SPIKE Sulking around the Slayer in Sunnydale, the vampire Spike has often run into demons intent on punishing him for throwing in with the White Hats. But when there are hints of a more organized campaign dedicated to vanquishing the vampire with a chip in his head, Spike sets off on the trail of whoever's put a hit out on him. Meanwhile, in the City of Angels, the vampire with a soul finds that the search for a mystical object is tied to his days as the vicious Angelus. Then Spike -- his former partner in carnage -- arrives in L.A. Each nursing a grudge, and with the specter of Buffy in both of their (cold, dead) hearts, the two vampires reluctantly work together...until their torturous past catches up with them!

    . . .New York City in 1977 is vampire heaven. Serial killer Son of Sam is often blamed for their hits, and a citywide blackout gives them free reign of the streets, allowing them to get away with murder. Spike and his beloved Drusilla are in the Big Apple taking advantage of the situation, as is Vampire Slayer Nikki Wood, who has hunkered down with her son, Robin, in a Times Square apartment where she thinks they'll be safe.But no matter where she goes, Nikki has to watch her back. Spike has only one thing on his mind: to slay a slayer. Adding to Spike's list of challenges is a corrupt local vampire community that catches wind of his presence, and when they start messing with him, things get bloody interesting.

    One of the most distinguishing features of the show is the innovative way its writers play with language--fabricating new words, morphing existing ones, and throwing usage on its head. The result has been a strikingly resonant lexicon that reflects the power of both youth culture and television in the evolution of American slang. Using the show to illustrate how new slang is formed, transformed, and transmitted, Slayer Slang is one of those rare books that combines a serious explanation of a pop culture phenomenon with an engrossing read for Buffy fans, language mavens, and pop culture critics. Noted linguist Michael Adams offers a synopsis of the program's history, an essay on the nature and evolution of the show's language, and a detailed glossary of slayer slang, annotated with actual dialogue. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang.

    Surprisingly the call for reinforcements is answered by Buffy Summers and the atoning vampire Angel.Now tempers are flaring in the heat of the day -- and night -- as people are dying and locals are turning a blind eye to the deadly events. Bodies are turning up in the surrounding desert, some drained of blood, some having succumbed to another, fast-moving death. Riley Finn is noticing the arrival of more and more crows to this area, ominous portents of the events ahead. But even Mr. Secret Agent Man is distracted from his job when his wife goes undercover with Angel....

    Willow decides to stick with the class on her own, however, and this once-shy wallflower is pleased to find herself way bitten with the acting bug.It's no surprise to Buffy and the Scoobs, then, when Willow decides to pitch in with the drama club's latest production. Of course, Sunnydale being Hellmouth Central, Willow soon discovers a link between drama and magick; in fact, many ancient Greek performances were actually invocations to the Gods. Spike, who in his pre-vamp days had been a great patron of the arts, confirms this fact. He "also" takes an unusual level of interest in Willow's extracurricular activities. When strange paranormal occurrences -- and the appearance of a ghost or two -- threaten Willow's safety, the witch starts to wonder if it isn't time to exit, stage left....

    Not to be missed is Buffy's rematch with Dracula and Angel's ongoing battle with his own demons. Wrapped in a haunting cover by Hellboy creator Mike Mignola, these diverse tales flesh out the history and the world of Joss Whedon's unforgettable creations and fill the void left by the Buffy TV show better than any other writers ever could.

    What Would Buffy Do? explores the fascinating spiritual, religious, and mythological ideas of television's hit series Buffy the Vampire Slayer--from apocalypse and sacrifice to self-reliance, redemption, and the need for humor when fighting our spiritual battles.

    From body snatchers and poltergeists to werewolves and mummies, it provides the inside track on the show's strange yet seductive characters and topics. The Buffy Chronicles includes a retrospective of the film that started it all, a history of vampire legends, cast information, plot synopses, and behind-the-scenes trivia. From "The Death Toll, " a roster of who's been killed by whom in each episode, to "I Fall to Pieces, " a guide to the alternative music and bands that add so much atmosphere, this book has everything Buffy's fans could want.

    His trip leads him to a group of dangerous demons and a rude awakening from his reverie, which in turn leads him on an unexpected adventure to . . . Sunnydale! Collecting Buffy the Vampire Slayer: Spike—A Dark Place #1–#5.

    The star of the show, Sarah Michelle Gellar is only 24, but she already has to her credit five films, two soap operas and a global hit-TV show. Buffy fans up and down the country thirst for details about Gellar's life, and this biography will undoubtedly quench that thirst. It's filled with dozens of exclusive photos and original information on every aspect of her career. BITE ME! spotlights Sarah's role in the show and features entertaining commentary on each episode, as well as background information about the stories in them.

    Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. “netlets”—the WB and UPN—Buffy helped usher in the “post-network” era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks

    Sex and the Slayer explores one of the most talked-about topics in relation to this pioneering TV series--gender. As fantasy, Buffy potentially opens up a space for alternative representations of gender. But how alternative can popular television be? Taking a feminist cultural studies approach, Jowett explores the ways in which the series represents femininity, masculinity, and gendered relations, including sexuality and sexual orientation. Written for undergraduates, Sex and the Slayer provides an introduction to the most important theoretical and historical underpinnings of contemporary gender criticism as it examines a range of thought-provoking issues: role reversal, the tension between feminism and femininity, the "crisis" of masculinity, gender hybridity, the appeal of bad girls, romance, and changing family structures. Through this introductory analysis, Jowett shows that Buffy presents a contradictory mixture of "subversive" and "conservative" images of gender roles and as such is a key example of the complexity of gender representation in contemporary television.

    This first massive volume begins at the beginning--The Origin, a "faithful" adaptation of creator Joss Whedon's original screenplay for the film that started it all. The newly chosen Slayer's road to Sunnydale continues in Viva Las Buffy and Slayer, Interrupted. Next, Sunnydale, the Scoobies, and an English librarian lead the way into Season 1 continuity. Plus, "The Goon" creator Eric Powell provides pencils to All's Fair, featuring Spike and Drusilla at the 1933 World's Fair. The smash TV hit Buffy the Vampire Slayer led to nearly a decade of comics at Dark Horse--including multiple specials, one-shots, and guest miniseries. This omnibus series is the ultimate compilation of the Buffy comics Dark Horse has published, and runs along the TV series' timeline. A fitting companion to Whedon's comics-based relaunch of the show.

    We've gotten glimpses of these other women over the years on T.V., in comics, and in books. Now for the first time, the writers from the television series, including the show's creator, Joss Whedon, and one of its stars, Amber "Tara" Benson, present the tales of these girls, with the help of comics' greatest artists. Gene Colan, co-creator of Marvel's Blade and Tomb of Dracula, returns to Dark Horse for the story of a young girl in 1970s New York, battling vampires. Tim Sale, artist of recent epics Batman: The Long Halloween and Superman for All Seasons teams with Joss Whedon for a grim tale of a medieval slayer. American comics legend P. Craig Russell (Dr. Strange, The Ring of the Nibelung) and international rising star Mira Friedmann (Actus Tragicus) also join the stellar lineup.

    Now all those stories, plus selected stories from Season Eight, are collected in one deluxe collection with a new cover by Jo Chen.Joss writes multiple tales: a somber vamp tale, drawn by Cameron Stewart; the story of the first Slayer, drawn by Leinil Yu; and more.Buffy the Vampire Slayer: Tales also reprints for the first time new Season Eight stories written by novelist Jackie Kessler (Hell's Belles) and awardwinning cartoonist Becky Cloonan (Demo), featuring vampires living in the public eye, killing Slayers and killing each other.* This book collects stories from MySpace Dark Horse Presents #31 and #32; Tales of the Vampires: Carpe Noctem parts 1 and 2; Buffy: Tales of the Vampires oneshot; Buffy the Vampire Slayer: Tales of the Vampires #1#5; Buffy the Vampire Slayer: Tales of the Slayers #1"Broken Bottle of Djinn"; Buffy the Vampire Slayer: Tales of the Slayers TPB.Before Season Eight . . .