In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command, and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute. The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.For the Relief of Unbearable Urges is a work of stunning authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new storyteller.

    From the tale of commitment, loneliness and hope in Of Mice and Men, to the tough yet charming portrait of people on the margins of society in Cannery Row, to The Pearl's examination of the fallacy of the American dream, Steinbeck stories of realism, that were imbued with energy and resilience.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

    Perhaps, if he had known that Adele had stood at the gate on that unlucky night, where she had followed, lingering, to await the return of her brother and lover, wondering why they had chosen so tempestuous an hour and so black a spot to hold converse--if he had known that a sudden flash of lightning had revealed to her sight that short, sharp struggle as Victor was sinking under his hands, he might have explained everything, and she--....

    The first, a science fiction of the past, tells of a boy whose brother was ‘devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, Specimen Days is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    But as he prepares to even the score with those responsible for his demise, he unwittingly finds an ally in a dark and malevolent force that grants him supernatural powers. Frank takes his revenge in the most ghastly ways imaginable - but there will be a terrible price to pay once his work is done.Destined to be a cult classic, this tale of corporate horror and demonic retribution will strike a chord with anyone who has ever been disgruntled at work. Also contains the stories "I Have A Special Plan For This World" and "The Nightmare Network".

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    It is voiced in first-person by an anonymous narrator often using jargon, broken grammar and punctuation with a poetry-like structure. The narration shifts quickly from random idea to idea with little to no connectivity between them, typically giving vivid descriptions of abstract situations. The narrative styles in the book vary significantly as well, with no apparent solid identity to the narrator itself. Some characters and ideas emerge suddenly and disappear without explanation.Within this form incorporate elements of science fiction, cyberpunk, tabloid journalism, and advertising slogans. Due to its use of pop-culture references (e.g. to kung-fu films) and literary allusions it requires knowledge of (then) current affairs. Leyner resorts to irony and humor as a means of interplay with traditional realism.-Wikipedia

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Boyle has created so vivid and original a retelling of the story of Victor, the feral boy who was captured running naked through the forests of Napoleonic France, that it becomes not just new but definitive: yes, this is how it must have been. The tale is by turns magical and moving, a powerful investigation of what it means to be human. There is perhaps no one better than T.C. Boyle at engaging, shocking, and ultimately gratifying his readers while at the same time testing his characters' emotional and physical endurance. The fourteen stories gathered here display both Boyle's astonishing range and his imaginative muscle. Nature is the dominant player in many of these stories, whether in the form of the catastrophic mudslide that allows a cynic to reclaim his own humanity ("La Conchita") or the wind-driven fires that howl through a high California canyon ("Ash Monday"). Other tales range from the drama of a man who spins Homeric lies in order to stop going to work, to that of a young woman who must babysit for a $250,000 cloned Afghan and the sad comedy of a child born to Mexican street vendors who is unable to feel pain. Brilliant, incisive, and always entertaining, Boyle's short stories showcase the mischievous humor and socially conscious sensibility that have made him one of the most acclaimed writers of our time.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    Then the tragic day arrives on which the terrible true nature of the beast is revealed.

    Dupin he invented the detective story; and tales such as 'MS. Found in a Bottle' and 'Von Kempelen and His Discovery' pioneered modern science-fiction.As readers will discover, Poe possessed an unrivalled capacity to create atmosphere and suspense, and to probe the dark depths of the human psyche. All the stories in this volume push back the boundaries, making the improbable possible, the familiar terrifying and strange.Contents:9 • Introduction (Selected Tales) • essay by John Curtis19 • The Duc de L'Omelette • [Tales of the Folio Club] • (1832) • shortstory by Edgar Allan Poe (variant of The Duke de L'Omelette)23 • MS. Found in a Bottle • [Tales of the Folio Club] • (1833) • shortstory by Edgar Allan Poe35 • The Assignation • [Tales of the Folio Club] • (1834) • shortstory by Edgar Allan Poe (variant of The Visionary)48 • Ligeia • (1838) • shortstory by Edgar Allan Poe65 • How to Write a Blackwood Article • (1838) • shortstory by Edgar Allan Poe (variant of The Psyche Zenobia)76 • The Fall of the House of Usher • (1839) • shortstory by Edgar Allan Poe96 • William Wilson • (1839) • novelette by Edgar Allan Poe (variant of William Wilson: A Tale)118 • The Murders in the Rue Morgue • [Chevalier Dupin] • (1841) • novelette by Edgar Allan Poe154 • A Descent into the Maelström • (1841) • shortstory by Edgar Allan Poe172 • The Island of the Fay • (1841) • shortstory by Edgar Allan Poe178 • The Colloquy of Monos and Una • (1841) • shortstory by Edgar Allan Poe188 • The Oval Portrait • (1842) • shortstory by Edgar Allan Poe192 • The Masque of the Red Death • (1842) • shortstory by Edgar Allan Poe (variant of The Mask of the Red Death)199 • The Mystery of Marie Rogêt • [Chevalier Dupin] • (1842) • novella by Edgar Allan Poe251 • The Pit and the Pendulum • (1842) • shortstory by Edgar Allan Poe267 • The Tell-Tale Heart • (1843) • shortstory by Edgar Allan Poe273 • The Gold-Bug • (1843) • novelette by Edgar Allan Poe311 • The Black Cat • (1843) • shortstory by Edgar Allan Poe322 • The Premature Burial • (1844) • shortstory by Edgar Allan Poe337 • The Purloined Letter • [Chevalier Dupin] • (1844) • novelette by Edgar Allan Poe357 • The Imp of the Perverse • (1845) • shortstory by Edgar Allan Poe364 • The Facts in the Case of M. Valdemar • (1845) • shortstory by Edgar Allan Poe374 • The Cask of Amontillado • [Fortunado] • (1846) • shortstory by Edgar Allan Poe382 • The Domain of Arnheim • (1842) • shortstory by Edgar Allan Poe (variant of The Landscape-Garden)399 • Von Kempelen and His Discovery • (1849) • shortstory by Edgar Allan Poe