Never before had an entire organization so collectively traumatized baseball's establishment with its outlandish behavior and business decisions, let alone an indisputably winning record: five consecutive division titles and three straight championships. The drama that played out on the field was exceeded only by the drama in the clubhouse and front office. But those A's, with their garish uniforms and outlandish facial hair, redefined the game for coming generations. Under the visionary leadership of owner Charles O. Finley, the team assembled such luminaries as Reggie Jackson, Catfish Hunter, Rollie Fingers, and Vida Blue. Finley acted as his own general manager, his insatiable need for control dictating everything from the playlist of the ballpark organist to the menu for the media lounge. So pervasive was his meddling that one of his managers, Dick Williams, quit in the middle of the championship celebration following Oakland's Game 7 victory over the Mets in the 1973 World Series. The advent of free agency spelled the end of Finley's reign; within two years, his dynasty was lost. A sprawling, brawling history of one of baseball’s unforgettable teams, Dynastic, Bombastic, Fantastic is a paean to a turbulent, magical time.

    The commissioner, executives, and players were shocked. Sportswriters called author Jim Bouton a traitor and "social leper." Baseball commissioner Bowie Kuhn tried to force him to declare the book untrue. Fans, however, loved the book. And serious critics called it an important social document. Today, Jim Bouton is still not invited to Oldtimer's Days at Yankee Stadium. But his landmark book is still being read by people who don't ordinarily follow baseball.

    From that question was born the idea behind BASEBALL AND JAZZ. Posnanski and the 94 year old O'Neil decided to spend the 2005 baseball season touring the country in hopes of stirring up the love that first drew them to the game. This book is just as much the story of Buck O'Neil as it is the story of baseball. In a time when disillusioned, steroid–shooting, money hungry athletes define the sport, Buck O'Neil stands out as a man that truly played for the love of the game. Posnanski writes about that love and the one thing that O'Neil loved almost as much as baseball: jazz. BASEBALL AND JAZZ is an endearing step back in time to the days when the crack of a bat and the smoky notes of a midnight jam session were the sounds that brought the most joy to a man's heart.

    Called “exceptional” by Time magazine, The Rocket That Fell to Earth is a stunning portrait of a sports legend equally loved and loathed by fans and colleagues, his life and his storied career, and his place at the dead center of professional baseball’s shocking steroid controversy.

    Prophet of the Sandlots reveals a world of farm teams and back roads, where hopes of athletic glory rise as dependably as the corn, and honors a baseball sage who is the best possible guide to the game at America's heart--Tony Lucadello.

    In a book that's sure to thrill--and infuriate--countless fans, Bill James takes a hard look at the Hall, probing its history, its politics and, most of all, its decisions.

    The sports page chronicles man's triumphs." So the adage goes, never more true than when surveying 100 years of American history through its coverage of sports. From Bobby Knight to Bobby Fischer, from Secretariat to Sugar Ray, from Butkus to the Babe, the 20th century abounds with classic figures in sports history. Their compelling stories fuel our collective memory. In the pieces assembled here, The Best American Sports Writing of the Century captures these indelible moments in words worth a thousand pictures. Working with series editor Glenn Stout (Best American Sports Writing 1999 etc.), Pulitzer-Prize winner David Halberstam (The Summer of '49, Playing For Keeps:Michael Jordan & the World He Made) selects the century's most engaging sports journalism. While the task was surely a challenge, the result is a near-seamless retrospective of contemporary athleticism. The pieces are contemporaneous with the events recounted, infusing the entire collection with an intimate immediacy. You are there — with Joe DiMaggio, Junior Johnson, Muhammad Ali, Branch Rickey — again & again. The writing is uniformly excellent, mixing some familiar choices with otherwise overlooked gems. However, one criticism must be noted: This is for fans of men's endeavors, for women hardly appear in the 800-plus pages. No exquisite essays on Wilma Rudolph's struggles to achieve Olympic gold. No mention of Chris Evert's importance to tennis. No hymns of praise for Peggy Fleming's inspiring skating. Nohyperboleabout Shirley Muldowney's drag racing prowess. No Mary Decker, no Nancy Lopez, no Picabo Street. Perhaps a companion volume is in the offing. For capturing 10 decades of achievement by the men, tho, no tribute could be finer. Whether rejoicing on the quietude of fishing (Thomas McGuane, The Longest Silence, 1969) or the cacophony of Bobby Thomson's pennant-winning heroics (Red Smith, Miracle of Coogan's Bluff, 1951), the writing is evocative and timeless. Some athletic greats are viewed as their careers are poised to explode (Tiger Woods in 1997's The Chosen One, by Gary Smith). Others are glimpsed in the rearview mirror: DiMaggio in 1966's The Silent Season of a Hero, by Gay Talese; Ty Cobb in 1961's The Fight to Live, by Al Stump; & Billy Conigliaro in 1989's "A Brother's Keeper," by Mike Lupica. In a marvelous choice, Halberstam concludes the book with six essays on Ali. The selections represent the full spectrum of his athletic and public career, from cocksure Cassius Marcellus Clay (Murray Kempton, "The Champ and the Chump," 1964) to reflective disciple of Islam (Dick Schaap, "Muhammad Ali Then and Now," 1971) to resurrected warrior in Manila (Mark Kram, "Lawdy, Lawdy, He's Great," 1975) & beyond.

    Stuck in a rut, baseball was dying. Then Steinbrenner bought the Yankees, a second-division club with wife-swapping pitchers, leaving the House That Ruth Built not with a slam but a simper. He vowed not to interfere—before soon changing his mind. Across town, Tom Seaver led the Mets’ stellar pitching line-up, and iconic outfielder Willie Mays was preparing to say goodbye. For months, the Mets, under Yogi Berra, couldn’t get it right. Meanwhile, the A’s were breaking a ban on facial hair while maverick owner Charlie Finley was fighting to keep them underpaid. But beneath the muttonchops and mayhem, lay another world. Elvis commanded a larger audience than the Apollo landings. A Dodge Dart cost $2,800, gas was a quarter per gallon. A fiscal crisis loomed; Vietnam had ended, the vice president resigned, and Watergate had taken over. It was one of the most exciting years in the game’s history, the first with the designated hitter and the last before arbitration and free agency. The two World Series opponents went head-to-head above the baby steps of a dynasty that soon dwarfed both league champions. It was a turbulent time for the country and the game, neither of which would ever be the same again.

    

    Whether walking out on the Montreal Expos to protest the release of a valued teammate or telling sportswriters eager for candid and offbeat comments more about the game than his bosses wanted anyone to know, pitcher Bill “Spaceman” Lee became celebrated as much for his rebellious personality as for his remarkable talent. Add to the mix his affinity for Eastern religions and controversial causes, and you can see why Lee infuriated the establishment while entertaining his legion of fans. In this wildly funny memoir that became a massive bestseller in the United States and Canada when it was first published, Lee recounts the colorful story of his life—from the drugged-out antics of his college days at USC (where he learned that “marijuana never hammered me like a good Camel”) to his post–World Series travels with a group of liberal long-distance runners through Red China (where he discovered that conservatives don’t like marathons because “it’s much easier to climb into a Rolls-Royce”). Lee also describes his minor league days, joining the Reserves during the Vietnam War, his time with the Red Sox, and the 1975 World Series. He spares no detail while recalling his infamous falling-out with Red Sox management that led to his trade to Montreal. Full of irreverent wit, and an inherent love of the game, The Wrong Stuff is a sports classic for a new generation.From the Trade Paperback edition.

    Jerry Remy's name and face are already known to millions of fans. Every night during the baseball season, 400,000 or more households tune in to listen to his broadcast of the Red Sox game. But fans learned to love him years ago, when he was traded to the Red Sox in 1978, earning a trip to the All-Star Game in his first year with the team; Remy hit .278, scored eighty-seven runs, and stole thirty bases. Injured in 1984, Remy never played another game. In 1988, he began his work as an announcer, working color commentary for Red Sox broadcasts on NESN, which is a basic cable channel throughout New England and available by satellite across the country. He covers more than 150 games per season for NESN and broadcast television, plus regular assignments on the national Fox Game of the Week. But the best part of Jerry Remy is his easy style: listeners feel like they're having a beer with a friend while they're watching the game.If spectators just follow the ball, they are missing much of the game. Baseball is a lot more complex than that. Everyone talks about second-guessing the manager; and there's a lot of fun in that for everyone except the manager. Those opinions can be heard all day on the sports talk shows and read in the newspaper columns. But if the people are really going to get into the game, they need to start first-guessing. That's what this book is all about.

    1 of Red Sox Nation, those seven words meant "No more ‘1918’ chants. No more smug glances from Yankee fans. No more worrying about living an entire life -- that’s eighty years, followed by death -- without seeing the Red Sox win a Series." But once he was able -- finally -- to type those life-changing words, Bill Simmons decided to look back at his "Sports Guy" columns for the last five years to find out how the miracle came to pass. And that’s where the trouble began. The result is Now I Can Die in Peace, a hilarious and fresh new look at some of the best sportswriting in America, with sharp, critical commentary (and fresh insights) from the guy who wrote it in the first place.

    A huge and awesome legend who leaps and spins and shoots players with an index finger while screaming OUTOUTOUT!!! Now baseball's flamboyant fan-on-the-field comes out from behind the mask to call the game as he really sees it.

    But as track stars like Marion Jones blazed their way to Olympic medals and sluggers such as Mark McGwire brought fans back to baseball with stratospheric home runs, sports officials, the media, and fans looked past the rumors and cheered on the stars to ever-higher levels of performance. Then, in December 2004, after more than fifteen months of relentless reporting, "San Francisco Chronicle" reporters Mark Fainaru-Wada and Lance Williams broke the story of the Bay Area Lab Co-operative, a tiny nutritional supplement company that according to sworn testimony was supplying elite athletes, including baseball MVP Jason Giambi, with banned drugs. The stories, exposing rampant cheating at the highest levels of athletics, shocked the nation as sports heroes were brought low and their records were tainted. The exposes led to Congressional hearings on baseball's drug problems, and a revived effort to purge the U.S. Olympic movement of drug cheats. Now, in "Game of Shadows," Fainaru-Wada and Williams tell the complete story of BALCO and the investigation that has shaken the foundations of the sporting world. They reveal how an obscure, self-proclaimed nutritionist, Victor Conte, became a steroid svengali to multi-millionaire athletes desperate for a competitive edge, and how he created superstars with his potent cocktails of miracle drugs. They expose the international web of coaches and trainers who funneled athletes to BALCO, and how the drug cheats stayed a step ahead of the testing agencies and the law. They detail how an aggressive IRS investigator doggedly gathered evidence until Conte and his co-conspirators were brought to justice. And at the center of the story is the biggest star of them all, Barry Bonds, the muscle-bound MVP outfielder of the San Francisco Giants whose suspicious late-career renaissance has him threatening Hank Aaron's all-time home run record.Shocking, revelatory, and page-turning, "Game of Shadows" casts light into the shadows of American sport to reveal the dark truths at the heart of the game today.

     We meet the people who most influenced Goodwin’s early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers’ leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood.