So when he comes across teenage runaway Chancy Deel sleeping in his garage, he sees an opportunity for both of them. Giving Chancy a home just might keep him from losing his. But in securing a place to live, these lonely hearts discover a place to belong.

    All efforts failed. In 1977, producers approached multiple award winning Harlan Ellison to take a crack at this 'impossible' project. He accepted, and produced an astonishing screenplay that Asimov felt would be 'The first really adult, complex, worthwhile science fiction movie ever made.' That screenplay is presented here in book format, brought to scintillating life by the illustrations of artist Mark Zug. After you read it, then decide: Is this not the greatest science fiction movie never made?

    But there's nothing ordinary about the blur of activity at Jack's Dry Cleaning, where shirts are spinning on the racks and dresses are dancing without their owners. A spirit has taken up residence in the store, and although Melinda Gordon usually can sort out what's keeping a spirit from crossing over, this particular one is frustratingly uncommunicative. After a week of trying, the store owner is convinced that Melinda will never succeed. Then self-acclaimed spiritual consultant Wendy King comes to town, guaranteeing success in moving spirits to the afterlife...for a fee. But Wendy's methodology involves trapping and forcing spirits into the light. And she pays no heed when Melinda tells her that what she is doing is wrong and dangerous. After a young couple inherits the old Ray mansion and asks for help selling the antiques that fill the house, Melinda pushes aside her concerns about Wendy. But the old house holds a terrible secret and a spirit that Melinda cannot budge. The frightened owners turn to Wendy King, who forces the spirit to cross over, despite Melinda's pleadings. But Wendy's actions release an evil, unyielding spirit, one who promises to release a flood of disease and terror on the town, starting with the people closest to the Ghost Whisperer.

    Forced to become a “Sparrow”—a spy trained in the art of seduction to elicit information from unsuspecting marks—she’s been assigned to Nathaniel Nash, a CIA officer who handles the organization’s most sensitive Russian intelligence. The action in The Red Sparrow Trilogy careens between Russia, France, Hong Kong, Turkey, Greece, Italy, and the United States as these two young intelligence officers, trained in their respective spy schools, collide in a charged atmosphere of deception and a forbidden spiral of carnal attraction that threatens both their careers and consumes intelligence agencies from Moscow to the highest offices in the US government. In each book they confront not only the shadows and intrigues of the Russian and American intelligence networks but highly trained, cold-blooded killers assigned to destroy them. With a plot ripped from tomorrow’s headlines, and written with sophisticated brio, The Red Sparrow Trilogy has been hailed as a monumental accomplishment “as suspenseful and cinematic as the best spy movies” (The Philadelphia Inquirer); “fans of the genre’s masters including John le Carré and Ian Fleming will happily embrace Matthews’s central spy” (USA TODAY). Collected together, the three novels form a stunning masterwork of suspense, intrigue, sex, and violence.

    Requiem for a Dream is a modern-day fable set on the rusted mean streets of Brooklyn's Coney Island that follows the stories of four people desperately in pursuit of a better life. Oscar-winning actress Ellen Burstyn stars as Sara, a widowed mother obsessed with her waistline and addicted to diet pills and the thought of appearing on television. Her son Harry (Jared Leto), his girlfriend Marion (Jennifer Connelly), and his best friend Tyrone (Marlon Wayans in a surprising dramatic debut), are junkies in search of the American dream - only in their world fortunes are won through a successful score and sell operation and the three long to lay their hands on the pound of heroin that, once unloaded, will finance a legitimate business of their own. Soon enough, though, their earnest pursuits begin to take on horrifying dimensions; and, even as their world crumbles around them, Sara, Harry, Marion and Tyrone refuse to let go, plummeting with their dreams in a nightmarish freefall not soon to be forgotten.

    But she SO can.

    The powerful blend of human and vampire blood that flows through Rose Hathaway, Lissa’s best friend, makes her a Dhampir. Rose is dedicated to a dangerous life of protecting Lissa from the Strigoi, who are hell-bent on making her one of them. Rose and Lissa must navigate through this dangerous world, confront the temptation of forbidden romance, and never once let their guard down, lest the Strigoi make Lissa one of them forever.

    Chapters: Harrison Bergeron, Epicac, 2br02b, Welcome to the Monkey House, Miss Temptation, Report on the Barnhouse Effect, All the King's Horses, Who Am I This Time?, Deer in the Works. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: "Harrison Bergeron" is a satirical, dystopian science fiction short story written by Kurt Vonnegut and first published in October 1961. Originally published in The Magazine of Fantasy and Science Fiction, the story was re-published in the author's collection, Welcome to the Monkey House in 1968. In the story, social equality has been achieved by handicapping the more intelligent, athletic or beautiful members of society. For example, strength is handicapped by the requirement to carry weight, beauty by the requirement to wear a mask and so on. This is due to the 211th, 212th, and 213th amendments to the United States Constitution. This process is central to the society, designed so that no one will feel inferior to anyone else. Handicapping is overseen by the United States Handicapper General, Diana Moon-Glampers. Harrison Bergeron, the protagonist of the story, has exceptional intelligence, strength, and beauty, and thus has to bear enormous handicaps. These include headphones that play distracting noises, three hundred pounds of weight strapped to his body, eyeglasses designed to give him headaches, a rubber ball on his nose, black caps on his teeth, and shaven eyebrows. Despite these societal handicaps, he is able to invade a TV station, declare himself Emperor, strip himself of his handicaps, then dance with a ballerina whose handicaps he has also discarded. Both are shot dead by the brutal and relentless Handicapper General. The story is framed by an additional perspective from Bergeron's parents, who are w...More: http: //booksllc.net/?id=18941

    In a series of sketches and animations, the Pythons recount scenes from the Grail legend in which the knights forsake their chorus line can-can dancing in Camelot for a higher aim. Typically, the Pythons set-up a 'historical' tale which is really a take on the modern world. Memorable scenes, like Graham Chapman's King Arthur battling with John Cleese's Black Knight until the latter is reduced limb by limb down to a speaking stump of a torso, capture both the hilarity and grotesque nature of brutality. In scene after scene King Arthur's men are led a merry chase through the countryside, encountering life on many different social levels. This screenplay edition contains just the script and is supplemented by stills from the film.

