The victim of a carriage accident lands in her home to recover, but does not reveal that he is the Earl of Alton. Hester learns his identity only when the whole family descends on London - and involves my lord in a variety of scrapes.

    When she accidentally cuts the prince’s friend Beau Brummell at a ball, the scandal sends her packing to the countryside. Her faulty eyesight causes her to enter the wrong coach, which delivers her to the estate of handsome Lord Bryn. He mistakes her for the governess who was due to arrive from London.Preferring work over a life of isolation, she goes along with the erroneous impression, and can’t help adoring his mischievous orphaned niece and nephew. When Meg begins falling in love with the handsome lord just as he’s about to become engaged to another woman, however, she can’t see a way out of her dilemma.This is a lighthearted tale in the traditional Regency style—no sex, but plenty of romantic complications and a happy ending. It has been lightly revised since its original print publication.

    And of course she must be able to present herself well in high society. But when he is encouraged to consider Phoebe Marlow as a bride, Sylvester is taken aback by the coltish woman who seems to resent him...The first time Sylvester met Phoebe, he found her dull and insipid. Phoebe, was a hoydenish country miss with literary aspirations. And when she was snubbed by the Duke, and she thought he was insufferably arrogant. In fact, she deemed him the most arrogant rake she'd ever met. In secret, she'd fashioned the villain and a knave in her romance novel unmistakably after Sylvester!Phoebe meets none of Duke's criteria for a fiancee. But when Phoebe ran away, she got his attention and fancy. Intrigued Sylvester decides that if Petruchio could tame Katherine, he had no doubt he could tame Phoebe. And when a series of unforeseen events leads them to be stranded together in a lonely country inn, they are both forced to reassess their hastily formed opinions, and they begin to discover a new-found liking and respect for each other, and they find striking up an unusual friendship.Phoebe discovers that the duke isn't the villian she first thought. And Sylvester stumbles upon something he never dared hope for... But what Sylvester doesn't know is that Phoebe has just published a novel - a novel in which all London will recognize him. But how could she guess her book would be a scandalous success? Or that the man she had cast as a villain would become the heartbreaking hero of her dreams?

    For two years she's been engaged to a naval lieutenant, now due home within weeks. But before she weds, Marian accepts her cousins' invitation to join them in town for the social season. Lady Formsby has generously arranged for Marian to study with the masters at the Royal Academy. As a dedicated painter, Marian can be relied upon to provide steady, sensible company to her impulsive younger cousin Katie, who has been relishing her debut. All of London is thrilled with Napoleon's abdication and the celebratory visits of foreign princes. Yet Lord Sidley's return from the war has created an equal sensation. The earl's looks, charm, and dashing reputation intrigue both cousins. Katie vows to marry Sidley, and indeed, as the last of his family, he must choose a bride. But there is another reason for the widespread fascination with Lord Sidley's Season. And Marian soon discovers how easily plans, and hearts, can be overturned.

    

    His mother prefers entertaining men in her bedroom, while her husband sits downstairs, unable or unwilling to respond to his wife’s inappropriate behaviour. From that day on Tom vows that no woman will hurt him the way his mother hurt his father. For the next seventeen years Tom works hard to become one of the most notorious rakes London society has ever seen, successfully keeping all the women of his acquaintance at a distance. In 1810 twenty-four year old Isabelle Crawford had been brought up hearing stories of how much in love her dead parents were and had expected to find similar happiness when she came out in society. Reality was different to what she had imagined though, instead of love, she found fortune hunters and as a result left London to set up home in Bath. Her two elder brothers had supported her decision, although they would have rather seen their sister married instead of choosing what was seen by the ton as an eccentric decision, a young woman living a single life in Bath with a cousin as chaperone. A potential marriage between Tom's sister and Isabelle’s brother throws the couple together and sets in motion a chain of events that will see Tom fighting for his life and Isabelle being kidnapped by the very man that Tom had found in his mother’s bedchamber all those years ago.

    He offers to pay her to impersonate her long-lost twin sister, who has mysteriously disappeared in Scotland. But she never counted on falling for her sister's rakish fiancee, the handsome Earl of Linley. And what would happen if he found out that the spirited, passionate object of his love was no more than a stand-in bride?

    The fantastic notions and romantic heroes contained in those books are the only thing that distracts her from the abuse of her adopted family. But then a mysterious stranger, the Earl of Austell, finds they have a mutual malady of boredom, and he endeavors to rescue them both.

    Surely her husband-to-be, the right Reverend Andrew Littletree, would not condone her leaving the safety of home for the perils that this place posed for so lovely and desirable a young lady. Surely tongues would wag about what she was doing with so eminently attractive and intriguingly unattached a gentleman as the major. But Onyx's worry was not what her fiancé would think or what the world would say. Rather it was what she would do if Jack Beresford took her in his arms…

    Even this might have proved tolerable. After all, Lydia was an independent sort of a girl, more than capable of holding her own against importunate tradesmen, and more than happy to bring her younger sister up on her own.It would not do, however. The state in which Lydia discovered the family affairs made independent existence quite out of the question. In spite of all her best efforts, within a few months of her mama’s death, and scarcely out of full mourning, it became apparent to her that there was nothing to be done but to acknowledge the inevitable and appeal to her relations for help….It is 1810. Lydia, now penniless, is forced to seek a home with an aunt and uncle who have no interest in her whatsoever. But there are plenty of others with an interest in her – including the handsome but selfish son of the family – her cousin Charles - and two elegant brothers who live nearby.Each, in his own way, poses an intriguing challenge to her. Luckily Lydia is well able to look after herself but she gets into a number of scrapes which almost cost her any chance of happiness before finally managing to sort things out in the end.

    Unfortunately, they all failed to capture her attention, and she concluded the season as unattached as she’d begun it. Only weeks prior to her second season, Harriett encounters Lieutenant Christopher Jamison while visiting Tanglewood Manor. Recently returned from war, the lieutenant is everything that Harriett's previous suitors were not. He’s arrogant, ungentlemanly, irritating, and challenges her at every opportunity. When he goes too far, Harriett decides that it’s time to turn the tables on him. But as she sets out to put the lieutenant in his place once and for all, she discovers there is more to him than meets the eye, and when it comes to matters of the heart, she has no control whatsoever.

    When the prince regent asks him to debunk the “ghost” of a dead actress haunting Carlton House, he cannot refuse, and is forced back to the Society he deplores. But upon meeting the daughter of the alleged ghost, his calm, logical investigation is disrupted.Ariel Harding doesn’t believe in ghosts, but she’s determined to investigate this haunting. Her mother recently committed suicide, and Ariel is desperate to find the reason. She’ll work with Alan because he has access to Prinny’s resources, but she never dreamed she’d make a perilous bargain with a man who’s as maddeningly arrogant as he is confoundedly attractive.“A scintillating Regency adventure filled with...dark and dangerous action.” —Affaire de Coeur“Charmingly written, by a deft hand.” —RT Book Reviews

    This romantic Regency won the RWA's 1991 Golden Heart Award.

    After the day-long journey, the only place for the weary travelers to sleep is the barn of an over-booked inn with only a single vacancy. Larissa, who has no intention of sleeping on a pile of straw, steps forward, claiming to be newly wed to Sir Randall Trent, baronet and unwitting accomplice in Larissa's scheme for adventure, in order to claim the last empty room. Convinced they will never see one another again and that no one will be the wiser about their little white lie, Larissa and Sir Randall part ways, though not before Sir Randall can bestow upon Larissa a passionate kiss that sends her reeling. Both are surprised to be thrown together again so soon in London for the Season. When their secret is discovered, Larissa and Sir Randall are forced to band together in the face of a crime spree in which Sir Randall is implicated. Life is about to offer Larissa an adventure unlike any she had ever imagined.

    No harm done, except that it reminded some in the country neighborhood that Kate had also refused the suit of the Earl of Winterton's brother--but then surprisingly accepted a legacy from him when he died in the Peninsula. Regency Romance by Laura Matthews