A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man's maid swears she heard three musicians playing before the murder.But with no way in or out of the locked practice room, the puzzle makes no sense...Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss - Detective 'Nine-Nails' McGray - actually believes in such nonsense.McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

    In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods’ priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief.Hild is the king’s youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world—of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next—that can seem uncanny, even supernatural, to those around her. She establishes herself as the king’s seer. And she is indispensable—until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future.Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age—all of it brilliantly and accurately evoked by Nicola Griffith’s luminous prose. Recalling such feats of historical fiction as Hilary Mantel’s Wolf Hall and Sigrid Undset’s Kristin Lavransdatter, Hild brings a beautiful, brutal world—and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby—to vivid, absorbing life.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."

    No one pays you much heed; mostly you’re invisible as furniture. Yet you overhear a conversation here, and add a little gossip there. A writing desk lies open and you cannot help but read a paper. Then you find something, something you should not have found.Irrepressible Biddy Leigh, under-cook at the forbidding Mawton Hall, can’t wait to settle down with her sweetheart and set up her own tavern. But when her elderly master marries the young, enigmatic Lady Carinna, Biddy is unwittingly swept up into a world of scheming, secrets, and lies.Forced to accompany her new mistress to Italy, Biddy takes with her an old household book of recipes, The Cook’s Jewel, in which she records her observations. When she finds herself embroiled in a murderous conspiracy, Biddy realises that the secrets she holds could be the key to her survival – or her downfall . . . AN APPETITE FOR VIOLETS is an utterly compelling story of food, obsession and mystery, introducing a brilliant new voice in historical fiction.

    King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland. Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold. Intelligent and courageous, can Harold forge his own destiny - or does he have to bow to what fates impose?

     For Waltheof of Huntington and his fellow survivors of the Battle of Hastings, there is a simple choice: submit to this new foreign king, or die at the gallows. Follow the heart; or follow the head. As the country bows under the Norman yoke and Waltheof struggles to come to terms with his decision, a new Saxon hope emerges. A last challenge to the Norman might, a final chance for glory, a decisive test of old allegiances and new loyalties. Of the Ring of Earls, the first in Juliet Dymoke’s epic Conqueror Trilogy, charts the fate of Waltheof of Huntington: a knight whose true story embodies the turmoil that followed the last successful invasion of Britain.

    Cruelly betrayed while a mere boy by his brother’s vaulting ambition, he eventually overcomes bitter slavery far from his native land, achieving the status of a legendary warrior without peer among his adoptive people. Ultimately forced by tragic circumstances to choose between these two diverse cultures, he must finally decide where his true loyalties lay. About the Author:In his early years, Daniel Leston was known as a 'Story Teller' by his nephews and nieces, weaving wondrous tales for their young imaginations about heroes and heroines that strangely seems to carry the same monikers as the intended listeners. It was on this foundation that he decided to pen his first two books, primarily for the enjoyment of family and close friends.With the emergence of a remarkable tool called the 'e-reader', he decided to retrieve his novels from their long attic slumber, dust them off and offer them to the public in 2009.Blending his passion, as a former student of Art and History, Mr. Leston has drawn from his background to create two great tales steeped in history, adventure and human conquest. Opting to avoid the more chosen route of hiring a graphic artist for his first submissions to the literary world, he chose instead to complete the package, bringing his vision to life by painting his own covers.Daniel Leston is currently busy pounding the keyboard on his newest work... a continuing adventure for his beloved character from 'The Amun Chamber', Professor David Manning, scheduled for release in Fall 2012.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

    An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River. The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie.

    Set during the Hundred Years War (1337-1453), the narrative creates believable human beings from the great roll of historical figures. Here are the mad Charles VI, the brilliant Louis d'Orleans, Joan of Arc, Henry V, and, most importantly, Charles d'Orleans, whose loyalty to France brought him decades of captivity in England. A natural poet and scholar, his birth and rank thrust him into the center of intrigue and strife, and through his observant eyes readers enter fully into his colorful, dangerous times. First published in the Netherlands in 1949, this book has never been out of print there and has been reprinted 15 times. Hella S. Haasse has written 17 novels as well as poetry, plays and essays, and has received many honors and awards including the Netherlands State Award for Literature. Her books have been translated into English, French, German, Swedish, Italian, Hungarian, Serbo-Croatian and Welsh.

