Two Lives… separated by millennia but nevertheless linked irrevocably. What possible link could Mark Hayek, an introverted twenty-first century research scientist, have to Raven, a young healer who lived during the late Pleistocene? It has everything to do with an injured Neanderthal man taken captive by Raven’s band while he and his brothers were hunting bison. After Raven heals the captive, he leaves for his tribe, and she tries to forget him as she struggles to remain within the band. But it’s not possible to stay when several band members make her life with the group untenable. Seeking the Neanderthal man she’d helped and facing her fear of being alone on the dangerous steppes, she begins crossing that grassy land—but a woman like Raven isn’t destined to be by herself for long. In the future, Mark Hayek is forced into making his own journey when his uncle dies in the Levant. His travels place him firmly in the footsteps of his Neanderthal and Early Modern Human ancestors, crossing the same ancient lands as he struggles against the fate a wayward kinsman has imposed. He’s been made a pawn in a cruel game, but when he encounters a woman being held prisoner in a cave, he seeks a way to save her. Help arrives for the pair, flowing from an unexpected, ancient source, igniting a struggle deep within Mark to accept that the illogical as well as the logical make up existence. Peoples come and go, one group replacing another over time, and echoes from ancient events have always affected the future, but Mark and Raven discover that in certain environments echoes are able to bounce back and forth, blurring their origins.

    aka Victor Vazquez’s debut novel "O.K." Written in as many languages as drugs it lists consumed (we’re counting idiolects, and music as a drug), "O.K." is a book of changes, as in flow, the Way, a contemporary perennial philosophy, starring Sun Ra, Bill Burroughs, 2Pac, you name It (knowing literary spirits)

    Self-haters. Sellouts. Loan Officer Tammy McDonald has just come out of another failed relationship with a wannabe thug. To break this destructive pattern, she leaves her home city of Dallas for San Diego. As she settles in rainbow California, fantasies of meeting an ebony prince fade, so she eyes Dale Bristol as a potential ivory replacement. Terrell Jackson is San Diego's only black optometrist. Women regularly drop in for more than just eye exams, but he stays true to his girl Tasha until a wet dream unleashes a ridiculous outburst. Fed up with her jealous fits, he denounces the common "dedramanators" in his life-black women. Even though Penelope Miller was raised in the South by a racist father once affiliated with the KKK, she can't ignore her attraction to black men. But she never expected to fall in love with one...nor did she expect her "interracial felony" to threaten their lives. SELLOUT follows these three individuals and the consequences of dating outside their race. In the quest to find what they think is missing in their lives, they encounter guilt, fear and mess they never anticipated...including murder.

    He likes old bicycles, new music, and (don’t say it too loud), model railroading. As the only child of wealthy Dallas executives, it appears that a life of trustafarian ease is his birthright. All those expectations are upended, however, the day he is summoned to the hospital bed of his friend (and fellow English three-speed enthusiast), Morgan Davies. Professor Davies has a secret to share: he once was a time traveler. He also has a task for his young friend: Miles is to travel back in time to 1928, and across the sea to England. Once there, he is to find “a girl with a gift, a girl born out of her time” and a “secret that was not meant to be” and then return home with them both. Miles must first find the courage to pass through the strange portal in the Vermont woods that will launch him on this mission, and then to face down a series of do-or-die crises (including a crisis of confidence). He must also navigate the low-tech, class-bound world of England in 1928 while keeping his true identity a secret. Miles' quest for the girl and the secret carries him from a great estate in England's beautiful countryside to London's jazz-age cabarets, and from terrified boy to heroic young man.

    Chosen by the author himself, the poems in Notes from the Air represent John Ashbery's best work from the past two decades, from the critically acclaimed April Galleons and Flow Chart to the 2005 National Book Award finalist Where Shall I Wander.While Ashbery has long been considered a powerful force in twentieth-century culture, Notes from the Air demonstrates clearly how important and relevant his writing continues to be, well into the twenty-first century. Many of the books from which these poems are drawn are regularly taught in university classrooms across the country, and critics and scholars vigorously debate his newest works as well as his classics. He has already published four major books since the turn of the new millennium, and, although 2007 marks his eightieth birthday, this legendary literary figure continues to write fresh, new, and vibrant poetry that remains as stimulating, provocative, and controversial as ever.Notes from the Air reveals, for the first time in one volume, the remarkable evolution of Ashbery's poetry from the mid-1980s into the new century, and offers an irresistible sampling of some of the finest work by this "national treasure."

    One of Swinging London's most popular faces, he lived fast, died young and was immortalized for ever in the opening lines of 'A Day in the Life', a song that many critics regard as The Beatles' finest. But who was John Lennon's lucky man who made the grade and then blew his mind out in a car?Author Paul Howard has pieced together the extraordinary story of a young Irishman who epitomized the spirit of the times: racing car driver, Vogue model, friend of The Rolling Stones, style icon, son of a peer, heir to a Guinness fortune and the man who turned Paul McCartney on to LSD.I Read the News Today, Oh Boy is the story of a child born into Ireland's dwindling aristocracy, who spent his early years in an ancient castle in County Mayo, and who arrived in London just as it was becoming the most exciting city on the planet. The Beatles and the Stones were about to conquer America, Carnaby Street was setting the style template for the world and rich and poor were rubbing shoulders in the West End in a new spirit of classlessness. Among young people, there was a growing sense that they could change the world. And no one embodied the ephemeral promise of London's sixties better than Tara Browne.Includes a sixteen-page plate section of stunning colour photographs.

    His dream is to play with them again, but the club's new owner has ambitions plans that may not involve Ed, and his ex may be less than willing to take him back. This is a funny and touching novel, written with real Northern soul by one of the country's most popular and knowledgeable commentators on music.

    Avery was tried for the murder of a twenty-nine-year-old mill worker, Sarah Marie Cornell. It was the first time a clergyman had ever been tried for murder in the United States and the first time an American murder trial became headline news. From this factual base, Mary Cable weaves a chilling novel of gothic desires and conflicting classes. She creates a rich atmosphere to show New England as it was then - simple, puritanical, superstitious, and unsentimental - on the brink of emerging from the eighteenth century into an industrial and far-more-complicated age. This dramatic, compelling story is as much about a time and place as it is about a notorious murder trial. A work of poetic intensity, Avery’s Knot is finally a classic, tragic tale of a woman caught between passion and puritanism.

    But when tragedy strikes his family, he turns to alcohol to deaden his pain and grief. He becomes an alcoholic and eventually loses his home, his job, and his faith. Thirty years later Jacob lives in poverty in the shadow of the now defunct power plant, where he works as a janitor. Jacob's life takes one more unexpected turn when he becomes trapped in the pitch-black recesses of the plant. In his forced sobriety, the bitter memories he has been drowning for decades begin to surface all around him, dragging him into a pit of regret and despair. Suffering the ravages of alcohol withdrawal combined with the chilling effects of sensory deprivation, he embarks on an emotional and spiritual journey that will take him to the brink of insanity and back. Before his captivity comes to an end, Jacob -- like his namesake from the Old Testament -- will find himself wrestling with God. The town sheriff, a State Police detective, and even a local priest, follow different clues as they search for Jacob. The widening mystery touches off a cascade of changes in the lives of those connected to him. A friendship broken by betrayal is mended, a long abandoned romance is rekindled, dark secrets about the power plant and its caretakers come to light, and a young man's life is forever altered as he uncovers the tragedy that sent Jacob spiraling downward so many years ago.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    Everett "Pop" Donovan was more than their boss, he was a beloved mentor. So they're shocked to learn that Pop left the business to his beautiful, estranged daughter—a woman they know nothing about—and who knows nothing about running a bakery...Harper Donovan intends to sell off Just Desserts as quickly as possible. She has no interest in Memphis, much less sweets. However, handsome Quentin has definitely sparked her appetite—and business aside, the feeling is irresistibly mutual. But soon a powerful, smooth-talking rival appears, vying for Harper's heart and her bakery. Harper might have a taste for Memphis after all—and Quentin might have to prove he's exactly what she craves...

    Born in a small town in Nova Scotia to a mother who begins yelling at him the moment he is born and a father who keeps his own counsel, Buck imbibes fear and insecurity like other kids guzzle milk. Hobbled by his fears and demons, Buck almost disappears into the “evil in the woods” that lurks just beyond the town's border . . . until he is saved by three gifts: baseball, romantic love and music. His epic journey­­—full of diversions, coincidences, and larger-than-life characters—out of the darkness of his suicide-plagued childhood and into the bright wide world begins with a killer pitching arm (Buck almost makes it to the pros) and continues with his transformation into hip hop artist Buck 65. Along the way, Buck develops into a hopeless romantic and an obsessively creative, shape-shifting man who both fears life and dives into it with abandon. Wicked and Weird is a lively, sometimes shocking portrait of a life lived on the edge, by turns funny and heartbreaking.

    Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with the Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 1960s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom that has brought him a loyal following not just in Britain but in France, Italy and Germany. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them - indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    His home microbiology lab—the latest experiment in his lifelong attempt to find music in surprising patterns—has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive and hatches a plan to transform this disastrous collision with the security state into an unforgettable work of art that will reawaken its audience to the sounds all around it.