Britain, according to Ferguson, entered into war based on naïve assumptions of German aims—and England's entry into the war transformed a Continental conflict into a world war, which they then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces. That the war was wicked, horrific, inhuman,is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. More British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War; indeed, the total British fatalities in that single battle—some 420,000—exceeds the entire American fatalities for both World Wars. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with enthusiasm. Ferguson vividly brings back to life this terrifying period, not through dry citation of chronological chapter and verse but through a series of brilliant chapters focusing on key ways in which we now view the First World War.For anyone wanting to understand why wars are fought, why men are willing to fight them, and why the world is as it is today, there is no sharper nor more stimulating guide than Niall Ferguson's The Pity of War.

    Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close.

    The Battle of Mons, The Battle of le Cateau, The Great Retreat, Over the Marne to the Aisne, The Battle of the Aisne, The Move to the North, Round la AssÉe, The Beginning of Winter 1914, St Jans Cappel, Behind the Lines.....etc

    Yet it has left as deep a scar on the imaginative landscape of our century as it has on the land where it was fought. Nowhere is that more evident than on the Western Front-the sinuous, deadly line of trenches that stretched from the coast of Belgium to the border of France and Switzerland, a narrow swath of land in which so many million lives were lost.For journalist Stephen O'Shea, the legacy of the Great War is personal (both his grandfathers fought on the front lines) and cultural. Stunned by viewing the "immense wound" still visible on the battlefield of the Somme, and feeling that "history is too important to be left to the professionals," he set out to walk the entire 450 miles through no-man's-land to discover for himself and for his generation the meaning of the war.Back to the Front is a remarkable combination of vivid history and opinionated travel writing. As his walk progresses, O'Shea recreates the shocking battles of the Western Front, many now legendary-Passchendaele, the Somme, the Argonne, Verdun-and offers an impassioned perspective on the war, the state of the land, and the cultivation of memory. His consummate skill with words and details brings alive the players, famous and faceless, on that horrific stage, and makes us aware of why the Great War, indeed history itself, still matters. An evocative fusion of past and present, Back to the Front will resonate, for all who read it, as few other books on war ever have.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Convinced that right was on their side and fearful of the enemies that encircled them, they threw themselves resolutely into battle. Yet, despite the initial halting of a brutal Russian invasion, the Central Powers' war plans soon unravelled. Germany's attack on France failed. Austria-Hungary's armies suffered catastrophic losses at Russian and Serbian hands. Hopes of a quick victory lay in ruins.For the Central Powers the war now became a siege on a monstrous scale. Britain's ruthless intervention cut sea routes to central Europe and mobilised the world against them. Germany and Austria-Hungary were to be strangled of war supplies and food, their soldiers overwhelmed by better armed enemies, and their civilians brought to the brink of starvation. Conquest and plunder, land offensives, and submarine warfare all proved powerless to counter or break the blockade. The Central Powers were trapped in the Allies' ever-tightening ring of steel. Alexander Watson's compelling new history retells the war from the perspectives of its instigators and losers, the Germans and Austro-Hungarians. This is the story not just of their leaders in Berlin and Vienna, but above all of the people. Only through their unprecedented mobilisation could the conflict last so long and be so bitterly fought, and only with the waning of their commitment did it end. The war shattered their societies, destroyed their states and bequeathed to east-central Europe a poisonous legacy of unredeemed sacrifice, suffering, race hatred and violence. A major re-evaluation of the First World War, Ring of Steel is essential reading for anyone seeking to understand the last century of European history.

    It took place in the improbable setting of the mud, cold rain and senseless killing of the trenches of World War I. It happened in spite of orders to the contrary by superiors; it happened in spite of language barriers. And it still stands as the only time in history that peace spontaneously arose from the lower ranks in a major conflict, bubbling up to the officers and temporarily turning sworn enemies into friends. Silent Night, by renowned military historian Stanley Weintraub, magically restores the 1914 Christmas Truce to history. It had been lost in the tide of horror that filled the battlefields of Europe for months and years afterward. Yet in December 1914 the Great War was still young, and the men who suddenly threw down their arms and came together across the front lines to sing carols, exchange gifts and letters, eat and drink and even play friendly games of soccer naively hoped that the war would be short-lived, and that they were fraternizing with future friends. It began when German soldiers lit candles on small Christmas trees, and British, French, Belgian and German troops serenaded each other on Christmas Eve. Soon they were gathering and burying the dead, in an age-old custom of truces. But as the power of Christmas grew among them, they broke bread, exchanged addresses and letters and expressed deep admiration for one another. When angry superiors ordered them to recommence the shooting, many men aimed harmlessly high overhead. Sometimes the greatest beauty emerges from deep tragedy. Surely the forgotten Christmas Truce was one of history's most beautiful moments, made all the more beautiful in light of the carnage that followed it. Stanley Weintraub's moving re-creation demonstrates that peace can be more fragile than war, but also that ordinary men can bond with one another despite all efforts of politicians and generals to the contrary.

