It marks the arrival of a major new literary talent.

    Five Quarters of the Orange represents Harris's most complex and sophisticated work yet - a novel in which darkness and fierce joy come together to create an unforgettable story.When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous Mirabelle Dartigen - the woman they still hold responsible for a terrible tragedy that took place during the German occupation decades before. Although Framboise hopes for a new beginning she quickly discovers that past and present are inextricably intertwined. Nowhere is this truth more apparent than in the scrapbook of recipes she has inherited from her dead mother.With this book, Framboise re-creates her mother's dishes, which she serves in her small creperie. And yet as she studies the scrapbook - searching for clues to unlock the contradiction between her mother's sensuous love of food and often cruel demeanor - she begins to recognize a deeper meaning behind Mirabelle's cryptic scribbles. Within the journal's tattered pages lies the key to what actually transpired the summer Framboise was nine years old.Rich and dark. Five Quarters of the Orange is a novel of mothers and daughters of the past and the present, of resisting, and succumbing, and an extraordinary work by a masterful writer.

    Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation. Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing. Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

    When her family is destroyed in a Russian pogrom, Lillian comes to America alone, determined to make her way in a new land. When word comes that her daughter, Sophie, might still be alive, Lillian embarks on an odyssey that takes her from the world of the Yiddish theater on New York's Lower East Side, to Seattle's Jazz District, and up to Alaska, along the fabled Telegraph Trail toward Siberia. All of the qualities readers love in Amy Bloom's work—her humor and wit, her elegant and irreverent language, her unflinching understanding of passion and the human heart—come together in the embrace of this brilliant novel, which is at once heartbreaking, romantic, and completely unforgettable.

    And while the elderly Russian woman cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—her distant past is preserved: vivid images that rise unbidden of her youth in war-torn Leningrad.In the fall of 1941, the German army approached the outskirts of Leningrad, signaling the beginning of what would become a long and torturous siege. During the ensuing months, the city's inhabitants would brave starvation and the bitter cold, all while fending off the constant German onslaught. Marina, then a tour guide at the Hermitage Museum, along with other staff members, was instructed to take down the museum's priceless masterpieces for safekeeping, yet leave the frames hanging empty on the walls—a symbol of the artworks' eventual return. To hold on to sanity when the Luftwaffe's bombs began to fall, she burned to memory, brushstroke by brushstroke, these exquisite artworks: the nude figures of women, the angels, the serene Madonnas that had so shortly before gazed down upon her. She used them to furnish a "memory palace," a personal Hermitage in her mind to which she retreated to escape terror, hunger, and encroaching death. A refuge that would stay buried deep within her, until she needed it once more. . . .

    Her family moved in Berlin’s highest social circles, admired by friends and neighbors. Eleven-year-old Hannah was often taken by her mother for an afternoon treat at the tea room of the beautiful Adlon Hotel, both dressed in their finest clothes. She spent her afternoons at the park with her best friend Leo Martin. But, in an instant, that sunlit world vanished. Now the streets of Berlin are draped with red, white, and black flags; their fine possessions are hauled away, and they are no longer welcome in the places that once felt like home. The two friends make a pact: come what may, they promise to have a future together.As Hannah and Leo’s families desperately begin to search for a means of escape, a glimmer of hope appears when they discover the Saint Louis, a transatlantic liner that can give Jews safe passage to Cuba. After a frantic search to obtain visas, the Rosenthals and the Martins depart from Hamburg on the luxurious passenger liner bound for Havana. Life aboard the ship is a welcome respite from the gloom of Berlin—filled with masquerade balls, dancing, and exquisite meals every night.As the passengers gain renewed hope for a bright future ahead, love between Hannah and Leo blossoms. But soon reports from the outside world began to filter in, and dark news overshadows the celebratory atmosphere on the ship; the governments of Cuba, the United States, and Canada are denying the passengers of the St. Louis admittance to their countries, forcing them to return to Europe as it descends into the Second World War. The ship that had seemed their salvation seems likely to become their death sentence.After four days anchored at bay, only a handful of passengers are allowed to disembark onto Cuban soil, and Hannah and Leo must face the grim reality that they could be torn apart. Their future is unknown, and their only choice will have an impact in generations to come.Decades later in New York City on her eleventh birthday, Anna Rosen receives a mysterious envelope from Hannah, a great-aunt she has never met but who raised her deceased father. In an attempt to piece together her father’s mysterious past, Anna and her mother travel to Havana to meet Hannah, who is turning eighty-seven years old. Hannah reveals old family ties, recounts her journey aboard the Saint Louis and, for the first time, reveals what happened to her father and Leo. Bringing together the pain of the past with the mysteries of the present, Hannah gives young Anna a sense of their shared histories, forever intertwining their lives, honoring those they loved and cruelly lost.

    When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.The Perfume Collector explores the complex and obsessive love between muse and artist, and the tremendous power of memory and scent.

    But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.For the TV tie-in edition with the same ISBN go to this Alternate Cover Edition

    In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed "Hansel" and "Gretel." They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called "witch" by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy's haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children."Lyrical, haunting, unforgettable." --Kirkus Reviews"No reader who picks up this inspiring novel will put it down until the final pages, in which redemption is not a fairy tale ending but a heartening message of hope." --Publishers Weekly

    Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at a local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades old journal, and a window into her own past.Clara Cartwright, eighteen years old in 1929, is caught between her overbearing parents and her love for an Italian immigrant. Furious when she rejects an arranged marriage, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash, he can no longer afford her care—and Clara is committed to the public asylum.Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results.Illuminating and provocative, WHAT SHE LEFT BEHIND is a masterful novel about the yearning to belong—and the mysteries that can belie even the most ordinary life.