In Chris Bachelder's bizarre world, Sinclair is repeatedly brought back by beleaguered but optimistic leftists (whose refrain is "Hope and Shovels Forever"), and then gunned down (and once harpooned!) by those seeking fame, fortune, and American business as usual. As he grows more and more politically and culturally insignificant, Sinclair keeps writing his embarrassingly bad muckraking novels and keeps risking his life for the Socialist revolution, which is perpetually just around the corner. In documenting the demise (but dogged faith) of the American Left, as well as the violence and hysteria of the Right, Bachelder uses a wide range of forms: stories, songs, letters, journal entries, book reviews, memos, a syllabus, newspaper and magazine articles, Internet auctions, and transcripts of talk shows, interviews, and toll-free hotlines. The second part of the novel is a fast-paced narrative that brings the myriad characters together in an explosive encounter. A dazzling mix of laughs and revelations, U.S.! is not only an exploration of American politics and culture, but an investigation into the possibilities and problems of political art. Its publication will coincide with the hundredth anniversary of the publication of The Jungle, Sinclair's internationally renowned novel about the meat industry.

    Taking what he knew from vaudeville--ingenuity, athleticism, audacity and wit--Keaton applied his hand to the new medium of film, proving himself a prodigious acrobat and brilliant writer, gagman, director and actor in more than 100 films. Between 1920 and 1929, he rivaled Fatty Arbuckle, Harold Lloyd, and even Charlie Chaplin as the master of silent comedy by writing, directing, and starring in more than 30 films. The book celebrates Keaton in his prime--as an antic genius, equal parts auteur, innovator, prankster and daredevil--while also revealing the pressures in his personal and professional life that led to a collapse into drunkenness and despair before his triumphant second act as a television pioneer and Hollywood player in everything from beach movies to Beckett. McPherson describes the life of Keaton--in front of the camera and behind the scenes--with the kind of exuberance and narrative energy displayed by the shrewd, madcap films themselves.

    

    It contains the original screenplay, production stills, and full credits for the country house murder mystery.

    This new collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.From Roger's review of Deuce Bigalow: European Gigolo (0 stars): "The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.'Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: 'Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind. . . . Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers. . . .'Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor, but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks."

    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

    When a former congressional aide becomes part of the staff of the governor of a small Southern state, he watches in horror, admiration, and amazement, as the governor mixes calculation and sincerity in his not-so-above-board campaign for the presidency.From the Hardcover edition.

     Do you constantly get anxious about your health and seek reassurance? Have you found yourself analysing every single sensation in your body? Are you spending time on the internet always looking for answers? Do you have heart palpatations that make you think you're having a heart attack? Does that impending heart attack give you a panic attack? Are you still not dead? You can rest assured it's not just you! Philip Martins was once a hypochondriac and has survived, among other things, cancer, motor neurone disease, meningitis, multiple sclerosis and having been bitten by a mosquito once, malaria. In this book he tells you how he got through his years of health anxiety, provides some anecdotes of his crazier times to cheer you up and gives you some tips all in the hope that it can bring a little relief to help you realise you're not alone. If you have health anxiety and are looking for something to relate to then this is the book for you.

    writes with humor, dripping Southern charm that you can’t miss.” (The Greenville Examiner). A collection of short stories from the author of Sean of the South, and Lyla. Columnist, humorist, and novelist, Sean Dietrich, is known for his commentary on life in the American South. In his newest work, Small Towns, Labradors, Barbecue, Biscuits, Beer, and Bibles, he delivers a set of quirky tales filled with smiles and a hefty dose of heart.

    Apparently it’s fine for Scrimshaw Travel to make last minute amendments to the holiday without incurring any penalties or reducing the price in any way. That’s what the indifferent courier tells him on day one of the tour as she arrives in a clapped-out, old coach being driven by a partially-sighted driver. With the spa hotel replaced by a rundown guest house staffed by a neurotic manager, decrepit waitress and under-sexed, Italian waiter there doesn’t appear to be much of the brochure-described holiday left. Thank goodness for Angela, the rather lovely woman Derek pals up with on the journey down. She might just make the trip bearable. If only the other members of the group would leave them alone long enough to get to know each other, but Derek has always had the ability to attract the eccentric characters to him and he can’t escape them. Still, perhaps they’ll surprise him as he learns about their lives and secrets as they move from one hilarious excursion to another. And maybe Angela will provide one or two surprises herself. Driven to Distraction is a fun romp through the English countryside with characters finding love and friendship while travelling at twenty miles an hour. (Well, it is a clapped-out, old coach).

    Everything Mark's not, Paris is a man of the world with a thirst for adventure - even his name is better than Mark's.But after a catastrophic argument, Mark finds himself setting off alone on his voyage, instead emailing an unresponsive Paris from the road. A cocktail cruise on the Seine, mindful pastry making in Foix, a graffiti tour in Barcelona: Mark will be forced to engage with life and strangers as he never has before, with poignantly recognisable results.But questions remain: will he ever be able to have an authentic interaction? Will Paris ever reply to his emails? And crucially, will he manage to write SEO friendly copy for every place he visits?After all, it's not the destination that counts: it's the homes and experiences you encounter along the way.

    In his search for what went wrong in the comedian's life, the author uncovers the seedier side of the American star system. A film based on the book has been made.

    Her critiques have the kind of bite that engages the readers with the sneer and snarl of an avid movie fan. Her readers and subjects, young and old, will be outraged and amused at her vicious takes on award-winning, top-grossing films.

    Groucho, Harpo, Chico and Sometimes Zeppo: A History of the Marx Brothers and a Satire on the Rest of the World

    It was the year that ruined him forever. John May's perfectly imagined novel brings New York's giddy pre-Civil War social scene into brilliant focus as it unfolds the spellbinding story of a doomed man and the great love that sealed his fate. By the end of what should have been his crowning year, Edgar Poe was reviled by the same capricious circles that had gathered adoringly at his feet to hear him recite "The Raven" again and again. Swept up in the fervor, Frances Sargent Osgood, then separated from her husband, arranged an introduction to Poe to offer her fealty and her friendship. But what eventually transpired between them was far more than two poets' mutual admiration. Over the course of their brief liaison, the two lovers wrote and published (under pseudonyms) many not-so-veiled love poems, and soon enough, New York's literati were abuzz with their affair. While Poe dallied, his dying wife, Sissy, and her mother were humiliated. And while he despaired, drinking himself into oblivion, Poe's dream of editing his own magazine in New York died on the vine. At the turn of the year, the Poes left New York in disgrace. Deeply in debt and spurned by former fawning admirers, including Horace Greeley, N.P. Willis, William Cullen Bryant, Richard Henry Dana, and Maria Child, American's most renowned writer was a broken man. He had wrecked two women's lives. Even so, both Fanny and Sissy loved him unremittingly to the bitter end. Poe died at the age of forty, alone and having never fathered a child. Or had he? Told with special empathy for Fanny's warm, impulsive generosity as it shimmered alongside Poe's dark genius, Poe & Fanny follows the lovers' story to its logical conclusion: Fanny Osgood's third child was Edgar Allan Poe's. John May brings to life the drama of these lives acted out against the backdrop of nineteenth century New York's vibrant literary world.