    'An absolutely fascinating account of life under German rule in the Channel Islands during the war. As a Guernsey girl I grew up with these stories and recognise family and friends in these pages. Duncan Barrett has done a brilliant job of reflecting the peculiar challenges that existed for those living under occupation. It is an under-told story of an extraordinary time in recent British history.'  - Sarah Montague, The Today Programme presenter.**The new book from the Sunday Times bestselling author of Sugar Girls** In the summer of 1940, Britain stood perilously close to invasion. One by one, the nations of Europe had fallen to the unstoppable German Blitzkrieg, and Hitler’s sights were set on the English coast. And yet, following the success of the Battle of Britain, the promised invasion never came. The prospect of German jackboots landing on British soil retreated into the realm of collective nightmares.  But the spectre of what might have been is one that has haunted us down the decades, finding expression in counterfactual history and outlandish fictions. What would a British occupation have looked like?  The answer lies closer to home than we think, in the experiences of the Channel Islanders – the only British people to bear the full brunt of German Occupation.  For five years, our nightmares became their everyday reality. The people of Guernsey, Jersey and Sark got to know the enemy as those on the mainland never could, watching in horror as their towns and villages were suddenly draped in Swastika flags, their cinemas began showing Nazi propaganda films, and Wehrmacht soldiers goose-stepped down their highstreets. Those who resisted the regime, such as the brave men and women who set up underground newspapers or sheltered slave labourers, encountered the full force of Nazi brutality. But in the main, the Channel Islands occupation was a ‘model’ one, a prototype for how the Fuhrer planned to run mainland Britain. As a result, the stories of the islanders are not all misery and terror. Many, in fact are rather funny – tales of plucky individuals trying to get by in almost impossible circumstances, and keeping their spirits up however they could. Unlike their compatriots on the mainland, the islanders had no Blitz to contend with, but they met the thousand other challenges the war brought with a similar indomitable spirit. The story of the Channel Islands during the war is the history that could so nearly have come to pass for the rest of us.  Based on interviews with over a hundred islanders who lived through it, this book tells that story from beginning to end, opening the lid on life in Hitler’s British Isles.

    Massie has written a richly textured and gripping chronicle of the personal and national rivalries that led to the twentieth century's first great arms race. Massie brings to vivid life, such historical figures as the single-minded Admiral von Tirpitz, the young, ambitious, Winston Churchill, the ruthless, sycophantic Chancellor Bernhard von Bulow, and many others. Their story, and the story of the era, filled with misunderstandings, missed opportunities, and events leading to unintended conclusions, unfolds like a Greek tratedy in his powerful narrative. Intimately human and dramatic, DREADNOUGHT is history at its most riveting.

    If finding her mother Nellie in hospital after a savage beating from her husband wasn’t enough, Emily’s plight deepens when she yields to the advances of Tommy, a young soldier, and becomes pregnant with his child.Not for nothing is Victoria station nicknamed the ‘palace of tears’. As trainloads of men leave for the Western Front, and Emily says goodbye to Tommy, she is left contemplating the life of a single mother. Yet amidst the devastation, happiness still lies within her grasp… A classic saga of World War One, Palace of Tears is a perfect read for fans of Carol Rivers, Sally Warboyes, and Annie Murray.

    To protect itself, the nation fell back on cunning and camouflage. With Winston Churchill in charge, the British bluffed their way out of trouble—lying, pretending and dressing up in order to survive. The British had developed this uncommon talent during the trench and desert fighting of the First World War, when writers and artists created elaborate camouflages and fiendish propaganda. So successful were these deceptions they gave rise to the German belief that they hadn't been beaten fairly - in which case why not 'have a second go'? By the Second World War, the British were masters of the art. Churchill adored stratagems, ingenious devices and special forces: pretend German radio stations broadcast outrageous British propaganda in German. British geniuses broke German secret codes and eavesdropped on their messages. Every German spy in Britain was captured and many were used to send back false information to their controllers. Forged documents misled their Intelligence. Bogus wireless traffic from entire phantom armies, dummy airfields with model planes, disguised ships and inflatable rubber tanks created a vital illusion of strength. Culminating in the spectacular misdirection that was so essential to the success of D-Day in 1944, Churchill's Wizards is a thrilling work of popular military history. Above all, Nicholas Rankin reveals the true stories of those brave and creative mavericks who helped win what Churchill called 'the war of the Unknown Warriors'.

    Under furious attack both from the ground and the air, the average survival time of a First World War reconnaissance pilot is eighteen hours. George Duckwell, reluctant novice-hero of the Royal Flying Corps, is living on borrowed time. Having joined up to escape disgrace at home, George can only watch in horror as a succession of comrades - inexperienced, under-trained and hopelessly idealistic - are shot down, burned, maimed and killed, while somehow he survives. Struggling to make sense of the conflict, George forms an awkward friendship with William 'Mac' MacBride, an enigmatic Canadian ace, waging his own private war against the legendary Red Baron. But when Mac falls for George's sweetheart - front-line nurse Emily - heartbroken George learns that Mac's mysterious past is darker than he imagined, and the fragile bond that keeps the two men alive comes under threat on the eve of the most lethal conflict the modern world has known.

    In a radical new interpretation, leading military historian Gary Sheffield argues that while the war was tragic, it was not futile; and, although condemned as 'lions led by donkeys', in reality the British citizen army became the most effective fighting force in the world, which in 1918 won the greatest series of battles in British history.A challenging and controversial book, FORGOTTEN VICTORY is based on twenty years of research and draws on the work of major scholars. Without underestimating the scale of the human tragedy or playing down the disasters, it explodes many myths about the First World War, placing it in its true historical context.

     Subaltern on the Somme is a record of his daily life, and ranges across different aspects of his war in the trenches - including fear, shellfire, drunkenness, mud, frustration and his views about his fellow officers and British army commanders. Subaltern on the Somme is for anybody who wonders what trench warfare was like for a junior officer.

    Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts, both actual and literary, for writers who have most effectively memorialized the Great War as an historical experience with conspicuous imaginative and artistic meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac Rosenberg, and Wilfred Owen. In his new introduction Fussell discusses the critical responses to his work, the authors and works that inspired his own writing, and the elements which influence our understanding and memory of war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.Fussell's landmark study of World War I remains as original and gripping today as ever before: a literate, literary, and illuminating account of the Great War, the one that changed a generation, ushered in the modern era, and revolutionized how we see the world. 14 halftones.