She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Her life there is hard and impoverished, but Simone discovers the music hall and a dream: to one day be a famous dancer and singer.But when war threatens, Simone makes a decision that will lead to great danger - yet ultimately prove that love, just like wild lavender, can grow in the least likely of places...Belinda Alexandra has created a tale of passion and courage that moves from the backstreets of Marseilles to the grand music theatres of Paris, from the countryside of Provence to decadent pre-war Berlin and jazz-age New York. Wild Lavender is a feast for the senses that will live on in the imagination long after the book is closed.

    or to remember? A compelling drama about broken dreams, first love and the mystery of a lost sister, for all fans of Hannah Richell and Kate Morton. She remembered this part of the trip during the day time. Her sisters on either side in the back. The sunlight flickering through branches was like looking through a kaleidoscope. How could that be so long ago? How could so much have gone wrong?Phoebe's life has fallen apart and there's only one place left to go. Alone and adrift after a failed marriage proposal, she flees Sydney to her family's abandoned holiday cottage.On the slow-moving river Phoebe is confronted with the legacy of her older sister's suicide, a year before. Why did Karin leave a note written in flowers and walk into the water?Phoebe's childhood love, Jez, has moved back to the beautiful old house, Driftwood, one jetty down. He's married now and the home has become a refuge for an unlikely little community.As the river begins to give up its secrets, Phoebe finds herself caught up in old feelings and new mysteries. The Lost Summers of Driftwood is a story of lost loves, rekindled passions, tragedy and betrayal set against the backdrop of an idyllic south coast town.

    But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.In spite of her reluctance, she soon finds herself the sole owner of a remote farm and a dilapidated curio shop full of long-forgotten artifacts, remarkable preserved creatures, and a mystery that began more than sixty-five years ago. With the help of Kip, a repatriated soldier dealing with the sobering aftereffects of war, Fleur finds herself unable to resist pulling on the threads of the past. What she finds is a shocking story surrounding an opal and a woman in a green dress. . . a story that, nevertheless, offers hope and healing for the future.This romantic mystery from award-winning Australian novelist Tea Cooper will keep readers guessing until the astonishing conclusion.Praise for   The Woman in the Green Dress :“Refreshing and unique, The Woman in the Green Dress sweeps you across the wild lands of Australia in a thrilling whirl of mystery, romance, and danger. This magical tale weaves together two storylines with a heart-pounding finish that is drop-dead gorgeous.” —J’nell Ciesielski, author of The SocialiteA USA TODAY bestsellerFull-length historical fiction with both mystery and romance Stand-alone novelIncludes discussion questions for book clubs

    Skye is a daring and brash pilot, and Liberty the one to defy her at every turn. Even if women aren't allowed in the Royal Air Force, Skye is determined to help the war effort. She's thrilled when it reunites her with her childhood soulmate, Nicholas. She's less thrilled to learn Nicholas is now engaged to an enigmatic Frenchwoman named Margaux Jourdan.Paris, 1947: Designer Christian Dior unveils his glamorous first collection to a world weary of war and grief. He names his debut fragrance Miss Dior in tribute to his beloved sister Catherine, who forged a friendship with Skye and Margaux through her work with the French Resistance.Present Day: Fashion conservator Kat Jourdan discovers a priceless collection of Dior gowns in her grandmother's vacant cottage. As she delves into the mystery of their origin, Kat begins to doubt everything she thought she knew about her beloved grandmother.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women's pages of her newspaper - the only job available to her - where she struggles to write advice on fashion and make-up.As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal. As she desperately waits for word of her prisoner-of-war husband, she begins to research stories about the lives of the underpaid and overworked women who live in her own city. Those whose war service has been overlooked; the freedom and independence of their war lives lost to them.Meanwhile Tilly's waterside worker father is on strike, and her best friend Mary is struggling to cope with the stranger her own husband has become since being liberated from Changi a broken man. As strikes rip the country apart and the news from abroad causes despair, matters build to a heart-rending crescendo. Tilly realises that for her the war may have ended, but the fight is just beginning...

