It's an opportunity he can't refuse.

    Reluctantly returning for another semester at UC, campus editor Jim Parker and library assistant Faith Pullen are alarmed by a series of bloody accidents that seem to be linked to an eerie and sinister force.

    This third installment in the DOA series offers thirty stories from the originators of splatterpunk as well as the newest voices in extreme horror. You'll laugh...you'll cry...you'll vomit Don't say we didn't warn you.

    His life is the American Dream come true. Until things begin to change. Without warning, he exhibits strange behavior he can't seem to control, loses time and memories, has horrific nightmares and finds blood on his hands that may or may not be his own. When a mysterious young man who seems to know the future begins appearing in Cameron's backyard, things go from bad to worse. As voices and visions flood his mind, and shadowy figures watch his every move, something deep inside him comes awake, manifesting in acts of extreme rage and violence. Is he losing his mind, or is something evil stalking him, possessing him from within and turning Cam from the mild-mannered man he's always been into someone else…something else… The truth is coming for Cameron Horne, and there's going to be Hell to pay.

    But the angry, undead spirits of the island have a different, more original script in mind. And as horror after staggering horror unfolds, the camera keeps rolling. To the blood-spattered end...

    But after an enormous explosion at the facility, people in town start turning up dead...and in pieces.Something is loose in Hope Valley. Something big...and fast...and hungry. It has a lot of legs, a nasty disposition and a big appetite. This is one spider you can’t step on.

    But it still tortures him. His search for answers will lead him down a twisted path paved with secrets and grotesque lies. Instead of peace he finds madness, held captive as part of a deranged plan filled with suffering…and blood. As the nature of his captors’ insanity is revealed, Marshall will need to confront the truth about his son and his own past if he hopes to have a future.

    Then the bottom dropped out of civilization. The world ends not with a bang or a whimper, but with a dizzying downward spiral. Instead of the rat race of commuters scurrying to beat the clock, humans are now packs of animals reduced to snarling primitives. David, Tracy and their daughter Emily, along with fellow survivors, leave Los Angeles for the safety of the country where fewer people means fewer primitives. But as they venture farther away from the city, they realize an unnatural force is at work. Civilization didn't just fall apart...it was overtaken by an ancient evil that was present before the first cave paintings. Human history has no formal record of it, but the dark presence that's fueled nightmares since time began has crept out of the shadows...and its influence is growing.

    A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River—off season—awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall...And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface...and that there are no limits at all to the will to survive.

    Her Bible Belt community wouldn't dare accept her if she came out as a lesbian. Her husband, her pastor, and her neighbors would be scandalized by such a disclosure. But Ellie's desire for another woman's intimate touch grows stronger with each passing day, as does her desire to be dominant – to tell another woman just how to please her, to tie up another woman so that she'll never, ever leave. Ashamed of these feelings and hopeless of ever satisfying them, Ellie goes to a secret group on the social network and seeks out a partner for a suicide pact. There, she finds twenty-four year old Lori Morris--a woman who also claims devotion to death and lust. She agrees to meet Ellie in a hotel for an intense night of decadent sex and torture before suicide. But Lori has another agenda, too: to escape an oppressive force that might be God or might be the Devil. A force that even suicide may not allow her to escape. A force that wants Lori, Ellie, and all of humanity broken and brought to its knees.

    Kidnapped off the Manhattan streets and whisked away from the safe, normal world she once knew, she finds herself the victim of one reprehensible man's vision. Forced to witness the depravities of the seedy underworld where lust, rape, torture and mutilation are a way of life, stripped of clothing, pride, and spirit, Zoey must play their games, bear their torture -- but for how long? Somehow she must learn to survive the daily perversions . . . but how can Zoey survive? How could anyone? Somewhere between ecstasy and pain -- learn to SUFFER THE FLESH.

    The basement where she had been beaten and left chained in the frigid darkness to repent her sins on numerous occasions. Now, with her father dead, Victoria is an attractive young woman. Psychologically damaged, she struggles to make her way in the world. All she wants out of life is a husband to give her a baby – a child who will love her unconditionally and to whom she can be the mother she never knew. But her deep emotional scars prevent her from having the family life she so desires. When she discovers that her husband is cheating on her, her fragile sanity finally snaps and the cobwebbed walls of the secret basement will echo with screams like it has never known before. Inspired by WH Auden’s poem, ‘Victor’ – Daddy’s Girl contains scenes that some readers may find disturbing.

    Also includes: "The Dust Season," "The Man With the Face Like a Bruise," "The Photographer," "The Night the Moon Made a Sound," and "The Funeralgoer."

    A handful of Messengers brave the night between the increasingly isolated populace behind protective wards. Arlen Bales will search anywhere, dare anything, to save the world. Maybe Abban, a merchant in the Great Bazaar of Krasia who purports to sell anything, has the answer.

    Splatterpunk legend John Skipp turns the mirror back on ourselves, showing us all the ways that make us the worst monsters of all. A decade in the making, The Art of Horrible People collects John Skipp's most horrific, hilarious, and starkly honest short stories, raising horror fiction to gleefully deranged new heights.