When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I'd get rid of the baby.Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney's bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936.Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?

    How on earth could this happen?All Malia needed was a single litre of milk and now she's surrounded by police and Zach has disappeared. Detective Ali Greenberg knows that this is not the best case for her, not with her history - but she of all people knows what Malia is going through and what is at stake.Edna is worried about the new residents at the boarding house. She knows Mary would turn in her grave if she knew the kinds of people her son was letting in.And then there is someone else. Someone whose heart is broken. Someone who feels she has been unfairly punished for her mistakes. Someone who wants what she can't have.What follows is a heart-stopping game of cat-and-mouse and a race against the clock. As the hours pass and the day heats up, all hope begins to fade.A gripping, haunting family drama shot through with emotion and suspense.

    When he's not working on his farm, he's trying to figure out how to connect with his teenage son Levi.But Levi is about to finish high school, and he has big plans to move to Sydney for University with his best friend Maddie. If only he didn't feel so guilty about abandoning his dad. Maddie has her own reasons for wanting to go to Sydney and she's not going to let Levi's dad ruin her future happiness. Mr Costello needs a girlfriend and, with her talent for matchmaking, Maddie is the girl to make it happen. By the time Mr C figures out what she's done, surely he'll be too in love to be angry.Journalist Sarah Lewis has a good job, a nice boyfriend and a safe life in Sydney. Though sometimes she wonders if life has more to offer than nice and safe. When she starts working on an article about finding love in the outback she finds herself asking whether journalists should become this invested in their research. But there's just something about Lonely in Longreach. Could it be that the man behind the dating profile is the key to the passion she has been looking for?Sleepless in Seattle meets rural Australia in this fresh romantic comedy about optimism, online dating and love at first sight.

    That is, until Art's wife Grace, a battle-hardened nurse, gets to work on them all with her no-nonsense wisdom.Told with Kim Kelly's inimitable wit and warmth, Sunshine is a very Australian tale of home, hope and healing, of the power of growing life and love, and discovering that we are each other's greatest gifts.Praise for Kim Kelly'colourful, evocative and energetic' - Sydney Morning Herald'Kelly is a masterful creator of character and voice' - Julian Leatherdale'Why can't more people write like this?' - The Age

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?