    A tender and masterfully told story of memory, family and love.Prague, 1938: Eva flies down the street from her sister. Suddenly a man steps out, a man wearing a hat. Eva runs into him, hits the pavement hard. His hat is in the gutter. His anger slaps Eva, but his hate will change everything, as war forces so many lives into small, brown suitcases.Prague, 1980: No one sees Ludek. A young boy can slip right under the heavy blanket that covers this city - the fear cannot touch him. Ludek is free. And he sees everything. The world can do what it likes. The world can go to hell for all he cares because Babi is waiting for him in the warm flat. His whole world.Melbourne, 1980: Mala Li ka's grandma holds her hand as they climb the stairs to their third floor flat. Inside, the smell of warm pipe tobacco and homemade cakes. Here, Mana and Bill have made a life for themselves and their granddaughter. A life imbued with the spirit of Prague and the loved ones left behind.Favel Parrett's deep emotional insight and stellar literary talent shine through in this love letter to the strong women who bind families together, despite dislocation and distance. It is a tender and beautifully told story of memory, family and love. Because there is still love. No matter what.

    The book is written in the saga form, spanning four generations from 1861 to the mid-1980s, though the path from past to present is neither straight nor defined. It is, rather, a broader and interwoven series of relationships in which the generations of the past continue to inform the present and all meld in the land and landscape. As Connie Laffey puts it: 'So closely meshed all of us, the nature of our closeness bound up with this place. With family.' The novel opens in the early 1980s with Connie Lafey and her middle-aged son, Reever, protesting against development which is decimating to the rainforest in the Mango area. Connie, anxious about Reever's safety—he has chained himself fifty feet up a celerywood tree—heads off to find help when she falls and concusses herself. The attendant delirium is the starting point for the narrative saga as the past and present converge in Connie's reverie. The narrative transports us back in time to the first generation of immigrants and the courtship and marriage of Cornelius Laffey and Jessica Olive in 1861.

    Life is a precarious business.When he hears of a paradise on the other side of the world – a place called Botany Bay – he decides to commit a crime and get himself transported to a new life, a better life.To succeed, he must survive the trials of Newgate Prison, the stinking hull of a prison ship and the unknown terrors of a journey across the world.And Botany Bay is far from the paradise Barnaby has imagined. When his past and present suddenly collide, he is soon fleeing for his life – once again.

    for the first time, a post-WWII story of the war brides who crossed the seas by the thousands to face their unknown futures.1946. World War II has ended and all over the world, young women are beginning to fulfill the promises made to the men they wed in wartime. In Sydney, Australia, four women join 650 other war brides on an extraordinary voyage to England—aboard HMS Victoria, which still carries not just arms and aircraft but a thousand naval officers. Rules are strictly enforced, from the aircraft carrier’s captain down to the lowliest young deckhand. But the men and the brides will find their lives intertwined despite the Navy’s ironclad sanctions. And for Frances Mackenzie, the complicated young woman whose past comes back to haunt her far from home, the journey will change her life in ways she never could have predicted—forever.

    Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War. In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror. In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast. In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives. And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him. Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.

    Five very different women come together in the Northern Territory of the 1970s by an exceptional new Australian author.In 1978 the Northern Territory has begun to self-govern. Cyclone Tracy is a recent memory and telephones not yet a fixture on the cattle stations dominating the rugged outback. Life is hard and people are isolated. But they find ways to connect.Sybil is the matriarch of Fairvale Station, run by her husband, Joe. Their eldest son, Lachlan, was Joe's designated successor but he has left the Territory - for good. It is up to their second son, Ben, to take his brother's place. But that doesn't stop Sybil grieving the absence of her child. With her oldest friend, Rita, now living in Alice Springs and working for the Royal Flying Doctor Service, and Ben's English wife, Kate, finding it difficult to adjust to life at Fairvale, Sybil comes up with a way to give them all companionship and purpose: they all love to read, and she forms a book club.Mother-of-three Sallyanne is invited to join them. Sallyanne dreams of a life far removed from the dusty town of Katherine where she lives with her difficult husband, Mick. Completing the group is Della, who left Texas for Australia looking for adventure and work on the land.If you loved The Guernsey Literary And Potato Peel Pie Society, The Little Coffee Shop Of Kabul and The Thorn Birds you will devour this story of five different women united by one need: to overcome the vast distances of Australia's Top End with friendship, tears, laughter, books and love.

    . .Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t, and they become companions.Everything changes on the day that Josef confesses a long-buried and shameful secret—one that nobody else in town would ever suspect—and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With her own identity suddenly challenged, and the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. When does a moral choice become a moral imperative? And where does one draw the line between punishment and justice, forgiveness and mercy?In this searingly honest novel, Jodi Picoult gracefully explores the lengths we will go in order to protect our families and to keep the past from dictating the future

    Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower . . .In Victorian England, headstrong adventuress Elizabeth takes up her late father's quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family.In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed 'Spring 1886' and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons.In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . .