She had felt that Hercule Poirot should not have been included in the plot, and for the stage she removed him entirely

    

    A second collection of "Red Dwarf" scripts consisting of six scripts, one from each of the first six series, printed in reverse order, with the most recent script coming first.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.

    The action of A Flea in Her Ear, one of the best-known French farces, takes us to the sleazy Lanterne Rouge Hotel with a fine crop of mocking, mistaking, insulting, groping, kicking and mimicing, all in a spanking new translation.

    

    It also displays the saga of continuous failures and lesson learns going forward.The Story takes us way back to 2006. Four college students in the final year had a big dream. Despite the average academic marks and knowledge, they dared to envisage big. Although everybody laughed at them for their big fantasies, they were firm in getting their dreams to come true. In the process of getting their dream fulfilled and opening a startup, they had to face a lot of hiccups. There was a lot of confusion among themselves. The troubles and disasters transpired in the way of getting their startups.The dreams, the vision, the ideas, the blunders, the lesson learned, some quick luck is Story's main gist.After each loss, the intensity from which they come back to start another project is the Story's highlight. The Story also revolves around the personal preferences, the ego, the emotional moments of their life.The Story also conveys the cautions that most of the youngster has forgotten nowadays in the rush of opening a startup.

    His slow descent into semi-madness is chronicled here, in The Office, The Scripts volume 2. Following on from the phenomenal success of series 1 voted Comedy of the Year at the British Comedy Awards the second series averaged over 4 million viewers, with a 25% audience share. This book features the scripts from all six episodes and contains over 500 picture screengrabs taken from the broadcast masters and available exclusively in this BBC publication. Original and accurate and painfully funny: it will have every office in the country twitching with spasms of recognition This is a gem. The Times

    But something more “global” appears to be at work, and in any case he is distracted from his dreary rounds of diagnosis-seeking when a more urgent tragedy befalls the family. Joseph’s father, a former steelworker, was driving home from his new maintenance job when he swerved to avoid a deer and crashed his car, landing in the hospital. A week later he died of a heart attack.The deer, it turns out, was a stuffed decoy placed there by a high school student as a prank. This enrages Joseph’s older and ailing uncle, Bill (Yusef Bulos), who is even more disgusted when it is learned that the culprit is the star of the local football team, Vin (Jonathan Louis Dent), a town hero who is given a dispensation by a judge to serve his sentence in juvenile detention after the football season has concluded. Joseph and his younger brother, Charles (Chris Perfetti) — who are both gay — are more sympathetic to Vin, an African-American boy who has grown up in a foster home, and whose chance at a professional career may be jeopardized.Gloria (Joanna Gleason), Joseph’s new boss and a book packaging expert, knows a little about career jeopardy herself. She was run out of the publishing business — and Manhattan — when she sold a memoir by a Holocaust survivor that turned out to be fictionalized. (Gloria’s story and Vin’s are inspired by actual events.)Now she latches on to the discovery that Joseph’s family, of Lebanese extraction, is distantly related to Kahlil Gibran, author of the perennial best-selling spiritual book “The Prophet.” In her hilariously addled mind — complaining about her fall from grace, she defensively remarks, “I wasn’t at the Holocaust” — she decides that a memoir by Joseph about his family’s journey will be her ticket back to the big time.Mr. Karam’s play, which runs a little less than two hours and is performed in one seamless act , may sound top-heavy with plot and character. (Did I mention that Gloria’s emotional frailty also stems from the suicide of her husband?) Some of the relationships would benefit from being fleshed out in greater detail: the integration of Gloria into the lives of Joseph and his family, for example. The play’s climax shoehorns all the elements of the story into a farcical scene that seems a little forced, funny though it is.But one of Mr. Karam’s themes is the indiscriminate nature of misfortune — one calamity does not immunize you from the next, worse one — so the multiplication of disasters roiling the characters’ lives is to the point. And he writes with such precision that even the more peripheral characters emerge as sharply drawn, multifaceted individuals.

    

    A laugh-out-loud romantic comedy about life, love and contemporary manhood, Tom Cooper is a male Bridget Jones for our times.  ‘A gloriously self-aware, satirical romp through the terrors of relationships, family life and survival.  Philip Roth meets Cold Feet!’ Helen Lederer (Absolutely Fabulous, Losing It (P.G.Wodehouse Award nominee))   ‘Spencer Brown is endlessly inventive and delightfully, dependably silly, like a joy-seeking missile’ Richard Ayoade (The IT crowd, Submarine, The Crystal Maze) ‘An aspirational figure for the men of today’ Omid Djalili (Live at the Apollo, The Infidel) ‘Very funny. Peep Show combined with Outnumbered.  But you know.  In a book.’ Josh Howie (Josh Howie’s Losing it, BBC Radio 4) ‘Hilarious and heart-warming’ Andi Osho (Live at the Apollo, Curfew) Tom Cooper’s life has fallen apart. His wife has left, he’s stuck in an accountancy job he hates and he can’t even call on the grandparents for support – they’re too busy – after all, a Scrabble trophy doesn’t engrave itself. But when a creative position opens up at the advertising agency he works for, he sees the opportunity to turn things around. All he has to do is pitch a product to a new market, convince Maestro J he is sufficiently finger-clickingly ‘creative’, beat his weaselly co-worker/nemesis John to the job, and try not to fall for his new mentor, Amanda. Oh, and try to blend in with people 10 years younger than him, survive the office obstacle course using his imaginary agility and stop accidentally turning up to work in the exact same outfit as Doug. The Rebuilding of Tom Cooper is a laugh-out-loud comedy about life, love and 21st century manhood. 
 About the author Spencer Brown cut his teeth in the Cambridge Footlights alongside John Oliver and Matthew Holness, before becoming an internationally acclaimed stand-up comedian and TV presenter on shows including Lip Service which he hosted with Holly Willoughby. He has also appeared in cult comedies including Nathan Barley and Garth Merenghi's Darkplace, as well as starring in the films 'Shed of the Dead' and the upcoming 'The Devil went down to Islington'. He is also an award winning film maker, having written and directed The Boy with a Camera for a Face, which won multiple prizes including the Oscar qualifying Best of Fest at SLIFF.

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    From the horrors of childhood to the vagaries of old age, from confused people to humiliated animals, we're all just trying - and often failing - to keep it together. How carefully should you answer when asked what you'd take to a desert island? What do you do if your parents are reading your diary? How useful is a Swiss Army Knife? And what's A Brief History of Time really about?Armed with a sharp eye for the absurd and an overwhelming sense of doom, Simon Rich explores the ridiculousness of our everyday lives, from the most minute of anxieties to one of life's biggest questions: Does God really have a plan for us? Yes, it turns out. Now if only He could remember what it was ...'Simon Rich is very much laugh-out-loud funny. He can conjure authentic, from-the-abdomen laughter on almost every page. He stacks surrealism on top of slick satire on top of pure childish silliness in such a brilliant and condensed way, there are sometimes three laugh-out-loud moments within the same paragraph ... He is exactly the right kind of writer for the internet: funny, high-concept, accessible, short, sharable, a James Thurber for the Twitter age' Matt Haig

    Includes: Accident Waiting to Happen * Bride's Lament * Cold Feets * I Am Aldolpho * I Remember Love * Show Off * Toledo Surprise * and more.