Benson is the compelling story of a young man’s quest for the perfect master. In a West Village leather bar, he finds wealthy, sophisticated, exacting Aristotle Benson, who leads him down the path of erotic enlightenment, teaching him to accept cruelty as love, anguish as affection, and ultimately, Mr. Benson as his master.If John Preston, the masterly, handsome author of more than 30 books, was himself a gay icon, his character Mr. Benson defined the culture of gay sex for an entire generation. When Mr. Benson appeared in the pre-AIDS early 1980s, its unabashed celebration of male sexuality made it a cult favorite among gay men, many of whom wore T-shirts declaring that they were "looking for Mr. Benson." The novel's fresh voice and insights into identity, desire, power, and love influenced a generation of writers and editors, including Anne Rice, Samuel Delany, Michael Lowenthal, Laura Antoniou, Joan Nestle, Michael Rowe, and Cecilia Tan. Mr. Benson was Preston's first novel and was followed by many more books from the proud, self-styled "pornographer."

    Takes the blinders off and opens your eyes to some strange and unique ways God works.”-Stephen Arterburn“This book will speak to everyong who has ever felt ‘left out’ spiritually. Larry’s insights cut through the commonly accepted, guilt-induced world of religion as he caputures the raw essence of New Testament relationship.” -Craig Groeschel

    Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings—some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large.

    Beierle brings to life characters at once unthinkably foreign and utterly real. Frank and fearless, sexy and witty, First Person Plural is a masterfully rendered, powerfully imaginative work, as complex and as extraordinary as the bonds of love. Owen and Porter Jamison are conjoined twins inhabiting one body with two heads, one torso, and two very different hearts. As children, they're seen as a single entity--Owenandporter, or more often, Porterandowen. As they grow to adulthood, their differences become more pronounced: Porter is outgoing and charismatic while Owen is cerebral and artistic. When Porter becomes a high school jock hero, complete with cheerleader girlfriend, a greater distinction emerges, as Owen gradually comes to realize that he's gay.Owen, a reluctant romantic, is content at first to settle for unrequited crushes. Porter's unease with his brother's sexuality leaves Owen feeling increasingly alienated from his twin, especially when Porter falls in love with Faith, and Owen becomes the unwilling third side of a complicated love triangle. When Owen finally begins to explore his own desires, the rift grows deeper.As Porter and Owen's carefully balanced arrangement of give-and-take, sacrifice and selfishness, is irrevocably shattered, each twin is left fighting for his relationship--and his future--in a battle of wills where winning seems impossible, and losing unthinkable. . .Andrew W. M. Beierle has been a journalist for more than thirty years. He has studied at the Bread Loaf, Sewanee, Napa Valley, and Kenyon Review writers' workshops.

    He only has one friend, Harry, and school is...Well, it's pure HELL. Why can't Noah be normal, like everyone else at school? Maybe if he struck up a romantic relationship with someone - maybe Sophie, who is perfect and lovely - he'd be seen in a different light? But Noah's plans for romance are derailed when Harry kisses him at a party. That's when things go from bad to worse utter chaos.

    There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and disease.What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

    Reprint.

    When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the very young babysitter who lives next door. Then there's Leigh, whose affair with Sellevision boss Howard Toast is going nowhere, until she exposes him on air; and Bebe, Sellevision's star host, who finds Mr. Right through the Internet--if she can just stop her shopping addiction from taking over.

    But Tommy's dreams, and talent, fly higher, up in the rigging with the trapeze. When rising star Mario Santelli offers him flying lessons, it looks like the start of wonderful new life, and to Tommy's surprise, his relationship with Mario deepens even as his skill soars in the rigging. But life in the 1940s forces them to keep their love a secret, and the stress pushes both Tommy and Mario to a precipice. And as Mario flies higher and higher, Tommy begins to wonder if it will always be his role to catch Mario as he falls.A tremendously moving tale, a rich family saga, a wise and compassionate portrait of a special love in a cruel world.

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

    Recently, however, his own life has become overwhelmed by wrong choices. When a love affair is mysteriously ended by a Post-it note and followed up by a random street assault, Andy locks himself in his Hell's Kitchen apartment. In solitude, he thinks, he might be able to get a grip on his life. But when he is forced to reemerge six months after the attacks of September 11, the city awaiting him is more bewildering than ever and all the people in his world seem to be part of a vast conspiracy.Equal parts noir, French farce, and homage to New York, Suspension is a surprisingly heartfelt novel about learning to live in a world where nearly everything is decided behind our backs.

    Then Sam meets Mitch Tedsoe, an independent, long-haul trucker who makes a delivery to a shop across the alley. Innocent flirting quickly leads to a fling, and when Mitch offers to take him on a road trip west, Sam jumps at the chance for adventure. Mitch is sexy, funny and friendly, but once they embark on their journey, something changes. One minute he’s the star of Sam’s every x-rated fantasy, the next he’s almost too much a perfect gentleman. And when they hit the Las Vegas city limit, Sam has a name to pin on Mitch’s malady: Randy.For better or for worse, Sam grapples with the meaning of friendship, letting go, growing up—even the meaning of love—because no matter how far he travels, eventually all roads lead home.

    ---Benjamin Snowley is trapped in a most distressing predicament. He’s been feeling poorly and after having recently recovered from influenza, he knows that the fault for his declining health lies in a vice he wouldn’t dare mention in polite conversation. Onanism, self-pollution, masturbation. All names for the same sinful affliction. For Benjamin, it all started back at school, where he first encountered the immoral Frederick Cory. Ever since then, the man has been plaguing Benjamin’s dreams and causing most unnatural urges.Now is the time for all the infatuation nonsense to stop. With the help of an unorthodox doctor and an indecent proposition to a young stablehand, Benjamin will rid himself of the vile addiction. But can the experimental treatment be enough to make him forget his feelings for Frederick?Warning: Contains a clueless young man on a futile quest for chastity and a libertine artist eager to rid him of that goalPOSSIBLE SPOILERS:Themes: masturbation, historical attitudes to sexuality, medicine, doctor, guilt, unorthodox treatment, master/servant, groom, superstition, moral failure, enemies to loversGenre: M/M Regency romantic eroticaErotic content: explicit language, inappropriate medical examination, cum swallowing, bareback, sex toys, body worship, multiple partnersLength: ~45,000 words

    He’s determined to make a success of their first mission, and hopes the well-liked lieutenant Aelfstan Donwell will stand by his side as he leads his new crew into battle: stopping the slave trade off the coast of Algiers.Alfie knows their mission is futile, and that their superiors back in England will use the demise of this crew as impetus for war with the Ottoman Empire. But the darker secret he keeps is his growing attraction for his commanding officer—a secret punishable by death.With the arrival of his former captain—and lover—on the scene of the disastrous mission, Alfie is torn between the security of his past and the uncertain promise of a future with the straight-laced John.Against a backdrop of war, intrigue, and personal betrayal, the high seas will carry these men through dangerous waters from England to Africa to the West Indies in search of a safe harbor.