Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor’s beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna’s twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another. Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

    But Tanja's act of academic rebellion incites the rage of one renegade member of her class—and pulls her dangerously close to another—which, in turn, exacerbates the tensions of a life in exile that has now begun to spiral seriously out of control.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    Jane is an American journalist who has traveled to Africa, hoping to give a voice to children like Esther and to find her center after a series of failed relationships. In unflinching prose, Minot interweaves their stories, giving us razor-sharp portraits of two extraordinary young women confronting displacement, heartbreak, and the struggle to wrest meaning from events that test them both in unimaginable ways.  With mesmerizing emotional intensity and stunning evocations of Africa's beauty and its horror, Minot gives us her most brilliant and ambitious novel yet.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    Recalling the works of W. G. Sebald, Bruce Chatwin, and Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and that, taken as a whole, open mesmerizing new vistas of how to think about extinction and loss.With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

    Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer's curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides. No sooner has he arrived, however, than we discover that Ka's motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka's youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka's frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness. Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties

    One by one, buildings go up in flames. Suspicion spreads among the neighbors as they wonder if one of their own is responsible. But as the heat and panic rise, new life finds a way to emerge. Amid the chaos, only a day before the last house is set afire, the community comes together for the christening of a young boy named Gaute Heivoll. As he grows up, stories about the time of fear and fire become deeply engrained in his young mind until, as an adult, he begins to retell the story. At the novel's apex the lives of Heivoll's friends and neighbors mix with his own life, and the identity of the arsonist and his motivations are slowly revealed. Based on the true account of Norway's most dramatic arson case, Before I Burn is a powerful, gripping breakout novel from an exceptionally talented author.

    It would be silly to lose my mind now. 'After the deportation of her husband to Auschwitz, Izolda Regenberg, alias Maria Pawlicka, has only one aim: to free her husband. Her race to beat fate might appear absurd to others, but not to her. In times of war and destruction she learns to trust herself.Why Peirene chose to publish this book:'This is a beautiful love story. A story which makes one weep for mankind. While Hanna Krall's terse prose is designed to convey the utter desperation of war, her deft touch evokes hope and a sense of homecoming.' Meike Ziervogel

    His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he's created a monster, one that needs human flesh to survive--first from the guilty, and then from anyone in its path. A prizewinning novel by "Baghdad's new literary star" (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.

    Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees. You will come to see it in your own way, you will experience things for yourself and live a life of your own, so of course it is primarily for my own sake that I am doing this: showing you the world, little one, makes my life worth living.Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. He describes with acute sensitivity daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. The sun, wasps, jellyfish, eyes, lice—the stuff of everyday life is the fodder for his art. Nothing is too small or too vast to escape his attention.This beautifully illustrated book is a personal encyclopaedia on everything from chewing gum to the stars. Through close observation of the objects and phenomena around him, Knausgaard shows us how vast, unknowable and wondrous the world is.

    While waiting to hear whether his newest play will be approved for production, playwright Rudian Stefa is called in for questioning by the Party Committee. A girl - Linda B. - has been found dead, with a signed copy of his latest book in her possession.He soon learns that Linda's family, considered suspect, was exiled to a small town far from the capital, and that she committed suicide. Under the influence of a paranoid regime, Rudian finds himself swept along on a surreal quest to discover what really happened to Linda B. Through layers of intrigue, her story gradually unfolds: how she loved Rudian from a distance, and the risks she was prepared to take so that she could get close to him. He becomes captivated by her story, and disturbed at how he might be culpable for her fate. A Girl in Exile is a stunning, deeply affecting portrait of life and love under surveillance, infused with myth, wry humor, and the absurdity of a paranoid regime.

    Or so the doctors say. But Nahid is not the type to trust anyone. She resents the cancer diagnosis she has been given and the doctor who has given it to her. Bubbling inside her is also resentment toward life as it turned out, and the fact that it will go on without her. She feels alone, alone with her illness and alone with her thoughts. She yearns yet fails to connect with her only daughter, Aram. As the rawness of death draws near, Nahid should want to protect Aram from pain. She knows she should. Yet what is a daughter but one born to share in her mother’s pain?At fifty, Nahid is no stranger to death. As a Marxist revolutionary in eighties Iran, she saw loved ones killed in the street and was forced to flee to Sweden. She and her husband abandoned their roots to build a new life in a new country. They told themselves they did it for their newborn daughter, so she could live free. But now as she stands on the precipice facing death, Nahid understands that what you thought you escaped will never let you go. And without roots, can you ever truly be free?