    From the author of Imperial Governor. Normandy: 11th century: Young Walter has grown up at the abbey of Evreux, believing himself the son of the abbey’s superintendent Dean Fulk, and earns the nickname Tirel for his skill at archery. An unfortunate incident leads to him being sent away to endure the rigorous training of a squire in William the Conqueror’s household. At the same time he learns his true lineage, and how he has been deprived of his inheritance. He finds a friend in the Conqueror’s second son William Rufus, but is disgusted by certain aspects of his behaviour. He must also attach himself to Rufus’s feckless elder brother Robert Curthose in the hope of making his fortune and regaining his inheritance, but this leads him to make new enemies, and brings him together with his childhood sweetheart, the warrior-lady Isabel of Conches. ‘George Shipway’s progress as an historical novelist has established him in the enviable position of matching such masters of the genre as Harrison Ainsworth. No sloppy romantic make-believe; instead, Mr Shipway creates a vivid, definitive adventure story of the period.’ Sunday Telegraph ‘You could easily vaunt George Shipway’s latest novel as a saga of nymphomania, homosexuality, torture, witchcraft and bloodshed. But that would be to do it a great deal less than justice, for THE PALADIN blends its … ingredients into a very civilized novel. Mr Shipway promises a sequel, which softens the blow of reaching the final pages of this story.’ Daily Mail ‘Here is a rattling good yarn in the form of a historical novel. .. the details of life in castle and countryside are animated and evocative.’ Evening Standard ‘Vivid reconstruction of violent period of history probably nearer the truth than conventional notions of romantic chivalry.’ The Evening News ‘As delectable a piece of historical collage as you could wish for.’ Liverpool Daily Post ‘Power passion rather than rosy romance is the preoccupation of the giant Norman knights who stalk the pages of THE PALADIN by George Shipway . . . Its earthy often horrific images have a great physical presence...His sheer professionalism is a joy.’ Eastern Daily Press ‘This “account” of the young Norman lord’s (Tirel’s) earlier life is so vividly told that one waits eagerly the culmination in a second novel.’ Western Mail ‘George Shipway’s new book.… should make you late for dinner….In diamond-hard style he tells a meaty tale of bad barons, sadistic soldiery and persecuted peasants in post-Conquest Normandy. A disturbing picture of the so-called Age of Chivalry.’ Coventry Evening Telegraph This book was first published in the 1970s and has since been out of print. Contains passages which may be offensive to LGBT readers. ABOUT THE AUTHOR George Frederick Morgan Shipway was in 1908 in India and was educated at Clifton. He then attended the Royal Military College, Sandhurst and was commissioned into the Indian Army in 1928. He was attached the 2nd Battalion The Prince of Wales's Volunteers (South Lancashire), for one. After his year Shipway was posted to the 13th Duke of Connaught's Own Lancers. He spent two years (1936-1938) as Adjutant of the Mekran Levy Corps. In 1940-41 he became a General Staff Officer, at General Headquarters, India. He remained on the staff until 1944 when he was posted to serve with the Hyderabad Lancers.

    . ."On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office--leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist--an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand--and fear--the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.

    But he discovers a city in turmoil and an Empire on the brink. The aging emperor Tiberius is in seclusion on Capri, leaving Rome in the iron grip of Sejanus, commander of the Praetorian Guard. Sejanus is ruler of the Empire in all but name, but many fear that isn't enough for him. Sejanus' spies are everywhere—careless words at a dinner party can be as dangerous as a barbarian arrow. Vespasian is totally out of his depth, making dangerous enemies (and even more dangerous friends—like the young Caligula), and soon finds himself ensnared in a conspiracy against Tiberius. With the situation in Rome deteriorating, Vespasian flees the city to take up his position as tribune in an unfashionable legion on the Balkan frontier. But even here there is no escaping the politics of Rome. Unblooded and inexperienced, he must lead his men in savage battle with hostile mountain tribes—dangerous enough without renegade Praetorians and Imperial agents trying to kill him too. Somehow, he must survive long enough to uncover the identity of the traitors behind the growing revolt...

    His head filled with tales of chivalry, instead he is branded a thief, and must make do with being squire to his childhood friend Sir Robert, a knight determined to make a name for himself as a man at arms in France. While William himself slowly acquires the skills of knightly combat, he remains an outsider - until the Battle of Poitiers when Sir Robert is cut down by the greatest knight of the age, Sir Geoffry de Charny, and William, his lowly squire, revenges him. But with his own knight dead, no honour acrrues to William for this feat of arms, and he is forced to become a mercenary. Scavenging a mis-matched set of armour from the knightly corpses, he joins one of the mercenary companies now set to pillage a defenceless France, and so begins a bloody career that sees William joining forces with the infamous Sir John Hawkwood and immersing himself in a treacherous clandestine war among the Italian city states. But paradoxically it is there, among the spies, assassins and hired killers serving their ruthless masters, that William finally discovers the true meaning of chivalry - and his destiny as a knight.

    The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money.Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London’s Crystal Palace—the world’s fair celebrating the rise of industrial technology and commerce. Something about the modern world "jams" the "frequencies" used by magic, and it’s up to Tristan to find out why.And so the Department of Diachronic Operations—D.O.D.O. —gets cracking on its real mission: to develop a device that can bring magic back, and send Diachronic Operatives back in time to keep it alive . . . and meddle with a little history at the same time. But while Tristan and his expanding operation master the science and build the technology, they overlook the mercurial—and treacherous—nature of the human heart.Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible, and take you to places—and times—beyond imagining.