Reborn as a boy named Soupy, she hitches her star to Remy "Ramshackle" Smith, a hobo who takes her under his wing. Ramshackle's kindness and protection go a long way to help Soupy heal from her difficult past. But Ramshackle has his own demons to wrestle with, and he'll need Soupy just as much as she needs him."A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens." - from the Kirkus Starred Review"VERDICT A well-researched and richly illustrated runaway tale that will appeal to fans of escapist fiction and thoughtful readers."-Anna Murphy, �Berkeley Carroll School, Brooklyn, From the School Library Journal review, March 2017"Soupy Leaves Home tells the story of a time no longer familiar to us--a time of living the rails and simmering Mulligan Soup, a time of chosen names and secret languages--yet a tale that anyone with a longing heart and a restless spirit can relate to. It transports you magically to a place long gone, but its tale of poverty and survival are still as relevant as they ever were--the characters may be penniless, but they are so emotionally wealthy that this book leaves you filled with warmth, hope, and love."--Gerard Way"Castellucci's heartfelt odyssey is a reckoning with death and identity on the tracks, brought to life by Pimienta's patient, ever-evolving use of color. Soupy Leaves Home is for all restless souls hungry to start again."--Nate Powell (March, Swallow Me Whole)"A charming and optimistic slice of Americana."--Hope Larson (Wrinkle in Time, Batgirl)"I love Cecil Castellucci, she is crazy and cool and full of energy and heart, and so is all of her work. And Soupy Leaves Home may be one of her finest and most effecting works yet!"--Jeff Lemire

    In addition, Crilley is an accomplished graphic novelist. Now for the first time, he pairs both strengths resulting in a one-of-a-kind art instruction experience. Through the story of aspiring, overeager young artist-in-the-making David and his helpful, but often flustered mentor, Becky, readers gain a grounding in the basics of drawing and rendering, along with a helping of laughs and poignant entertainment. Each lesson builds off the previous, with sidebars at the end of each chapter that direct readers to tackle some of the very same drawing exercises that David has just completed. The sequential art format provides the perfect vehicle for these step-by-step lessons, and the Pixar-esque approach to the surrounding characters and story ensures an enjoyable experience that readers will want to revisit again and again.

    Who was Long Tack Sam? He was born in 1885. He ran away from Shangdung Province to join the circus. He was an acrobat. A magician. A comic. An impresario. A restaurateur. A theater owner. A world traveler. An East-West ambassador. A mentor to Orson Welles. He was considered the greatest act in the history of vaudeville. In this gorgeous graphic memoir, his great-granddaughter, the artist and filmmaker Ann Marie Fleming, resurrects his fascinating life for the rest of the world. It's an exhilarating testament to a forgotten man. And every picture is true.

    With black-and-white illustrations by Kenard Pak. Lois Lowry looks back at history through a personal lens as she draws from her own memories as a child in Hawaii and Japan, as well as from historical research, in this work in verse for young readers.On the Horizon tells the story of people whose lives were lost or forever altered by the twin tragedies of Pearl Harbor and Hiroshima.  Composed of poems about individual sailors who lost their lives on the Arizona and about the citizens of Hiroshima who experienced unfathomable horror.

    When tragedy struck Iturbide as a young mother, she turned to photography for solace and understanding. From then on Iturbide embarked on a photographic journey that has taken her throughout her native México, from the Sonora Desert to Juchitán to Frida Kahlo’s bathroom, to the United States, India, and beyond. Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Iturbide's journey will excite readers of all ages as well as budding photographers, who will be inspired by her resolve, talent, and curiosity.

    Every day, these men and women join the work force and contribute positively to society. The story is told via the ancient Mixtec codex—accordion fold—format. Juan grew up in Mexico working in the fields to help provide for his family. Struggling for money, Juan crosses over into the United States and becomes an undocumented worker, living in a poor neighborhood, working hard to survive. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated—he receives less than half of the minimum wage! Risking his boss reporting him to the authorities for not having proper resident papers, Juan risks everything and stands up for himself and the rest of the community.

    Peter, her husband, was a fanatical Serbian nationalist who had been forced to leave his country at the end of World War II and migrate to Canada. But even there he continued his activities, joining a terrorist group that planned to set off bombs at the homes of Tito sympathisers and at Yugoslav missions in Canada and the USA. Then in 1977, while his family were still in Yugoslavia, a telegram arrived to say that a bomb had gone off prematurely and Peter and two of his comrades had been killed.Nina Bunjevac tells her family’s story in superb black-and-white artwork. Fatherland will be recognised as a masterpiece of non-fiction comics, worthy to stand beside Persepolis and Palestine.

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    Before he became the revered master of science fiction, Rod Serling was a just a writer who had to fight to make his voice heard. He vehemently challenged the networks and viewership alike to expand their minds and standards―rejecting notions of censorship, racism and war. But it wasn’t until he began to write about real world enemies in the guise of aliens and monsters that people lent their ears. In doing so, he pushed the television industry to the edge of glory, and himself to the edge of sanity. Rod operated in a dimension beyond that of contemporary society, making him both a revolutionary and an outsider.

    But never has his most famous speech--his 271 indelible words--been presented in such a visual and accessible format. Graphic artist and Civil War aficionado C. M. Butzer deftly uses a detailed, comic-book style to depict the Battle of Gettysburg; the national movement to create a memorial there; and the quiet day in 1863 when Lincoln delivered his galvanizing speech. Butzer uses only primary sources for the text, drawing from first-person letters and diaries, speeches, and Lincoln's own writing to unpack this series of historical events. The address itself is played out over eighteen pages, with every phrase given a visual interpretation that will resonate with young readers.

    He swung through a windstorm at the top of a tall tree, climbed too many mountains to count, and rode an avalanche to its end. Most importantly, though, John Muir told the world about the wonders of nature. His words made a difference and inspired people in many countries to start protecting planet Earth--and they still do.

    It was a terrifying night, one he would never forget. Before the end of the war, he would hide in secret rooms and behind walls. He would suffer from hunger, sickness, and the looming threat of Nazi raids. But he would live.This is just one of the true stories told in Hidden Like Anne Frank, a collection of eye-opening first-person accounts that share the experience of going into hiding to escape the Holocaust. Some were just toddlers when they were hidden; some were teenagers. Some hid with neighbors or family, while many were with complete strangers. But all know the pain of losing their homes, their families, even their own names. They describe the secret network that kept them safe. And they share the coincidences and close calls that made all the difference.

    This princess of the underworld has plenty of her own work to do but always seems to find herself doing her layabout father's job, as well. The king doesn't feel quite well, you see. Ever. So the princess is left scurrying through the halls, dodging her mummy, werewolf, and ghost subjects, always running behind and always buried under a ton of paperwork. Oh, and her father just fired the chef, so now she has to hire a new cook as well. Luckily for Princess Decomposia, she makes a good hire in Count Spatula, the vampire chef with a sweet tooth. He's a charming go-getter of a blood-sucker, and pretty soon the two young ghouls become friends. And then...more than friends? Maybe eventually, but first Princess Decomposia has to sort out her life. And with Count Spatula at her side, you can be sure she'll succeed. Andi Watson (Glister, Gum Girl) brings his signature gothy-cute sensibility to this very sweet and mildly spooky tale of friendship, family, and management training for the undead.

    The government of Denmark surrendered quietly, and the Danes were ordered to go about their daily lives as if nothing had changed. But everything had changed. Award-winning author Deborah Hopkinson traces the stories of the heroic young men and women who would not stand by as their country was occupied by a dangerous enemy. Rather, they fought back. Some were spies, passing tactical information to the British; some were saboteurs, who aimed to hamper and impede Nazi operations in Denmark; and 95% of the Jewish population of Denmark were survivors, rescued by their fellow countrymen, who had the courage and conscience that drove them to act. With her talent for digging deep in her research and weaving real voices into her narratives, Hopkinson reveals the thrilling truth behind one of WWII's most daring resistance movements.

    Strong females smack of the unfeminine. They have been called wicked, wanton, and willful. Sometimes that is a just designation, but just as often it is not. "Well-behaved women seldom make history," is the frequently quoted statement by historian and feminist Laurel Thatcher Ulrich. But what makes these misbehaving women "bad"? Are we idolizing the wicked or salvaging the strong?In BAD GIRLS, readers meet twenty-six of history’s most notorious women, each with a rotten reputation. But authors Jane Yolen and Heidi Stemple remind us that there are two sides to every story. Was Delilah a harlot or hero? Was Catherine the Great a great ruler, or just plain ruthless? At the end of each chapter, Yolen and Stemple appear as themselves in comic panels as they debate each girl’s badness—Heidi as the prosecution, Jane for context.This unique and sassy examination of famed, female historical figures will engage readers with its unusual presentation of the subject matter. Heidi and Jane’s strong arguments for the innocence and guilt of each bad girl promotes the practice of critical thinking as well as the idea that history is subjective. Rebecca Guay’s detailed illustrations provide a rich, stylized portrait of each woman, while the inclusion of comic panels will resonate with fans of graphic novels.