Sir Mortimer Wheeler describes the architecture and town planning, thesculpture and painting, the silverware, glass, pottery and the otherrich artistic achievements of the era.

    A sumptuously illustrated history of one of Renaissance Italy's bloodiest families, complemented by extensive quotations from original sources and accompanied by a wealth of stunning images from the period.

    Now, in his second book on the city once known as La Serenissima, Norwich advances the story in this elegant chronicle of a hundred years of Venice’s highs and lows, from its ignominious capture by Napoleon in 1797 to the dawn of the 20th century.An obligatory stop on the Grand Tour for any cultured Englishman (and, later, Americans), Venice limped into the 19th century–first under the yoke of France, then as an outpost of the Austrian Hapsburgs, stripped of riches yet indelibly the most ravishing city in Italy. Even when subsumed into a unified Italy in 1866, it remained a magnet for aesthetes of all stripes–subject or setting of books by Ruskin and James, a muse to poets and musicians, in its way the most gracious courtesan of all European cities. By refracting images of Venice through the visits of such extravagant (and sometimes debauched) artists as Lord Byron, Richard Wagner, and the inimitable Baron Corvo, Norwich conjures visions of paradise on a lagoon, as enduring as brick and as elusive as the tides.

    It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present.With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it.Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted.

    Artists, exiles, and a dazzling array of movie talent rushed to Rome for a chance to thrive in this hotbed of excitement. From the photographers who tailed the stars to the legends who secured their place in cinematic fame, Dolce Vita Confidential resurrects the drama that permeated the streets and screens of Rome.

    In the book, Fellini recounts the stories behind his classic films La Dolce Vita, 8 1/2, La Strada, and others, describing the inspirations from which they arose and the struggles to get them filmed. He also speaks at length on actors Marcello Mastroianni, Anita Ekberg, Sophia Loren, and Anna Magnani, and on directors Roberto Rossellini, Ingmar Bergman, and Michelangelo Antonioni.

    Readers who enjoyed Too Much Tuscan Sun will welcome this second book, which includes even more episodes from the author’s life growing up as a Chiantigiano.

    What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.

    The authors document the atrocities of Caligula and also the other mad Emperors, particularly the deranged Commodus and Heliogabalus, the teenage ambisexual 'sun-god' whose arch-decadent proclivities would inspire Antonin Artaud to eulogise him in prose centuries later.

    Beginning as a passively absent narrator, Vannina encounters a fascinating array of characters during the holiday she takes on an island in the Bay of Naples with her husband, Giacinto. When he returns to work in a garage in Rome, Vannina travels to Naples with Suna, a friend she has made on vacation. This startling character opens Vannina to the possibility of finding love through other women and helps her reject the role of serving coffee to the men who would change the world through violence. Back in Rome, Vannina rejects her former life and moves toward complete, if difficult, independence. Maraini's writing is superb. Its warm and sensual style gives life to details: the food of the Mediterranean, the smell of its herbs, the acts of making coffee and making love, the step-by-step journey of an individual to self-awareness, self-reliance and independence. Everything is vivid and vibrant. Maraini's women grow in strength beyond the clamor of political slogans. The values of understanding, intuition and compassion effect real change that transcends the wearisome struggle between the chauvinisms of the political Right and the political correctness of the Left. A milestone in Italian literature.

    The novel is told through the eyes, letters and journals of Esmond Lowndes, who comes to Italy a lonely young man in the shadow of his politician father. On the cobbles of Florence’s many-storied streets, he deepens his appreciation of art and literature, and falls in love.With the coming of war, Esmond finds himself drawn into the Tuscan Resistance, hunted by the malevolent Mario Carità, head of the Fascist secret police. With his lover, Ada, at his side, he is at the centre of assassination plots, shoot-outs and car chases, culminating in a final mission of extraordinary daring.In Love and War is a novel that will take you deep into the secret heart of history. It is a novel of art and letters, of bawdy raconteurs and dashing spies. With Esmond Lowndes you will see the beauty of Florence and the horror of war as it sweeps over the city’s terracotta rooftops. In Love and War is both epic and intimate, harrowing and heartwarming.

    Opera is the popular entertainment of the day and the castrati are its reigning divas. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed.Disaster strikes Tito's opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchant-aristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer. The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theater's ruin.With carnival gaiety swirling around him and rousing Venetian passions to an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends.

    Lucrezia has fled Rome to a loveless marriage with Alfonso, heir to the duke of Ferrara, to escape the rumors that she is utterly depraved---incestuous, a lecher, a poisoner. To her delight she is warmly welcomed in Ferrara, by the duke, by his court, by the people, indeed by everyone except her husband. And then, after only six weeks of basking in the warmth of general approval, Alfonso rushes into her apartment and accuses her of poisoning Bianca Tedaldo, one of her ladies in waiting and mistress to Alfonso. Immediately, Lucrezia sees the nightmare of her life in Rome recurring. The whispers behind her back, the signs to ward off evil, people making out their wills when she invites them to share a meal. To deny the charge is useless. Lucrezia knows all too well the futility of claiming innocence even when the claim is clearly and plainly true. The only way for her to retrieve her reputation is to discover who committed the crime and expose the true murderer.

    Mark's basilica. Plus tips for navigating the country's lovely but less-traveled corners, like the Marches, the Dolomites, and even Sardinia.Where to find the absolute best seafood in Venice, the loveliest vineyards in Tuscany, the tastiest pizza in Naples, and, of course, the finest gelato that Italy has to offer.Insightful commentary on Italy's dazzling array of art and architectural masterpieces, from Michelangelo's statue of David to the glories of St. Peter's in Rome.Opinionated write-ups. No bland descriptions and lukewarm recommendations. Our expert writers are passionate about their destinations--tell it like it is in an engaging and helpful way.Exact prices listed for every establishment and activity--no other guides offer such detailed, candid reviews of hotels and restaurants. We include the very best, but also emphasize moderately priced choices for real people.All Complete guides offer user-friendly features including star ratings and special icons to point readers to great finds, excellent values, insider tips, best bets for kids, special moments, and overrated experiences.

    And then a holy painting begins weeping in Guid’Antonio’s church. Are the tears manmade or a sign of God’s displeasure with Guid’Antonio himself?In a finely wrought story for lovers of medieval and renaissance mysteries everywhere‚ Guid’Antonio follows a spellbinding trail of clues to uncover the thought-provoking truth about the missing girl and the weeping painting’s mystifying—and miraculous?—tears‚ all pursued as he comes face to face with his own personal demons.