He attended the University of Washington and Columbia University. He served in the US Army in World War II, wrote one novel and died of a heart attack at the age of 47. John Okada died in obscurity believing that Asian America had rejected his work. In this work, Okada gives the perspective of a no-no boy, a Japanese-American man who would neither denounce his Japanese heritage nor fight for the U.S. Army during WWII. This novel takes place after the main character spent two years in a Japanese internment camp, and two years in prison after saying no when asked to join the U.S. Army. Okada's novel No-No Boy shows the internal and external struggles fought by Japanese-Americans in that time period, be they no-no boys or not.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

     Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. When the Communists assume control of China in 1949, though, Ralph Chang, his sister Theresa, and his wife Helen, find themselves in a crisis. At first, they cling to their old-world ideas of themselves.  But as they begin to dream the American dream of self-invention, they move poignantly and ironically from people who disparage all that is “typical American” to people who might be seen as typically American themselves. With droll humor and a deep empathy for her characters, Gish Jen creates here a superbly engrossing story that resonates with wit and wisdom even as it challenges the reader to reconsider what a typical American might be today.

    Fae Myenne Ng's portraits of the everyday heroism of the Leongs--who inflict deep hurt on each other in their struggles to survive, yet sustain one another with loyalty and love--have made Bone one of the most critically acclaimed novels of recent years and immediately a classic of contemporary American life.

    War Dances brims with Alexie’s poetic and revolutionary prose, and reminds us once again why he ranks as one of our country’s finest writers.With bright insight into the minds of artists, entrepreneurs, fathers, husbands, and sons, Alexie populates his stories with average men on the brink of exceptional change: In the title story, a son recalls his father’s “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor; “The Ballad of Paul Nonetheless,” dissects a vintage clothing store owner’s failing marriage and courtship of a Puma-clad stranger in airports across the country; and “Breaking and Entering” recounts a film editor’s fateful confrontation with an thieving adolescent.Brazen and wise War Dances takes us to the heart of what it means to be human. The new beginnings, successes, mistakes, and regrets that make up our daily lives are laid bare in this wide-ranging new work that is quintessential.

    Seoul, 1978. At South Korea's top university, the nation's best and brightest compete to join the professional elite of an authoritarian regime. Success could lead to a life of rarefied privilege and wealth; failure means being left irrevocably behind. For childhood friends Jisun and Namin, the stakes couldn't be more different. Jisun, the daughter of a powerful business mogul, grew up on a mountainside estate with lush gardens and a dedicated chauffeur. Namin's parents run a tented food cart from dawn to curfew. Her sister works in a shoe factory. Now Jisun wants as little to do with her father's world as possible, abandoning her schoolwork in favor of the underground activist movement, while Namin studies tirelessly in the service of one goal: to launch herself and her family out of poverty. But everything changes when Jisun and Namin meet an ambitious, charming student named Sunam, whose need to please his family has led him to a prestigious club: the Circle. Under the influence of his mentor, Juno, a manipulative social climber, Sunam becomes entangled with both women, as they all make choices that will change their lives forever.In this sweeping yet intimate debut, Yoojin Grace Wuertz details four intertwining lives that are rife with turmoil and desire, private anxieties and public betrayals, dashed hopes and broken dreams while a nation moves toward prosperity at any cost.

    Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.”  We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.Fourteen teens who have grown up together in Japantown, San Francisco.Fourteen teens who form a community and a family, as interconnected as they are conflicted.Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    Now she's carrying his baby. Already married with three daughters, he's overjoyed because the doctors confirmed he will finally have the son he has always wanted. To ensure that his son has every advantage, he has shipped Scarlett off to give birth on American soil. U.S. citizenship will open doors for their little prince.As Scarlett awaits the baby's arrival, she chokes down bitter medicinal stews and spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited teenager and fellow unwed mother who is being kept apart from her American boyfriend.Then a new sonogram of Scarlett's baby reveals the unexpected. Panicked, she escapes by hijacking a van--only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. They flee to San Francisco's bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn't know is that her baby's father is not far behind her.A River of Stars is an entertaining, wildly unpredictable adventure, told with empathy and wit. It's a vivid examination of home and belonging, and a moving portrayal of a woman determined to build her own future.

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    Growing up in the small town of Boiling Springs, North Carolina, in the 70’s and 80’s, Linda believes that she is profoundly different from everyone else, including the members of her own family. “What I know about you, little girl, would break you in two” are the cruel, mysterious last words that Linda’s grandmother ever says to her.Now in her thirties, Linda looks back at her past when she navigated her way through life with the help of her great-uncle Harper, who loves her and loves to dance, and her best friend Kelly, with whom Linda exchanges almost daily letters. The truth about my family was that we disappointed one another. When I heard the word “disappoint,” I tasted toast, slightly burnt. For as long as she can remember, Linda has experienced a secret sense—she can “taste” words, which have the power to disrupt, dismay, or delight. She falls for names and what they evoke: Canned peaches. Dill. Orange sherbet. Parsnip (to her great regret). But with crushes comes awareness. As with all bodies, Linda’s is a mystery to her, in this and in other ways. Even as Linda makes her way north to Yale and New York City, she still does not know the truth about her past. Then, when a personal tragedy compels Linda to return to Boiling Springs, she gets to know a mother she never knew and uncovers a startling story of a life, a family. Revelation is when God tells us the truth. Confession is when we tell it to him.This astonishing novel questions many assumptions—about what it means to be a family and to be a friend, to be foreign and to be familiar, to be connected and to be disconnected—from others and from the past, our bodies, our histories, and ourselves.

    Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    Read a complete short story at BookBrowse.Sightseeing is a masterful new work of fiction, a collection of stories set in contemporary Thailand and written with a grace and sophistication that belie the age of its young author. These are generous, tender tales of family bonds, youthful romance, generational conflicts, and cultural shiftings beneath the glossy surface of a warm, Edenic setting. Rattawut Lapcharoensap offers a diverse, humorous, and deeply affectionate view of life in a small Southeast Asian country that is inevitably absorbing the waves of encroaching Westernization.In the prizewinning opening story, "Farangs," the young son of a modest beachside motel owner commits the cardinal sin of falling for a pretty tourist, and the confrontation that ensues between the native boy and the girl's pompous American boyfriend culminates wondrously amid flying mangoes and Clint Eastwood—a pet pig—swimming out to sea. In "Sightseeing," the much-anticipated holiday of a young man about to leave for college and his loving and fiercely independent mother becomes a different kind of pilgrimage altogether when they are forced to confront the mother's impending blindness. The concluding novella, "Cockfighter," is a triumph of storytelling in which a young girl witnesses her proud father's valiant but foolhardy and drawn-out battle against the local delinquent and violent hoodlum whose family's vicious stranglehold on the villagers has passed down unchecked through generations.Through his vivid assemblage of parents and children, natives and transients, ardent lovers and sworn enemies, Lapcharoensap dares us to look with new eyes at the circumstances that shape our views and the prejudices that form our blind spots. Gorgeous and lush, painful and candid, Sightseeing is an extraordinary reading experience, one that powerfully reveals that when it comes to how we respond to pain, anger, hurt, and love, no place is too far from home.