Rescued from an orphanage by Will Trona, a charismatic Orange County politician who sensed his dark potential, Joe is swept into the maelstrom of power and intimidation that surrounds his adoptive father's illustrious career. Serving as Will's right hand man, Joe is trained to protect and defend his father's territory - but he can't save the powerful man from his enemies. Will Trona is murdered, and Joe will stop at nothing to find out who did it.Looking for clues as he sifts through the remains of his father's life - his girlfriends, acquaintances, deals, and enemies - Joe comes to realize how many secrets Will Trona possessed, and how many people he had the power to harm. But two leads keep rising to the surface: a little girl who was kidnapped by her mentally disturbed brother, and two rival gangs who seem to have joined forces. As Joe deepens his investigation - and as he is forced to confront painful events of his troubled childhood - these two seemingly disconnected threads will intersect. Just how and why form the crux of this intricate, intelligent mystery that satisfies the mind as well as the heart - and reveals yet again the impeccable detail, vivid characterization, and emotional complexity that make a T. Jefferson Parker novel impossible to resist.

    In his path waits Shel Beaudry, a knockout redhead with a smile that says, Gentlemen, start your engines. The attraction is instant–and soon the two are living the gypsy life on the West coast, where Dan captains a distribution ring for premium Thai marijuana, His credo "no guns, no gangsters, it's only money."But the trade is changing. Eager to get out, Dan plans one last run, judges poorly, and is betrayed by an underling and caught by the DEA. To secure light time for Shel and his crew, Dan takes the fall and pleads to ten years. Now, having served the full term, he emerges from prison a man with a hardened will but an unchanged heart. Though probation guidelines forbid any contact with Shel, a convicted felon, he sets his focus on one thing: finding her.Shel’s life has taken a different turn since her release from prison. She met Frank Maas, a recovering addict whose son died a merciless death. Driven by pity, Shel dedicates herself to nursing Frank back from grief and saving him from madness. But his weaknesses push him into the grip of a homegrown crime syndicate in command of the local methamphetamine trade. Mexicans are stealing the syndicate's territory, setting in motion a brutal chain of events that engulf Frank, Shel, and Dan in a race-fueled drug war from which none will escape unscathed.A brilliant crime novel of betrayal and retribution, passion and redemption, The Devil’s Redhead heralds the arrival of a powerful new voice in fiction.

    Abducted and held captive as a young girl, she is unable to remember anything about the crime that destroyed her childhood and tore her family apart. Now a grown woman with a bright future, she is certain she has put the past behind her. But when she inherits the family home, Tess must confront the demons that still haunt her and the town of Cold Creek. Gabe McCord has always blamed himself for what happened to Tess. He had been a teenager when she was snatched from the group of children he was responsible for watching. Now Gabe has taken on the role of sheriff and hopes to shed new light on the cold case, especially given his growing feelings for Tess. Tess isn't ready to recall what happened to her, and she has no intention of digging up any details that might remind her of the truth. But when another child in the town goes missing, she's certain it's related to her return to Cold Creek. Together,Tess and Gabe will have to work to unlock their painful memories in order to save another child and heal their damaged souls, for good…

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.

    Desperate to get to Laura before the cops, Danny returns to the underworld he had known as a drug-dealer, a world of fast sex and hard drugs, casual violence and sudden death. Danny walks the knife-edge between law and order and dark dealings, but as the line begins to blur he must decide, once and for all, where he stands.

    Art security expert Joanna Stark returns from self-imposed retirement to solve the crime from a building she had made burglarproof. But art theft leads to murder, friends become strangers and the past stalks the present. Especially when Joanna's nemesis--a brilliant art thief whose ice-blue eyes haunt her dreams--becomes the most dangerous and perplexing piece in a puzzle that gets closer to home every minute.

    Lizzie Browne moves from London to a small town on the coast, looking forward to a quiet life, but when she finds a murdered patient on her first day it seems that perhaps Stibbington is not so quiet after all. DCI Adam Maguire, and colleague Steve Grayson, haven’t been challenged by a case for a long time, and welcome this break from their normal routine, except that there seems to be no apparent motive for anyone to kill a harmless young drop-out. When a second body, similar to the first, is found in Lizzie’s garden she is drawn into Adam’s investigation against her will, and against her better judgment her quiet life is riven with tension and conflict.

    Not a good sign for Andrew Kindler, who just came from back east to get away from his past–as an arsonist. In fact, almost from the moment he sets foot in his cousin’s Santa Monica beach house, the heat starts swirling around him. First there’s the cop who thinks Andrew might know something about a murder suspect. Then there’s the suspect’s beautiful sister, who is willing to pay Andrew $5,000 for the same information.But Andrew really uninformed. And with a sensational murder case burning a hole in the gut of the LAPD–as well as the star-studded L.A. fitness industry–ignorance is dangerous. Now Andrew must solve a murder he knows nothing about, find a killer he’s never met, and unravel a family’s explosive secret. His reward for success? To live another day: one step ahead of his burning past... “An exceptionally well-crafted and well-told tale of arson, police work, misplaced zeal, bad relationships, good relationships, family bonds and, oh yes, exercise videos. Quirky, compelling, intelligent, and funny ... If you like Elmore Leonard, do yourself a favor and pick up BURN.”–Lincoln Journal Star “A cult writer for the masses–hip, smart and so mordantly funny that the casual reader might be laughing too hard to realize just how thoughtful Doolittle’s work is. Get on the bandwagon now.”–Laura Lippman, author of By a Spider’s Thread “Sean Doolittle combines wit, good humor, and a generosity of spirit rare in mystery fiction to create novels that are both engrossing and strangely uplifting. He deserves to take his place among the best in the genre.”–John Connolly, author of The White Road“An estimable addition not only to the publisher’s list but also to crime fiction ... Doolittle delivers a briskly plotted, hard-boiled mystery that has its roots in the Elmore Leonard school of dark comedy.”–South Florida Sun-Sentinel·Gold medal winner for mystery in ForeWord Magazine’s Book of the Year Award·A Best Crime Fiction of 2003 pick from January Magazine

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    A gun is fired into a car which swerves on to the pavement, killing the person standing at a bus stop. It seems that a chilling gang initiation has cost an innocent victim their life. But the reality is far more sinister.

    His business card describes him as the “Vinyl Detective” and some people take this more literally than others. Like the beautiful, mysterious woman who wants to pay him a large sum of money to find a priceless lost recording — on behalf of an extremely wealthy (and rather sinister) shadowy client.  Given that he’s just about to run out of cat biscuits, this gets our hero’s full attention. So begins a painful and dangerous odyssey in search of the rarest jazz record of them all…

    After a local bookscout is killed on his turf, Janeway would like nothing better than to rearrange the suspect's spine. But the suspect, local lowlife Jackie Newton, is a master at eluding the law, and Janeway's wrathful brand of off-duty justice costs him his badge. Turning to his lifelong passion, Janeway opens a small bookshop -- all the while searching for evidence to put Newton away. But when prized volumes in a highly sought-after collection begin to appear, so do dead bodies. Now, Janeway's life is about to start a precarious new chapter as he attempts to find out who's dealing death along with vintage Chandlers and Twains. Includes information on John Dunning's new Cliff Janeway novel, The Bookman's Promise, coming soon in hardcover from Scribner

    But that was before he caught his wife cheating on him with one of his operatives and took it out on the man with the butt end of a .45.   Now Matt makes his home on the streets of New York and his only companions are the city’s bartenders. But trouble still knows how to find him, and when Johnny Bridges shows up from the old neighborhood, begging for Matt’s help, Cordell finds himself drawn into a case full of beautiful women and bloody murder. It’s just like the old days – only this time, when the beatings come, he may wind up on the receiving end...

    But what if, instead of having been founded 50 books ago, Hard Case Crime had been founded 50 years ago, by a rascal out to make a quick buck off the popularity of pulp fiction? Such a fellow might make a few enemies – especially after publishing a supposed non-fiction account of a heist at a Mob-run nightclub, actually penned by an 18-year-old showgirl. With both the cops and the crooks after them, our heroes are about to learn that reading and writing pulp novels is a lot more fun than living them...

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.