After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies, which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind--a lyric fairytale of despair and transformation. Here, James E. Falen's verse translations are accompanied by a first-rate introduction from Caryl Emerson, an equally distinguished Russianist, which emphasizes the cosmopolitan nature of Pushkin's drama, the position of Russian culture on the European stage, together with excellent analyses of the individual works in the volume. Falen's translations of Pushkin are widely admired and his OWC translation of Eugene Onegin is considered the best available. This collection is sure to interest both casual readers and students of Russian literature.

    These translations illuminate one of this century's most controversial writers and have made Kafka's work accessible to a whole new generation. This classic collection of forty-one great short works -- including such timeless pieces of modern fiction as "The Judgment" and "The Stoker" -- now includes two new stories, "First Sorrow" and "The Hunger Artist."

    But during his long lifetime Tolstoy also wrote enough shorter works to fill many volumes. Here reprinted in one volume are his eight finest short novels, together with "Alyosha the Pot", the little tale that Prince Mirsky described as "a masterpiece of rare perfection."The Death of Ivan IlychThe CossacksFamily HappinessThe DevilThe Kreutzer SonataMaster and ManFather SergiusHaji MuradAlyosha the Pot

    When it is announced that the Inspector General is coming to visit incognito, Anton, the chief of police, hastens to clean up the town before his arrival. Local officials scurry to hide evidence of bribe-taking and other misdeeds, setting the stage for the arrival from St. Petersburg of Ivan, a penurious gambler and rake who is promptly taken by the townspeople to be the dreaded Inspector General. Ivan, and his servant, Osip, soon take advantage of the situation with hilarious results. First performed in 1836, the play transcends regional and national boundaries to offer a biting, highly entertaining glimpse of universal human foibles and failings.

    "Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    A farce with a hilarious drunk scene for two stylish comediennes.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes