Her story stretches from industrial England to the French Riviera, from Ireland to New York, Shanghai, New Zealand, the Isle of Man and across Australia. Ethel claimed she was a cotton heiress, wartime nurse, casino hostess, stowaway, artist, opera singer, gambler, spy, close friend of the King, air raid warden, charity queen and even wife of Australian test cricketer Jack Fingleton.When her career imploded (with the abandonment of her glittering society marriage in post-war Sydney just two hours before the guests were due to arrive), the story of the Amazing Mrs Livesey was blazoned across newspapers around the world. But what was fact and what was fiction?With a prologue by Ethel Livesey's granddaughter, this extraordinary and constantly surprising story of the woman who was possibly Australia’s greatest fraudster is told for the first time in rich and fascinating detail.Author's Note:Written as narrative or factional history, real people and actual events have been woven together with fictitious character names, and imagined conversations to bridge occasional gaps in the storyline or account for unnamed people.

    .Poppy's world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend.At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies' privileges at work.Meanwhile, their colleague Frankie would love a night out, away from her darlings - she's not had one this decade and she's heartily sick of being judged by women at the office as well as stay-at-home mums.Then Poppy and Annalise's group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.A rivalry that was once harmless fun is spiraling out of control.Because one of their members is a wolf in sheep's clothing. And she has an agenda of her own . . .

    When Stephanie Wood meets a sweet man who owns a farm and property, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man?When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered at the hands of liars, cheats, narcissists, fantasists and phonies, men who are enormously skilled at deception.In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides.

    Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

    Or am I allowing that uncontrollable imagination of mine too much slack? This is the story of an unlikely friendship.When priest and Sydneysider Tony Doherty emailed Melbourne-based writer and performer Ailsa Piper to say how much he had enjoyed her latest book, he was met with a swift reply from a similarly enquiring mind. Soon emails were flying back and forth and back again. They exchanged stories of their experiences as sweaty pilgrims and dissected dinner party menus. They shared their delight in Mary Oliver's poetry and wrestled with what it means to love and to grieve. This energetic exchange of words, questions and ideas grew into an unexpected but treasured friendship.Collected here is that correspondence, brimming with empathy, humour and a fierce curiosity about each other and the worlds, shoes and histories that they inhabit. Described by one reader as 'a demonstration of how to have a conversation and a friendship', The Attachment is an intriguing, entertaining and moving celebration of family, faith, connection-even the correct time of day to enjoy rhubarb.Dear Tony, Funny how our ears tune in to things. How our priorities shift based on who and what we know. How we come to care about such abstract or remote things through the experience of another. Lovely, somehow, but so serendipitous. All the other things we might care about. All that we might have missed had we not stopped to care for this person. I'm glad we stopped for each other. 'To read this book is to be present at the unfurling of a tender friendship between two thoughtful, compassionate humans, and like all the best collections of letters it's also a discursive wander through life's big questions. It will make you grateful for what you have, while urging you to seize the day with the people you love... It will make you want to write letters:goodones. I will read this book again and again.'Charlotte Wood, Stella Prize-winning author ofThe Natural Way of Things'... captures the intoxication of being swept into a new and deeply nourishing friendship. It fizzes with joy and humour, wrestles with agonising questions, always anchored in compassion and wisdom.' Debra Oswald, author ofUseful'The Attachmentmade me want to notice my world, love my world,shape it into words. It is a book about friendship but more than that, these two letter-writers - these unlikely friends - are mature enough to know the value of the moment, the value of friendship, how precious and fleeting life is... I was moved, and surprised, and completed the book in a veil of tears... The book enriched me, and inspired me.'Sofie Laguna, Miles Franklin award-winning author ofThe Eye of the Sheep'From the first seed of recognition, the feverish exchange of ideas and confidences to a deep and abiding appreciation,The Attachmentis a candid, illuminating journey into the heart of a profound and unexpected friendship, and a testament to the art of correspondence.'Kat Stewart, actor'... the chronicle of an unlikely but beautiful friendship thatwill inspire you to value your own friendships more highly, and to nurture them more carefully.'Hugh Mackay, author ofBeyond Belief

    When Kerry arrives at the animal sanctuary it's to the news that Graham is imprisoned in Mozambique following a shootout with elephant poachers. In the gunfight he killed the brother of corrupt politician and poaching kingpin Fidel Costa.Kerry's earnest sense of justice takes her to Massingir to help Graham with his case, and into a world of danger. Kidnapped, chased, attacked and betrayed, Kerry learns the bitter truth about the complexities and deadly nature of the war on poaching.Even the motivations of well-meaning charities, wealthy donors and private zoos are not all they appear.Kerry's perilous entanglement may be what Graham needs to shake off his drunken cynicism and rejoin the fight for Africa's animals, but is it enough, and in time, to stop Costa's quest for revenge...

    Very unusual cops . . .Homicide detective Frank Bennett has an intriguing new partner. Dark, beautiful, coldly efficient, Eden Archer is one of the most enigmatic colleagues Frank has ever worked with—that includes her brother Eric, who’s also on the Sydney Metro police force. All of them are tested to the core when a local man discovers a graveyard of large steel toolboxes lying at the bottom of the harbor. Each box contains a grisly trove of human body parts.For Frank, the madman’s clues are a tantalizing puzzle. For Eden and Eric, the case holds chilling links to a scarred childhood—and a murderous mentor named Hades. But the true evil goes beyond the bloody handiwork of a serial killer…

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    It turns out she might be right. Meet Harper Brown… Occupation: Arts journalistDream job: Hard-hitting news reporterLocation: ParisLoves: True crime podcasts, art galleries, coffee, whiskeyDoes not love: fake people, toxic positivity, being told how to live her life by smug workmates who have no life (that’s you, Stan), her narcissistic exFavourite book: 1984Favourite artist: Noah X. Sometimes.Favourite painting: Klimt’s Schubert at the PianoSpecial skills: breaking out of car boots, picking locks and escaping relationships.Superpower: She can lose any guy in three minutes flat. Ask her how.Secret: She’s hot on the trail of a murderer – and the scoop of a lifetime. That’s if the killer doesn’t catch her first.

    Sent to Jakarta to find out as much as he can about the pilot of a vanished Garuda flight, he discovers a flight simulator in the pilot's apartment. When the investigation turns sour, Ted escapes to New York as further disaster strikes.Another plane disappears from the sky. Then another. Three planes and hundreds of passengers and crew, vanished, without a trace. Panic is widespread and the world is teetering on the brink.Still no one has come forward to claim responsibility. At an eerily deserted JFK airport trying to get a flight back home, Ted witnesses a suspicious exchange between an airport cleaner and a nonchalant airline pilot. He follows the pilot to his destination: a Ukraine International Airlines flight, due to leave in an hour. All his instincts tell Ted that this is the next plane to go down. But what on earth can he do? Take the flight and face almost certain death? Or fly back home and wait for the news headlines?He does the unthinkable and gets on the plane.Astoundingly original and utterly gripping, Flight Risk is a white-knuckle ride of nonstop suspense - a high-octane thriller full of pure adrenaline, explosive action and jaw-dropping revelations.

    In Bowraville, all three of the victims were Aboriginal. All three were killed within five months, between 1990 and 1991. The same white man was linked to each, but nobody was convicted.More than two decades later, homicide detective Gary Jubelin contacted Dan Box, asking him to pursue this serial killing. At that time, few others in the justice system seemed to know – or care – about the murders in Bowraville. Dan spoke to the families of the victims, Colleen Walker-Craig, Evelyn Greenup and Clinton Speedy-Duroux, as well as the lawyers, police officers and even the suspect involved in what had happened. His investigation, as well as the families’ own determined campaigning, forced the authorities to reconsider the killings. This account asks painful questions about what ‘justice’ means and how it is delivered, as well as describing Dan’s own shifting, uncomfortable realisation that he was a reporter who crossed the line.Praise for the Bowraville podcast:'It is a gripping true crime tale and an essay on racism; a challenge to the lies Australia tells itself about its treatment of Aboriginal and Torres Strait Islander people told through the voices of three Aboriginal families who have been indisputably let down … The podcast has galvanised the public in a way that two decades of print and television reporting on the Bowraville murders have not.’ The Guardian 'A masterful example of crime reporting which forensically details the worst of human nature, inexplicably compounded by the gross negligence of the only people who could provide justice. It’s stirred thousands, including the prime suspect, to re-engage with the case after trusting the journalist to take them to dark places.’ Walkley judges’ comments ‘Outstanding.’ Leigh Sales‘Moving, brilliant.’ Annabel Crabb'If you haven't listened to Bowraville by Dan Box, then you should.’ David Campbell

    . ."When Esther McKay, an idealistic young constable with the NSW police, entered the tough, male-dominated world of forensic investigation, she was determined to hold her own. She soon found herself at deeply confronting crime scenes, often working alone and without supervision. After years of long, lonely, exhausting days and nights, and following a particularly harrowing high-profile case involving the disappearance of two young boys, Esther had a break-down and was diagnosed with post-traumatic stress disorder. This is Esther's story. Powerful, moving and unforgettable, Crime Scene takes us inside the life of a forensic investigator, and reveals as never before the extraordinary demands and dangers of forensic work.

    A prickling sensation crawls up her arms, her heart rate speeds up. ‘Found who?’ she asks, slowly, carefully, deliberately. ‘They found Daniel.’ Six years ago Megan waits at the school gates for her six-year-old son, Daniel. As children come and go, the playground emptying, panic bubbles inside her. Daniel is nowhere to be found. According to his teacher, Daniel’s father, Greg, has picked up his son. Except Greg and Megan are no longer together. After years of being controlled by her cruel husband, Megan has finally found the courage to divorce him. Hands trembling, she dials his number, but the line is dead. Six years later Megan is feeding baby daughter, Evie, when she gets the call she has dreamt about for years. Daniel has walked into a police station in a remote town just a few miles away. Her son is alive – and he’s coming home. But their joyful family reunion does not go to plan. His room may have been frozen in time, with his Cookie Monster poster and stack of Lego under the bed, but Daniel is no longer the sweet little boy Megan remembers. Cold and distant, Daniel is grieving the death of his father, blaming Megan for his loss and rejecting his family. And as Megan struggles to connect with the son she no longer recognises as her own, she begins to realise that Daniel has a secret. A secret that could destroy their family and put them in terrible danger. A heartbreaking, emotional drama about a family in turmoil, with a jaw-dropping twist that will blow you away. Fans of Jodi Picoult, Liane Moriarty and Lisa Wingate – this moving and poignant novel is for you.