    One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    Instead she got an overbearing landlord, a booty-grabbing boss, and a repo man just waiting for her to park her car in the open. But Carrie's lifetakes a drastic turn for the worse when she's not only fired from her job at L.A. Mutual Bank, but also robbed by the sexiest bank robber alive and evicted from her apartment all in the same day. That's it. No more Miss Nice Chick. Carrie hatches a plan to take back her life - involving skimpy bikinis, semi-automatic weapons and one big bank heist. If Carrie can pull this one off, she just might realize her island dreams after all. That is, if Mr. Sexy doesn't beat her to the big score....AWARDS:Predators & Editors Readers' Poll Award - Best Mainstream Short StoryREVIEWS:"Gemma Halliday has a talent for blending humor with a sense of drama.'Confessions of a Bombshell Bandit' captures how far one will go whenthey are out of options...you will savor every word." - Zoë Knighton,Sensual Reads and Reviews"Gemma Halliday's story will leave the reader howling with laughter!This delightful tale is exceptionally clever as the reader is lulledinto accepting Carrie's viewpoint. Well done!" - Kwips and Kritiques"I also adore Gemma Halliday's 'Confessions Of A Bombshell Bandit',another short story that has me putting the author's name on the topof the list the next time I go bookshopping because I love thisauthor's voice! I love unrepetant Carrie in all her glory and I love this story." - Mrs. Giggles, Book Reviewer

    

    She knows how to maximize her investments and cut her losses - in both her career and her personal life. So when she discovers that Jack Fairfax has deceived her, she's determined to end their relationship. Putting a stop to their budding romance is easy, but breaking up their business deal will be more difficult. Despite all her efforts, she has no luck disentangling herself from Jack's client company, Excalibur. But the situation becomes even more strained when a lethal act of sabotage threatens to put both their companies out of business for good.Lost and Found(Sandra Burr, Joyce Bean, Melissa Coates)Cady Briggs is very useful to Mack Easton - her expertise in art and antiques helps his shadowy, low-profile company, Lost and Found, find missing treasures for high-paying clients. But as Cady's beloved Aunt Vesta warns her, being useful to a client is one thing - being used is another. Still, Cady finds it hard to resist the magnetic pull Mack exerts, an attraction she felt from the first time she heard his voice on the phone. And as their work together puts them in an explosive situation, Cady wonders just how much she'd risk for the thrill of being with this man.Smoke in Mirrors(Aasne Vigesaa/James Daniels; Laura Grafton)A con artist and seductress, Meredith Spooner lived fast - and died young. Now it seems Meredith's last scam - embezzling more than a million dollars from a college endowment fund - is coming back to haunt Leonora Hutton. An email just arrived in which Meredith - in fear for her life - explains that the money is waiting for Leonora in an offshore account ... and a safe-deposit key is on the way. Leonora wants nothing to do with the tainted money. She's already been accused of being in on the theft by Thomas Walker - who, it seems, was a victim of Meredith's knack for both scams and seductions. Eager to prove him wrong, Leonora sets out to collect the cash and hand it over. But she discovers two other items in the safe-deposit box. One is a book about Mirror House - a mansion filled with antique mirrors, where Meredith engineered her final deception. The other is a set of newspaper stories about a thirty-year-old murder that occurred there - unsolved to this day.

    But look closer. Lester Burnham's wife, Carolyn, regards him with contempt, his daughter, Jane, thinks he's a loser, and his boss is positioning him for the ax.Captivated by Jane's sultry high school friend Angela, Lester decides to make a few changes in his mere existence—changes that are less mid-life crisis than a life reclaimed. The freer he gets, the happier he gets, which is even more maddening to his wife and daughter. Complicating matters, Lester finds an unexpected ally in Ricky, the teenage son of the new next-door neighbors, who sees life through a camera lens that has lately focused on Jane Burnham.In pursuit of his new vision of the American dream, Lester is about to learn that the ultimate freedom comes at the ultimate price.The 1999 winner of five Academy Awards®, including Best Picture and Best Original Screenplay, American Beauty boasts an accomplished cast led by two-time Academy Award® Best Actor winner Kevin Spacey (The Usual Suspects) and Oscar® nominee Annette Bening (The Grifters). The ensemble cast also includes Thora Birch (Ghost World), Wes Bentley (The Claim), Mena Suvari (American Pie), Peter Gallagher (Mr. Deeds), Allison Janney (NBC's The West Wing), Scott Bakula (NBC's Quantum Leap), Sam Robards (A.I.: Artificial Intelligence), and Chris Cooper (Adaptation).American Beauty marks the feature film directorial debut of award-winning theater director Sam Mendes (The Blue Room, Cabaret). The film is produced by Dan Jinks (Nothing to Lose) and Bruce Cohen (The Flintstones in Viva Rock Vegas) from an original screenplay by Alan Ball (HBO's Six Feet Under). Stan Wlodkowski (One Hour Photo) and Alan Ball are the co-producers.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.