Inspired by Shakespeare's magic play The Tempest, prizewinning writer Marina Warner refashions the drama to explore the restless conflicts between the inhabitants of a Caribbean island and the English family who settled it. From that violent moment in the seventeenth century when the English buccaneer Kit Everard arrives at Enfant-Beate, the islanders' fate is intertwined, often tragically, with that of the Everards. The voices that map the fortunes of those born, raised, or landed on the island pass from the wise woman Sycorax in the past, a healer and a dyer of indigo, to the native nanny Serafine Killebree, who transforms them to fairy tales for the two little Everard girls in London in the 1950s. At the center of the modern-day story is the relationship between these two young women: Xanthe, the golden girl, brash and confident, and Miranda, self-conscious and uneasy, who struggles with her Creole inheritance. When Xanthe decides they should return to Enfant-Beate to restore their fortunes, she binds the family closer to its past and awakens a history marked with passions and portents that takes the two women on very different paths of discovery. Sensuous and earthy, humorous and magical, Indigo is a novel of powerful originality and imagination.

    Caligari, for which he received considerable critical acclaim as an innovator of the short story form. His style (fictional and popular figures in absurd situations, e.g., the Batman-inspired "The Joker's Greatest Triumph"), spawned a number of imitators and would help to define the next several decades of short fiction.

    It combines elements of the supernatural and mystic with the story of their physical and spiritual adventures.

    Perhaps the greatest novel by Gerald Murnane, Australia’s reply to Proust and Calvino, and a Nobel favorite for several years running, Inland shows that one can as easily be an exile in one’s own interior as out in the wide world, and as easily feel the loss of people one has only imagined as those who have shared our lives in the flesh.

    had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone.A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile.Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman à clef.

    The Tolm family, for example, abandons the most difficult problem to the enormously bloated police apparatus, depending on whether the individuals are more likely to belong to the suspects or the vulnerable or even to both categories. This increases compulsively, as the signs pile up, threatening a new stop. But Fritz Tolm achieves a new clarity.

    Her memories of her childhood in Innisfail, New York are by turns romantic and traumatic. The early violent death of her father and abandonment by her mother have left her with a permanent sense of dislocation and loss. After decades apart, Marya becomes determined to find the mother who gave her away. In searching for her past, Marya changes her present life more than she could ever have imagined. Vividly evoking the natural beauty of rural upstate New York, and the complex emotions of a woman artist, Marya: A Life is one of Joyce Carol Oates's most deeply personal and fully-realized novels.

    Owning neither property nor a fortune, he's determined to succeed. One of Edgeworth's most famous novels, "Ormond" examines issues of moral development as it also looks at Ireland's political future.

    Winner of the Egon Hostovský Prize as the best Czech book of the year, this epic novel powerfully captures the sense of dislocation that followed the Czechs’ newfound freedom in 1989. More than just the story of its young protagonist—who is part businessman, part gang member, part drifter—it is a novel that includes terrifying dream scenes, Czech and American Indian legends, a nightmarish Eastern European flea market, comic scenes about the literary world, and an oddly tender story of the love between the protagonist and his spiritual sister.

    The two men discover that a quite different link already exists between them: it was Pye's strange, disturbed sister who once upon a time abducted Christopher and kept him in her room until Pye rescued the terrified child. In the apocalyptic atmosphere of the Blitz the relationship between the two men develops as each of them grapples with his own troubled emotional attachments, the one to his dead wife, the other to his unhappy sister. Inevitably matters come to a head when history shows signs of repeating itself. The subtle handling of relationships, the brilliance of the dialogue and description - including one of the best accounts ever written of London under the Blitz - established Caught as one of Henry Green's most powerful novels.

    Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world.

    He dreams of one day making a film—a searing portrait of his times—that the authorities would never allow. When the communist regime collapses, Pavel finds himself unprepared for the new world of supposedly unlimited freedom, and unable to make the film he has always wanted to make. His dilemma—that of a man choosing between the ideals and temptations of freedom—informs every sentence of this important novel.

    A tetralogy containing "Spring Snow", a love story, "Runaway Horses", with a protagonist a right-wing terrorist, "The Temple of Dawn", where a Thai princess is mystically linked with the heroes of the preceding works and, written under the shadow of the author's death, "The Decay of the Angel".

    A failed love affair, the failure to find work as an architect, and the difficulties of substitute teaching cause Albert Angelo to reexamine his life

    Upon their return to England, Amy is ungratefully reluctant to maintain their friendship, but the skeins of their existence seem inextricably linked as grief gives way to resilience and again to tragedy. Reversals of fortune and a compelling cast of characters, including Ernie, ex-sailor turned housekeeper, and Amy's wonderfully precocious granddaughters, add spice to a novel that delights even as it unveils the most uncomfortable human emotions.